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Money for Something: Music Licensing in the 21st Century
[Excerpt] The laws that determine who pays whom in the digital world were written, by and large, at a time when music was primarily performed via radio broadcasts or distributed through physical media (such as sheet music and phonograph records), and when each of these forms of music delivery represented a distinct channel with unique characteristics. With the emergence of the Internet, Congress updated some copyright laws in the 1990s. It applied one set of legal provisions to digital services it viewed as akin to radio broadcasts and another set to digital services it viewed as akin to physical media. Since that time consumers have increasingly been consuming music via digital services that incorporate attributes of both radio and physical media. However, companies that compete in enabling consumers to access music may face very different costs to license music, depending on the technology they use and the features they offer. These differences in technology and features also affect the amount of money received by songwriters, performers, music publishers, and record companies.
U.S. copyright law allows performers and record labels to collectively designate an agent to receive payments and to negotiate the licensing fees that certain types of digital music services must pay to stream music to their customers. Groups representing public radio and educational stations reached voluntary agreements with the agent, SoundExchange, in 2015. Rates paid by parties that do not reach voluntary agreements with SoundExchange during a limited negotiation period are instead set by the Copyright Royalty Board (CRB), a panel of three judges appointed by the Librarian of Congress.
On December 16, 2015, the CRB set rates for online music streaming services for the period 2016 through 2020. For nonsubscription services, the CRB reduced the per-stream rate it had set in the previous rate proceeding, but the costs paid by several “small” music streaming services are likely to increase. Advocates of the small streaming services have launched a petition asking Congress to either allow their previous agreements to continue indefinitely or discontinue the requirement that small streaming services pay royalties to performers and record labels. SoundExchange has objected that the rates set by the CRB do not provide adequate compensation to performers and record labels.
Members have introduced several bills in the 114th Congress that would change the amounts various participants in the music industry pay or receive in royalties. These bills are controversial, as they could alter the cost structures and revenues of broadcast radio stations, songwriters, performers, and others at a time when the music industry’s overall revenues are not growing. At the same time, the U.S. Department of Justice (DOJ) is continuing a review of consent decrees it entered into with music publishers in the 1940s. The outcome could affect the extent to which songwriters can control the use of their works
State of New York Public Employment Relations Board Decisions from November 30, 2011
BD_Mtng_11_30_2011.pdf: 502 downloads, before Oct. 1, 2020
State of New York Public Employment Relations Board Decisions from September 19, 1995
9_19_1995_PERB_BD_DecisionsOCR.pdf: 117 downloads, before Oct. 1, 2020
A Factory-based Approach to Support E-commerce Agent Fabrication
With the development of Internet computing and software agent technologies, agent-based e-commerce is emerging. How to create agents for e-commerce applications has become an important issue along the way to success. We propose a factory-based approach to support agent fabrication in e-commerce and elaborate a design based on the SAFER (Secure Agent Fabrication, Evolution & Roaming) framework. The details of agent fabrication, modular agent structure, agent life cycle, as well as advantages of agent fabrication are presented. Product-brokering agent is employed as a practical agent type to demonstrate our design and Java-based implementation
What children on the autism spectrum have to ‘say’ about using high-tech voice output communication aids (VOCAs) in an educational setting
This paper focuses on accessing the experiences of three boys who are on the autism spectrum to identify what using a voice output communication aid (VOCA), within a classroom setting, means to them. The methods used to identify the boys' perspectives are described and evaluated. Establishing these through direct methods of engagement proved problematic but working with parents and school staff as ‘expert guides’ provided a rich insight into what using a VOCA appeared to mean to the boys. The findings suggest that using a computer-based VOCA can be viewed by children with autism as a pleasurable and motivating activity. This technology also seems to offer the potential for a much broader developmental impact for these children than that currently recognised within the research literature
End-to-End Privacy for Open Big Data Markets
The idea of an open data market envisions the creation of a data trading
model to facilitate exchange of data between different parties in the Internet
of Things (IoT) domain. The data collected by IoT products and solutions are
expected to be traded in these markets. Data owners will collect data using IoT
products and solutions. Data consumers who are interested will negotiate with
the data owners to get access to such data. Data captured by IoT products will
allow data consumers to further understand the preferences and behaviours of
data owners and to generate additional business value using different
techniques ranging from waste reduction to personalized service offerings. In
open data markets, data consumers will be able to give back part of the
additional value generated to the data owners. However, privacy becomes a
significant issue when data that can be used to derive extremely personal
information is being traded. This paper discusses why privacy matters in the
IoT domain in general and especially in open data markets and surveys existing
privacy-preserving strategies and design techniques that can be used to
facilitate end to end privacy for open data markets. We also highlight some of
the major research challenges that need to be address in order to make the
vision of open data markets a reality through ensuring the privacy of
stakeholders.Comment: Accepted to be published in IEEE Cloud Computing Magazine: Special
Issue Cloud Computing and the La
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