Optimum Implementation of Compound Compression of a Computer Screen for Real-Time Transmission in Low Network Bandwidth Environments

Remote working is becoming increasingly more prevalent in recent times. A large part of remote working involves sharing computer screens between servers and clients. The image content that is presented when sharing computer screens consists of both natural camera captured image data as well as computer generated graphics and text. The attributes of natural camera captured image data differ greatly to the attributes of computer generated image data. An image containing a mixture of both natural camera captured image and computer generated image data is known as a compound image. The research presented in this thesis focuses on the challenge of constructing a compound compression strategy to apply the ‘best fit’ compression algorithm for the mixed content found in a compound image. The research also involves analysis and classification of the types of data a given compound image may contain. While researching optimal types of compression, consideration is given to the computational overhead of a given algorithm because the research is being developed for real time systems such as cloud computing services, where latency has a detrimental impact on end user experience. The previous and current state of the art videos codec’s have been researched along many of the most current publishing’s from academia, to design and implement a novel approach to a low complexity compound compression algorithm that will be suitable for real time transmission. The compound compression algorithm will utilise a mixture of lossless and lossy compression algorithms with parameters that can be used to control the performance of the algorithm. An objective image quality assessment is needed to determine whether the proposed algorithm can produce an acceptable quality image after processing. Both traditional metrics such as Peak Signal to Noise Ratio will be used along with a new more modern approach specifically designed for compound images which is known as Structural Similarity Index will be used to define the quality of the decompressed Image. In finishing, the compression strategy will be tested on a set of generated compound images. Using open source software, the same images will be compressed with the previous and current state of the art video codec’s to compare the three main metrics, compression ratio, computational complexity and objective image quality

Compression vidéo basée sur l'exploitation d'un décodeur intelligent

This Ph.D. thesis studies the novel concept of Smart Decoder (SDec) where the decoder is given the ability to simulate the encoder and is able to conduct the R-D competition similarly as in the encoder. The proposed technique aims to reduce the signaling of competing coding modes and parameters. The general SDec coding scheme and several practical applications are proposed, followed by a long-term approach exploiting machine learning concept in video coding. The SDec coding scheme exploits a complex decoder able to reproduce the choice of the encoder based on causal references, eliminating thus the need to signal coding modes and associated parameters. Several practical applications of the general outline of the SDec scheme are tested, using different coding modes during the competition on the reference blocs. Despite the choice for the SDec reference block being still simple and limited, interesting gains are observed. The long-term research presents an innovative method that further makes use of the processing capacity of the decoder. Machine learning techniques are exploited in video coding with the purpose of reducing the signaling overhead. Practical applications are given, using a classifier based on support vector machine to predict coding modes of a block. The block classification uses causal descriptors which consist of different types of histograms. Significant bit rate savings are obtained, which confirms the potential of the approach.Cette thèse de doctorat étudie le nouveau concept de décodeur intelligent (SDec) dans lequel le décodeur est doté de la possibilité de simuler l’encodeur et est capable de mener la compétition R-D de la même manière qu’au niveau de l’encodeur. Cette technique vise à réduire la signalisation des modes et des paramètres de codage en compétition. Le schéma général de codage SDec ainsi que plusieurs applications pratiques sont proposées, suivis d’une approche en amont qui exploite l’apprentissage automatique pour le codage vidéo. Le schéma de codage SDec exploite un décodeur complexe capable de reproduire le choix de l’encodeur calculé sur des blocs de référence causaux, éliminant ainsi la nécessité de signaler les modes de codage et les paramètres associés. Plusieurs applications pratiques du schéma SDec sont testées, en utilisant différents modes de codage lors de la compétition sur les blocs de référence. Malgré un choix encore simple et limité des blocs de référence, les gains intéressants sont observés. La recherche en amont présente une méthode innovante qui permet d’exploiter davantage la capacité de traitement d’un décodeur. Les techniques d’apprentissage automatique sont exploitées pour but de réduire la signalisation. Les applications pratiques sont données, utilisant un classificateur basé sur les machines à vecteurs de support pour prédire les modes de codage d’un bloc. La classification des blocs utilise des descripteurs causaux qui sont formés à partir de différents types d’histogrammes. Des gains significatifs en débit sont obtenus, confirmant ainsi le potentiel de l’approche

Improvement of Decision on Coding Unit Split Mode and Intra-Picture Prediction by Machine Learning

High efficiency Video Coding (HEVC) has been deemed as the newest video coding standard of the ITU-T Video Coding Experts Group and the ISO/IEC Moving Picture Experts Group. The reference software (i.e., HM) have included the implementations of the guidelines in appliance with the new standard. The software includes both encoder and decoder functionality. Machine learning (ML) works with data and processes it to discover patterns that can be later used to analyze new trends. ML can play a key role in a wide range of critical applications, such as data mining, natural language processing, image recognition, and expert systems. In this research project, in compliance with H.265 standard, we are focused on improvement of the performance of encode/decode by optimizing the partition of prediction block in coding unit with the help of supervised machine learning. We used Keras library as the main tool to implement the experiments. Key parameters were tuned for the model in our convolution neuron network. The coding tree unit mode decision time produced in the model was compared with that produced in HM software, and it was proved to have improved significantly. The intra-picture prediction mode decision was also investigated with modified model and yielded satisfactory results

Data compression techniques applied to high resolution high frame rate video technology

An investigation is presented of video data compression applied to microgravity space experiments using High Resolution High Frame Rate Video Technology (HHVT). An extensive survey of methods of video data compression, described in the open literature, was conducted. The survey examines compression methods employing digital computing. The results of the survey are presented. They include a description of each method and assessment of image degradation and video data parameters. An assessment is made of present and near term future technology for implementation of video data compression in high speed imaging system. Results of the assessment are discussed and summarized. The results of a study of a baseline HHVT video system, and approaches for implementation of video data compression, are presented. Case studies of three microgravity experiments are presented and specific compression techniques and implementations are recommended

Color image quality measures and retrieval

The focus of this dissertation is mainly on color image, especially on the images with lossy compression. Issues related to color quantization, color correction, color image retrieval and color image quality evaluation are addressed. A no-reference color image quality index is proposed. A novel color correction method applied to low bit-rate JPEG image is developed. A novel method for content-based image retrieval based upon combined feature vectors of shape, texture, and color similarities has been suggested. In addition, an image specific color reduction method has been introduced, which allows a 24-bit JPEG image to be shown in the 8-bit color monitor with 256-color display. The reduction in download and decode time mainly comes from the smart encoder incorporating with the proposed color reduction method after color space conversion stage. To summarize, the methods that have been developed can be divided into two categories: one is visual representation, and the other is image quality measure. Three algorithms are designed for visual representation: (1) An image-based visual representation for color correction on low bit-rate JPEG images. Previous studies on color correction are mainly on color image calibration among devices. Little attention was paid to the compressed image whose color distortion is evident in low bit-rate JPEG images. In this dissertation, a lookup table algorithm is designed based on the loss of PSNR in different compression ratio. (2) A feature-based representation for content-based image retrieval. It is a concatenated vector of color, shape, and texture features from region of interest (ROI). (3) An image-specific 256 colors (8 bits) reproduction for color reduction from 16 millions colors (24 bits). By inserting the proposed color reduction method into a JPEG encoder, the image size could be further reduced and the transmission time is also reduced. This smart encoder enables its decoder using less time in decoding. Three algorithms are designed for image quality measure (IQM): (1) A referenced IQM based upon image representation in very low-dimension. Previous studies on IQMs are based on high-dimensional domain including spatial and frequency domains. In this dissertation, a low-dimensional domain IQM based on random projection is designed, with preservation of the IQM accuracy in high-dimensional domain. (2) A no-reference image blurring metric. Based on the edge gradient, the degree of image blur can be measured. (3) A no-reference color IQM based upon colorfulness, contrast and sharpness

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Artificial Intelligence in the Creative Industries: A Review

This paper reviews the current state of the art in Artificial Intelligence (AI) technologies and applications in the context of the creative industries. A brief background of AI, and specifically Machine Learning (ML) algorithms, is provided including Convolutional Neural Network (CNNs), Generative Adversarial Networks (GANs), Recurrent Neural Networks (RNNs) and Deep Reinforcement Learning (DRL). We categorise creative applications into five groups related to how AI technologies are used: i) content creation, ii) information analysis, iii) content enhancement and post production workflows, iv) information extraction and enhancement, and v) data compression. We critically examine the successes and limitations of this rapidly advancing technology in each of these areas. We further differentiate between the use of AI as a creative tool and its potential as a creator in its own right. We foresee that, in the near future, machine learning-based AI will be adopted widely as a tool or collaborative assistant for creativity. In contrast, we observe that the successes of machine learning in domains with fewer constraints, where AI is the `creator', remain modest. The potential of AI (or its developers) to win awards for its original creations in competition with human creatives is also limited, based on contemporary technologies. We therefore conclude that, in the context of creative industries, maximum benefit from AI will be derived where its focus is human centric -- where it is designed to augment, rather than replace, human creativity