Biophilic and photobiological developments of adaptive high-performance building envelopes for Northern Canada

Les configurations des enveloppes et des fenêtres des bâtiments nordiques doivent répondre aux exigences du bien-être photobiologique et psychologique des occupants par des relations positives efficaces avec la nature subarctique. Les enveloppes de bâtiments existant dans les climats (sub)arctiques du nord du Canada n'ont pas encore permis d'établir des connexions efficaces entre l'intérieur et l'extérieur afin d'aborder les relations positives entre les humains et la nature et le bien-être photobiologique et psychologique. Des connexions intérieures-extérieures efficaces indiquent une connectivité optimale de l'intérieur avec la nature subarctique extérieure répondant au bien-être des occupants et aux besoins énergétiques. Les relations positives des occupants avec la nature subarctique correspondent à des avantages maximums et des risques minimums des climats nordiques extrêmes pour le bien-être photobiologique-psychologique. L'objectif général de cette thèse est de favoriser les relations positives des occupants avec la nature subarctique au moyen de connexions efficaces entre l'intérieur et l'extérieur qui pourraient répondre aux facteurs de bien-être biophiliques et photobiologiques liés à la lumière du jour et aux photopériodes. Dans ce but, un modèle fondamental d'enveloppe de bâtiment adaptative à haute performance est développé comme une solution architecturale qui pourrait optimiser les connexions intérieur-extérieur et les principaux indicateurs biophiliques et photobiologiques. La thèse visait spécifiquement à articuler une approche photobiologique du design biophilique dans les climats nordiques extrêmes qui permet d'établir un cadre conceptuel et de design pour développer des enveloppes de bâtiments. La thèse visait également à identifier les lacunes des enveloppes de bâtiment existantes dans le Grand Nord du Canada ainsi que des systèmes d'enveloppes adaptatives existants en termes d'indicateurs biophysiques-photobiologiques. Les principaux éléments architecturaux des enveloppes adaptatives, notamment la configuration des fenêtres et les caractéristiques de surface des systèmes d'ombrage, en particulier la couleur et la réflectance, sont étudiés pour répondre aux besoins biophiles-photobiologiques des occupants du Nord. Les méthodologies de la thèse comprennent une revue de la littérature pour discuter des directives récentes de design biophilique, de l'éclairage photobiologique et des études de connectivité avec la nature par rapport aux climats subarctiques, en particulier la lumière du jour et les photopériodes. Des méthodes numériques et expérimentales ont été intégrées pour évaluer les performances biophiliques, d'éclairage photobiologique, thermiques et énergétiques des systèmes d'enveloppe pour une étude de cas d'un bureau open-plan dans le nord du Canada. Des méthodes expérimentales avec des modèles à l'échelle physique, des images à haute gamme dynamique et des techniques de post-traitement ont été utilisées pour capturer, calculer et visualiser les paramètres d'éclairage photobiologique. L'impact des caractéristiques des panneaux d'ombrage (SP) sur les performances d'éclairage photobiologique a été étudié par l'expérimentation d'environ 40 prototypes à l'échelle 1:50 et 23 prototypes à l'échelle 1:10 sous un ciel dégagé/couvert avec un éclairage naturel réel/artificiel. Des modèles numériques ont été développés pour évaluer les caractéristiques biophiques et thermiques/énergétiques des systèmes d'enveloppe. Les résultats de la thèse comprennent un cadre théorico-conceptuel du design photobiologique - biophilique qui identifie les relations positives des occupants avec la nature subarctique à travers les enveloppes. Des scénarios d'adaptation de l'éclairage photobiologique intégrés aux exigences thermiques ont été élaborés, qui permettent de répondre aux besoins photobiologiques horaires/saisonniers des occupants du Nord dans des bâtiments différents. Les lacunes des enveloppes à une peau typique du Nord du Canada et des enveloppes à plusieurs peaux avec des profondeurs d'espaces intermédiaires/cavités et des tailles de fenêtre différentes ont été spécifiquement évaluées en termes des indicateurs biophiliques, photobiologiques et thermiques. Un modèle fondamental d'enveloppes adaptatives à haute performance est proposé pour les bâtiments du Nord, qui comprend une taille de fenêtre optimale, un système d'ombrage dynamique coloré et isolé, et un système de buffer thermique constitué d'une peau extérieure en verre. Les performances d'éclairage photobiologique des configurations des SP, incluant la couleur, la réflectance, l'orientation, l'inclinaison, la densité, la taille, l'ouverture et la position à la fenêtre, ont été caractérisées. Les résultats des élévations expérimentales/numériques montrent que l'enveloppe adaptative proposée pourrait offrir des connexions intérieures-extérieures efficaces qui répondent aux besoins photobiologiques-psychologiques et aux exigences énergétiques des occupants du Nord. Les résultats de la thèse pourraient informer les architectes et les responsables politiques sur les possibilités que les enveloppes adaptatives et les cadres photobiologiques-biophiles offrent pour améliorer le bienêtre du public et l'efficacité énergétique dans les climats nordiques. Les principaux enjeux des futurs développements des bâtiments biophiliques adaptatifs dans les climats nordiques ont également été soulignés, notamment en matière d'analyses du cycle de vie et d'études socioculturelles.Sub-Arctic building envelope configurations must address occupants' photobiological-psychological wellbeing through positive relationships with the outdoor sub-Arctic nature. Existing building envelopes in Northern Canada's (sub-)Arctic climates have not, yet, enabled efficient indoor-outdoor connections to address positive human-nature relationships and photobiological-psychological wellbeing. Efficient indoor-outdoor connections indicate optimum connectivity of indoors with Northern climates in terms of occupants' wellbeing and energy factors. Positive occupants' relationships with the sub-Arctic nature refer to maximum benefits and minimum risks of the extreme cold weather and strong photoperiod of Northern climates for photo-biological and psychological wellbeing. The general objective of this dissertation is to foster positive occupants' relationships with sub-Arctic nature by enabling efficient indoor-outdoor connections which could respond to biophilic and photobiological wellbeing factors related to daylighting and photoperiods. To this end, a fundamental model of adaptive high-performance building envelopes is developed as an architectural solution which could optimize indoor-outdoor connections and main biophilic and photobiological indicators. The dissertation specifically aimed at articulating a photobiological approach to biophilic design in extreme Northern climates which enables establishing a conceptual and design framework to develop building envelopes. The thesis also focused on identifying the shortcomings of existing Canadian Northern building envelopes as well as existing adaptive envelope systems in terms of biophilicphotobiological indicators. Main architectural elements of adaptive envelopes including window configuration and surface characteristics of shading systems, in particular color and reflectance, are explored to respond to Northern occupants' biophilic-photobiological needs. The thesis methodologies include a scoping literature review to critically discuss recent biophilic design guidelines, photobiological lighting, and nature connectedness/relatedness studies in relation to sub-Arctic climates, especially daylighting and photoperiods. Numerical and experimental methods were integrated to evaluate biophilic, photobiological lighting, thermal and energy performance of envelope systems for a case study of an open-plan office in Northern Canada. Experimental methods with physical scale models, high dynamic range imagery and post-processing techniques were employed to capture, compute, and visualize photobiological lighting parameters. Impacts of shading panels' (SPs) characteristics on photobiological lighting performance were explored by experimenting approximately 40 1:50-scale prototypes and 23 1:10-scale prototypes under clear/overcast skies with actual/artificial daylighting. Numerical models were developed to evaluate biophilic and thermal/energy performance of envelope systems. Dissertation outcomes include a theoretical-conceptual framework of photobiological-biophilic design which characterizes positive occupants' relationships with the sub-Arctic nature through envelopes. Photobiological lighting adaptation scenarios integrated with thermal requirements were developed which could address hourly/seasonal photobiological needs of Northern occupants in different buildings. Deficiencies of typical single-skin envelopes in Northern Canada and multi-skin envelopes with different depths of intermediate spaces/cavities and window sizes were specifically evaluated in terms of biophilic, photobiological lighting and thermal indicators. A fundamental model of adaptive high-performance envelopes is proposed for Northern buildings which includes an optimum window size, a dynamic-colored-insulated shading system, and a thermal buffer system made of a glazing exterior skin. Photobiological lighting performance of SPs' configurations, including color, reflectance, orientation, inclination, density, size, openness, and position at the window, were characterized. Results of experimental-numerical elevations reveal that the proposed adaptive envelope could offer efficient indoor-outdoor connections which respond to Northern occupants' photobiological-psychological needs and energy requirements. Dissertation outcomes could enlighten architects and policymakers about potentials of adaptive envelopes and integrative photobiological-biophilic frameworks to improve public wellbeing and energy efficiency in Northern climates. Major issues for future developments of adaptive biophilic buildings in Northern climates were also outlined including life cycle assessments and sociocultural studies

Change blindness: eradication of gestalt strategies

Arrays of eight, texture-defined rectangles were used as stimuli in a one-shot change blindness (CB) task where there was a 50% chance that one rectangle would change orientation between two successive presentations separated by an interval. CB was eliminated by cueing the target rectangle in the first stimulus, reduced by cueing in the interval and unaffected by cueing in the second presentation. This supports the idea that a representation was formed that persisted through the interval before being 'overwritten' by the second presentation (Landman et al, 2003 Vision Research 43149–164]. Another possibility is that participants used some kind of grouping or Gestalt strategy. To test this we changed the spatial position of the rectangles in the second presentation by shifting them along imaginary spokes (by ±1 degree) emanating from the central fixation point. There was no significant difference seen in performance between this and the standard task [F(1,4)=2.565, p=0.185]. This may suggest two things: (i) Gestalt grouping is not used as a strategy in these tasks, and (ii) it gives further weight to the argument that objects may be stored and retrieved from a pre-attentional store during this task

A survey of visual preprocessing and shape representation techniques

Many recent theories and methods proposed for visual preprocessing and shape representation are summarized. The survey brings together research from the fields of biology, psychology, computer science, electrical engineering, and most recently, neural networks. It was motivated by the need to preprocess images for a sparse distributed memory (SDM), but the techniques presented may also prove useful for applying other associative memories to visual pattern recognition. The material of this survey is divided into three sections: an overview of biological visual processing; methods of preprocessing (extracting parts of shape, texture, motion, and depth); and shape representation and recognition (form invariance, primitives and structural descriptions, and theories of attention)

Wearable performance

This is the post-print version of the article. The official published version can be accessed from the link below - Copyright @ 2009 Taylor & FrancisWearable computing devices worn on the body provide the potential for digital interaction in the world. A new stage of computing technology at the beginning of the 21st Century links the personal and the pervasive through mobile wearables. The convergence between the miniaturisation of microchips (nanotechnology), intelligent textile or interfacial materials production, advances in biotechnology and the growth of wireless, ubiquitous computing emphasises not only mobility but integration into clothing or the human body. In artistic contexts one expects such integrated wearable devices to have the two-way function of interface instruments (e.g. sensor data acquisition and exchange) worn for particular purposes, either for communication with the environment or various aesthetic and compositional expressions. 'Wearable performance' briefly surveys the context for wearables in the performance arts and distinguishes display and performative/interfacial garments. It then focuses on the authors' experiments with 'design in motion' and digital performance, examining prototyping at the DAP-Lab which involves transdisciplinary convergences between fashion and dance, interactive system architecture, electronic textiles, wearable technologies and digital animation. The concept of an 'evolving' garment design that is materialised (mobilised) in live performance between partners originates from DAP Lab's work with telepresence and distributed media addressing the 'connective tissues' and 'wearabilities' of projected bodies through a study of shared embodiment and perception/proprioception in the wearer (tactile sensory processing). Such notions of wearability are applied both to the immediate sensory processing on the performer's body and to the processing of the responsive, animate environment. Wearable computing devices worn on the body provide the potential for digital interaction in the world. A new stage of computing technology at the beginning of the 21st Century links the personal and the pervasive through mobile wearables. The convergence between the miniaturisation of microchips (nanotechnology), intelligent textile or interfacial materials production, advances in biotechnology and the growth of wireless, ubiquitous computing emphasises not only mobility but integration into clothing or the human body. In artistic contexts one expects such integrated wearable devices to have the two-way function of interface instruments (e.g. sensor data acquisition and exchange) worn for particular purposes, either for communication with the environment or various aesthetic and compositional expressions. 'Wearable performance' briefly surveys the context for wearables in the performance arts and distinguishes display and performative/interfacial garments. It then focuses on the authors' experiments with 'design in motion' and digital performance, examining prototyping at the DAP-Lab which involves transdisciplinary convergences between fashion and dance, interactive system architecture, electronic textiles, wearable technologies and digital animation. The concept of an 'evolving' garment design that is materialised (mobilised) in live performance between partners originates from DAP Lab's work with telepresence and distributed media addressing the 'connective tissues' and 'wearabilities' of projected bodies through a study of shared embodiment and perception/proprioception in the wearer (tactile sensory processing). Such notions of wearability are applied both to the immediate sensory processing on the performer's body and to the processing of the responsive, animate environment