Multi-Color Diffusion Simulation of Dye Over Folded Fabrics

Creating a unique dyed shirt requires accurately simulating a fabric model, implementing the ability to fold the fabric, encoding the process of dye diffusion through the fabric, and allowing for different color channels of dye to mix. These goals require an adherence to the physical properties and laws that govern the process of diffusion and a suitable representational model that this diffusion is conducted on and through. This paper presents a model for the representation of fabric that is comprised of two layers woven together in a weave pattern. Using Fick’s Second Law of Diffusion and properties of the fabric and threads, we calculate the rate of diffusion for each cell of the fabric. This calculation is done over each color channel to allow for the full spectrum of dye colors to be realized. Using a relationship matrix, the fabric can be folded over itself, and the dye will diffuse over this fold into the layer on the other side. Most of the parameters involved in defining the type of fabric can be modified to allow for a large range of visual expression in the fabric. The results support the effectiveness and veracity of the model

Competitive Strategy of Tie-Dyed Cloth Smes in Facing the Existence of Batik Cloth in Yogyakarta City

The aims of this study were to determine the factors that are considered a buyer in the purchase of tie-dyed cloth in the Yogyakarta City and want to know the tie-dyed cloth competitive strategy faces batik cloth in the domestic and international markets. This research was conducted in tie-dyed cloth industry centers of the city of Yogyakarta. Type of this research is a descriptive study. The data used in this study are primary data and secondary data. Comparative analysis of the attributes of tie-dyed cloth and batik cloth were analyzed by competitive profile matrix. The results recommend that the tie-dyed cloth competitive strategy faces batik cloth in the domestic and international markets is a tie-dyed cloth should be positioned as a product that is unique than batik cloth

Revisiting the Marketing of the Indonesian Batik and the Nigerian Adire

This paper aims to fill the gap in the marketing of Batik and Adire. The methodology deployed is a comparative analysis of literature and legal instruments. The paper also uses data to comparatively analyze the impact of the marketing of Batik and Adire in the creative industries in Indonesia and Nigeria. The paper's findings show that both fabrics share some commonalities in making them, and their designs have sociocultural meanings. They contribute to sustainable socio-economic and cultural development of both countries. Moreover, both fabrics have cultural, aesthetic, artistic, and religious values. They play significant roles in tourism, art-craft, the creative industry, and the way of life of Indonesians and Nigerians. Both fabrics require similar measures to enhance their marketing strategies given their marketing limitations. Conclusively, common measures can be used to enhance the marketing of both fabrics in terms of the use of technology. Hence, both countries should put appropriate legal regimes, regulatory frameworks, facilities, and infrastructure in place to achieve that. Also, the creation of textile cottage industries, the establishment of small and medium enterprises, and public-private partnerships are key in bolstering the marketing of Batik and Adire

The Basic Layout of a Denim Textile Industry: A Basic Review

Denim was produced in the city of Nîmes in France and was originally called the serge de Nîmes. The word denim is an English colloquialism of the French term: “denim.” Day by day Bangladesh denim sector very much developed and helps to increase productivity. Bangladesh have seen a significant increase in investing in denim fabric manufacturing, increasing the country’s production performance by reducing fabric dependence on imports. It is important due to its aspects of durability, and not easily torn which benefited physical laborers much. The government also plays a vital role in denim textile industry. This paper shows different section of denim textile industry such as: sewing section, cutting section, washing, IE and finishing department. The main aim of this paper is how to role all the section of denim textile industry. Textile education is insufficient without industry attachment, which bridges the gap between theoretical and practical aspects and acclimates students to the industrial world. We can gain about theoretical development on an industrial level from this attachment. We can understand more about the machines used in various departments, their technical specifications, characteristics, operating system, and so on, and we believe that without this type of industrial connection, it is impossible to obtain industry-based information about textile engineering adequately. The Industrial Attachment on Denim Manufacturing Technology was used to organize this study (sewing section, cutting, IE, washing section, CAD Section, and finishing department. Various operating procedures for the production of denim in the industry are presented in this paper. The technique and process of several procedures and processes are presented here such as machine specifications, manpower, maintenance, layout of the different section, dye processes and wet processes

Special Libraries, February 1962

Volume 53, Issue 2https://scholarworks.sjsu.edu/sla_sl_1962/1001/thumbnail.jp

Crafting innovation: the intersection of craft and technology in the production of contemporary textiles

This article has grown from a programme of practice-led research entitled ‘Structural Textiles: Adaptable Form and Surface in Three-Dimensions’. In this research traditional textile craft practices centred on hand making have provided an essential foundation from which to develop deployable textile structures that have customizable behavioural properties. The article investigates the importance of touch in acquiring under- standing of textile artefacts and the significance of this tactile acquisition of knowledge in the process of textile production. In such practice, innovation is generated through the maker’s creative responses to unforeseen behaviours of both process and material. However, the research also has also drawn on CAD/CAM technologies that enable the creation of designs and products with increased accuracy and complexity but reduce or remove instances of handcrafting in the making process. The article considers how sensory information gained through touch and the embodied knowledge that this generates can be preserved as part of contemporary textile practice whilst exploiting the potential of CAD/CAM and other automated processes to create complex and innovative outcomes

Textile Society of America- Seventh Biennial Symposium 2000 WHOLE ISSUE

Approaching Textiles, Varying Viewpoints Proceedings of the Seventh Biennial Symposium of the Textile Society of America Santa Fe, New Mexico 2000 The papers are unedited and reproduced as submitted. No part of this book may be reproduced in any form or by any means without written permission from the author. Students and researchers wishing to cite specific authors are encouraged to contact those individuals, as many of these papers represent work in progress, or work which has been committed for publication elsewhere. Contents Prefac

Textile Society of America Newsletter 28:1 — Spring 2016

Letter from the Editor Volunteer Opportunity: TSA Is Looking for a New Proceedings Editor Letter from the President Textiles Close Up Report: Art of the Zo: Textiles from Myanmar, India, and Bangladesh, Chin Weaving at the Philadelphia Museum of Art R. L. Shep Ethnic Textile Book Award 2015 Nominees Ossabaw Island, Indigo, and Sea Island Cotton: Two Ways to See a Georgia Barrier Island Peer-Review Process Yields Range of Exciting Exhibitions for Biennial Symposium Book Reviews:Symbols of Power: Luxury Items from Islamic Lands, 7th–21st CenturyTextiles of the Banjara: Cloth and Culture of a Wandering TribeThe Handbook of Textile CultureTraditional Weavers of Guatemala: Their Stories, Their LivesDesigning Identity: The Power of Textiles in Late Antiquity Conference Review: 21st Annual Weaving History Conference, 2015 Featured Exhibitions:Heirlooms, Catastrophe, and Survival: The Lace and Sampler Collection of the Palazzo DavanzatiThe Fabric of India, Victoria and Albert Museum, LondonFashion Meets Technology in #techstyle, Museum of Fine Arts, Boston Shibori and Ikat in Mesoamerica International Report:The Centre for Textile Conservation at the University of Glasgow & a New Era for Textile Dye Research in ScotlandThe Philippine Textile Research Institute, Taguig City, Philippines Member News:Member PublicationsMember Workshops and LecturesMember Awards & HonorsMember Exhibitions Conferences & Opportunities Symposium Program [Crosscurrents: Land, Labor, and the Port, 15th Biennial Symposium, Savannah, Georgia, October 19–23, 2016

Contact, Crossover, Continuity: Proceedings of the Fourth Biennial Symposium of the Textile Society of America (1994) [Entire]

Preface 7 Contact, Crossover, Continuity: Fiber and Garment Featured Paper: Ancient Near Eastern Fibers and the Reshaping of European Clothing Elizabeth J. W. Barber 9 Wreath and Cap to Veil and Apron: American Modification of a Slavic Ritual Patricia Williams 19 Panel: Textile Transformations and Cultural Continuities in West Africa Akwete-Igbo Weavers as Entrepreneurs and Innovators at the Turn of the Century Lisa Aronson 31 What’s in a Name: The Domestication of Factory Produced Wax Textiles in Cote d’Ivoire Kathleen E. Bickford 39 Technology and Change: The Incorporation of Synthetic Dye Techniques in Abeokuta, Southwestern Nigeria Judith Byfield 45 The Transformation of Men into Masquerades and Indian Madras into Masquerade Cloth in Buguma, Nigeria Elisha P. Renne and Joanne B. Eicher 53 Discussant: Discussion of “Textile Transformations and Cultural Continuities in West Africa” Christopher B. Steiner 63 Foreign Contact in the Pacific Rim The Conversion of Chinese Court Robes into Japanese Festival Hangings Gloria Granz Gonick 67 Micronesian Textiles in Transition: The Woven Tol of Kosrae Ann Deegan and Ross Cordy 81 Bolong-Bolong and Tirtanadi: An Unknown Group of Balinese Textiles Marie-Louise Nabholz-Kartaschoff and Monika Palm-Nadolny 93 Green Labels with Golden Elephants: Western European Printed Cottons for Malaysia and Indonesia Frieda Sorber 105 Looking to the Past, Looking to the Future: Two Contemporary Approaches Continuity of Culture: A Reenactor’s Goal Elizabeth McClure 117 The Influence of Computer Technologies on Contemporary Woven Fiber Art Cynthia Schira 127 Featured Paper: Contact, Crossover, Continuity: The Emergence and Development of the Two Basic Lace Techniques Santina Levey and Milton Sonday 139 Panel: New Meanings, Borrowed Forms: Flux and Influx in the Textile Traditions of Flores, Indonesia Supplementary Weft on an “Ikat” Isle: The Weaving Communities of Northwestern Flores Roy W. Hamilton 147 The “Severed Shroud”: Local and Imported Textiles in the Mortuary Rites of an Indonesian People Penelope Graham 159 From the Ancestors or the Portuguese: Exotic Textiles in Flores and the Solor Archipelago (abstract only) Robyn Maxwell 167 Cloth as Marriage Gifts. Change in Exchange among the Lio of Flores Willemijn de Jong 169 Crossover: Motifs Transformed Byzantine Influences along the Silk Route: Central Asian Silks Transformed Anna Maria Muthesius 181 The Pomegranate Pattern in Italian Renaissance Textiles: Origins and Influence Rosalia Bonito Fanelli 193 Ottoman Silks and Their Legacy (abstract only) Diane Mott 205 The Assimilation of European Designs into Twentieth Century Indian Saris Linda Lynton 207 Continuity: Influence of the Marketplace Raphael’s Acts of the Apostles Tapestries: The Birth of the Tapestry Reproduction System Marjorie Durko Puryear 217 Market Effects on the Design and Construction of Carpets in the Milas Region of Southwestern Turkey, 1963–1993 Charlotte A. Jirousek 229 Traditional Techniques in New Settings Featured Paper: Charmingly Quaint and Still Modern: The Paradox of Colonial Revival Needlework in America, 1875–1940 Beverly Gordon 241 From Bohemian to Bourgeois: American Batik in the Early Twentieth Century Nicola J. Shilliam 253 New Twist on Shibori: How an Old Tradition Survives in the New World When Japanese Wooden Poles are Replaced by American PVC Pipes Yoshiko Iwamoto Wada 265 Video: Paj Ntaub: Textile Techniques of the Hmong (video script) Joyce Smith 271 Panel: Fashioning Identity: Appropriation and Creativity in Pre-Columbian and Contemporary Andean Cloth Anni Albers: Pre-Columbian Resonances, The Significance of Pre-Columbian Art in Her Textiles and Writings Virginia Gardner Troy 281 Ancient Andean Headgear: Medium and Measure of Cultural Identity Niki R. Clark and Amy Oakland Rodman 293 Paracas Cavernas, Paracas Necropolis, and Ocucaje: Looking at Appropriation and Identity with Only Material Remains Ann Peters 305 Dressing the Part: Indigenous Costume as Political and Cultural Discourse in Peru Katharine E. Seibold 319 Ethnic Artists and the Appropriation of Fashion: Embroidery and Identity in the Colca Valley, Peru Blenda Femenias 331 (Re-)Fashioning Identity: Late Twentieth-Century Transformations in Dress and Society in Bolivia Elayne Zorn 343 Appendix: Roster of Participants at the 1994 Symposium 35