Supporting the Mobile In-situ Authoring of Locative Media in Rural Places: Design and Expert Evaluation of the SMAT app

Providing users with carefully authored Locative media experiences (which can be consumed via their GPS equipped smartphones or tablets) has significant potential for fostering a strong engagement with their current surroundings. However, the availability of mobile tools to support the authoring of locative media experiences in-situ, and by non-technical users, remains scarce. In this article we present the design and field-trial expert evaluation of a mobile app developed under the SHARC project (Investigating Technology Support for the Shared Curation of Local History in a Rural Community). The app is named SMAT (SHARC Mobile Authoring Tool) and supports the authoring of Locative Media experiences with a focus on the creation of POIs (Points of Interest) and associated geo-fences which trigger the pushed delivery of media items such as photos, audio clips, etc. One important requirement of SMAT is the ability to support authoring in places where connectivity is intermittent or unavailable, e.g. many rural areas

A persistent infrastructure for augmented field trips

This paper describes an approach to the provision of pervasive field trips where a persistent infrastructure is provided, upon which teachers can easily create novel pervasive experiences for children. The physical infrastructure is briefly described along with the underlying information infrastructure, which enables the tools for authoring the content and designing the orchestration of the experience to be placed in the hands of teachers. A literacy experience and initial trials of the system are discussed, conclusions drawn, and future directions outlined

The text, dead or alive: Expanding textual repertoires in the adult ESOL classroom

The paper explores the manner in which written texts are selected and used in the adult ESOL classroom. Taking a sociocultural view of the reading process and of the nature of text, it argues that ESOL students have potentially rich textual resources which are typically not acknowledged in the classroom: in particular, the textual options embodied by the published textbook or the worksheet do not do justice to the rich and diverse textual worlds which adult ESOL learners inhabit. Drawing on Goffman’s notion of ‘authoring’, the paper argues that ESOL students can be encouraged to reposition themselves as expert interpreters of classroom texts rather than passive consumers. Reading can be seen as the creation of new texts, as the interpreters rearticulate orthodox textual meaning to their own ends, in shared talk around the text. By way of illustration, two Adult ESOL classrooms are focused on which demonstrate contrasting ways in which texts are selected and exploited in the ESOL classroom. In addition, some views of students themselves are also discussed The paper concludes by proposing that classroom texts be seen by teachers and students as opportunities for textual authoring, where what is brought to texts is as important as any specific linguistic or content knowledge derived from them

The intersection of reading and identity in high school literacy intervention classes

Please note that there is an open-access version of this article available through the National Council of Teachers of English website: http://www.ncte.org/library/NCTEFiles/Resources/Journals/RTE/0511-aug2016/RTE0511Intersectionpword.pdfIt is common practice to enroll adolescents in classes designed to improve their reading. Previous studies of literacy intervention classes focus on students’ acquisition of reading skills and strategies, but few studies consider how reading identities may contribute to literacy learning. To address this gap, I used theories of positioning and identity to answer the question: How do students’ understandings of literacy and their own reading identities interact with the figured worlds of their literacy intervention classrooms? I analyzed interviews, field notes, and artifacts for two students and teachers in different classrooms, focusing on students’ acts of agency. Analyses revealed that the students’ identities as good readers conflicted with the figured worlds of their classrooms, but they responded differently. One challenged the norms of his classroom in a manner contrary to his teacher’s expectations and was unable to disrupt his positioning as struggling reader. The other acquiesced to the norms of her classroom in ways her teacher recognized as characteristic of a capable reader, ultimately upsetting her struggling reader subject position. The findings reveal that students’ acts of agency and teachers’ interpretations of those acts are informed by students’ perceptions of themselves as readers and teachers’ understandings of literacy and learning in intervention classrooms. The findings also problematize the practice of placing students in classes that position them as deficient. Additional research that attends to sociocultural factors in classrooms is necessary to understand the academic, social, and personal implications of particular approaches to literacy instruction and intervention for individual students.Accepted manuscrip

From Personalization to Adaptivity: Creating Immersive Visits through Interactive Digital Storytelling at the Acropolis Museum

Storytelling has recently become a popular way to guide museum visitors, replacing traditional exhibit-centric descriptions by story-centric cohesive narrations with references to the exhibits and multimedia content. This work presents the fundamental elements of the CHESS project approach, the goal of which is to provide adaptive, personalized, interactive storytelling for museum visits. We shortly present the CHESS project and its background, we detail the proposed storytelling and user models, we describe the provided functionality and we outline the main tools and mechanisms employed. Finally, we present the preliminary results of a recent evaluation study that are informing several directions for future work

Museum Experience Design: A Modern Storytelling Methodology

In this paper we propose a new direction for design, in the context of the theme “Next Digital Technologies in Arts and Culture”, by employing modern methods based on Interaction Design, Interactive Storytelling and Artificial Intelligence. Focusing on Cultural Heritage, we propose a new paradigm for Museum Experience Design, facilitating on the one hand traditional visual and multimedia communication and, on the other, a new type of interaction with artefacts, in the form of a Storytelling Experience. Museums are increasingly being transformed into hybrid spaces, where virtual (digital) information coexists with tangible artefacts. In this context, “Next Digital Technologies” play a new role, providing methods to increase cultural accessibility and enhance experience. Not only is the goal to convey stories hidden inside artefacts, as well as items or objects connected to them, but it is also to pave the way for the creation of new ones through an interactive museum experience that continues after the museum visit ends. Social sharing, in particular, can greatly increase the value of dissemination

A Pedagogy for Original Synners

Part of the Volume on Digital Young, Innovation, and the UnexpectedThis essay begins by speculating about the learning environment of the class of 2020. It takes place entirely in a virtual world, populated by simulated avatars, managed through the pedagogy of gaming. Based on this projected version of a future-now-in-formation, the authors consider the implications of the current paradigm shift that is happening at the edges of institutions of higher education. From the development of programs in multimedia literacy to the focus on the creation of hybrid learning spaces (that combine the use of virtual worlds, social networking applications, and classroom activities), the scene of learning as well as the subjects of education are changing. The figure of the Original Synner is a projection of the student-of-the-future whose foundational literacy is grounded in their ability to synthesize information from multiple information streams