Recovering Faces from Portraits with Auxiliary Facial Attributes

Recovering a photorealistic face from an artistic portrait is a challenging task since crucial facial details are often distorted or completely lost in artistic compositions. To handle this loss, we propose an Attribute-guided Face Recovery from Portraits (AFRP) that utilizes a Face Recovery Network (FRN) and a Discriminative Network (DN). FRN consists of an autoencoder with residual block-embedded skip-connections and incorporates facial attribute vectors into the feature maps of input portraits at the bottleneck of the autoencoder. DN has multiple convolutional and fully-connected layers, and its role is to enforce FRN to generate authentic face images with corresponding facial attributes dictated by the input attribute vectors. %Leveraging on the spatial transformer networks, FRN automatically compensates for misalignments of portraits. % and generates aligned face images. For the preservation of identities, we impose the recovered and ground-truth faces to share similar visual features. Specifically, DN determines whether the recovered image looks like a real face and checks if the facial attributes extracted from the recovered image are consistent with given attributes. %Our method can recover high-quality photorealistic faces from unaligned portraits while preserving the identity of the face images as well as it can reconstruct a photorealistic face image with a desired set of attributes. Our method can recover photorealistic identity-preserving faces with desired attributes from unseen stylized portraits, artistic paintings, and hand-drawn sketches. On large-scale synthesized and sketch datasets, we demonstrate that our face recovery method achieves state-of-the-art results.Comment: 2019 IEEE Winter Conference on Applications of Computer Vision (WACV

The cybercultural moment and the new media field

This article draws on Pierre Bourdieu’s field theory to understand the regenerative “belief in the new” in new media culture and web history. I begin by noting that discursive constructions of the web as disruptive, open, and participatory have emerged at various points in the medium’s history, and that these discourses are not as neatly tied to economic interests as most new media criticism would suggest. With this in mind, field theory is introduced as a potential framework for understanding this (re)production of a belief in the new as a dynamic of the interplay of cultural and symbolic forms of capital within the new media field. After discussing how Bourdieu’s theory might be applied to new media culture in general terms, I turn to a key moment in the emergence of the new media field—the rise of cybercultural magazines Mondo 2000 and Wired in the early 1990s—to illustrate how Bourdieu’s theory may be adapted in the study of new media history

Surrealism, domesticity and subversion : Eileen Agar at home

This article examines the work of Eileen Agar, one of several women to participate in the 1936 London International Surrealist Exhibition, as a patron of modern design and an originator of remarkable assemblages, costumes, and interiors. In 1932, Agar, a wealthy, Slade-trained painter and patron of the arts, took possession of a London studio flat remodeled for her by the architect Rodney Thomas. This place - customized by Agar later that decade - was instrumental in Herbert Read's decision to include her in the exhibition. The decor of Agar's studio flat, with its dense mosaic of images and objects, contrasted with approaches to interior decoration in 1930s England and embodied a critique of both old and new modes of domesticity. This article suggests that the domestic interior, with its Victorian associations of privacy and family life, a place redolent of hidden secrets, was of great interest to English Surrealists. It also explores the ways in which Agar - an upper-class beauty whose participation in the Surrealist exhibition fascinated the press - deftly took advantage of the publicity she attracted in order to parody the preoccupation of the contemporary debutante and society hostess with furnishing, dress, and entertaining, and to provide a subversive reconfiguration of it

New Deal Art: California

Traditionally, the years of the New Deal projects have been treated as a part of the Depression experience with an emphasis on their economic and social dimensions. Until recently, sporadic interest in the art of the period has usually focused on individual artists, not general movements in the art of the time. This has been particularly true in the western states. The purpose of the New Deal Art: California exhibition was to create an overview of the New Deal art projects by bringing together examples of art from the federal art programs in California. New Deal Art: California came about as the result of a chance remark made, by Dr. Francis V. O\u27Connor, Art Historical Consultant, on his first trip to the de Saisset Art Gallery and Museum in 1971. The original exploratory research he did revealed a wealth of information about California\u27s contribution to the Works Progress Administration\u27s Federal Art Project and the Treasury Programs. Dr. O\u27Connor\u27s initial work helped provide the foundation for two years of subsequent research into the historical and aesthetic climate that gave birth to New ,Deal Art in California. The results of our explorations, in both quantity and quality of resources, has far exceeded our original expectations.https://scholarcommons.scu.edu/faculty_books/1367/thumbnail.jp

Pigment analysis by Raman microscopy and portable X-ray fluorescence (pXRF) of thirteenth to fourteenth century illuminations and cuttings from Bologna

Non-destructive pigment analysis by Raman microscopy (RM) and portable X-ray fluorescence (pXRF) has been carried out on some Bolognese illuminations and cuttings chosen to represent the beginnings, evolution and height of Bolognese illuminated manuscript production. Dating to the thirteenth and fourteenth centuries and held in a private collection, the study provides evidence for the pigments generally used in this period. The results, which are compared with those obtained for other north Italian artwork, show the developments in usage of artistic materials and technique. Also addressed in this study is an examination of the respective roles of RM and pXRF analysis in this area of technical art history

Современные аспекты и анализ использования орнамента в архитектуре Казахстана

This article discusses modern state of usage of national ornament in architecture of Kazakhstan.В статье рассматривается современное состояние использования национального орнамента в архитектуре Казахстана

Overview of Business-Facing Arts Audience Research

This report is a review of public-domain research conducted specifically in order to inform arts organisations about their audiences. The research covered is driven by the demands of the arts industry to understand its audiences and to develop and broaden audiences for the arts. The report includes links to key publications and research organisations, and an overview of the key offerings