Capstone 2019 Art and Art History Senior Projects

This booklet profiles Art Senior Projects by Angelique J. Acevedo, Arin Brault, Bailey Harper, Sue Holz, Yirui Jia, Jianrui Li, Annora B. Mack, Emma C. Mugford, Inayah D. Sherry, Jacob H. Smalley, Laura Grace Waters and Laurel J. Wilson. This booklet profiles Art History Senior Projects by Gabriella Bucci, Melissa Casale, Bailey Harper, Erin O\u27Brien and Laura Grace Waters

Capstone 2014 Art and Art History Senior Projects

It gives us great pleasure to introduce the Gettysburg College Art and Art History senior Capstone projects for 2014. These projects serve as the culmination of the Studio Art and Art History majors. They are as rich and varied as the students themselves and exemplify the commitment the Department of Art and Art History places on creativity and scholarship in a liberal arts education. [excerpt] This booklet profiles Art Senior Projects by Bailey K. Beardsley, Lisa R. Del Padre, Tobi C. Goss, Rebecca A. Grill, Anna B. Heck, Japh-O\u27Mar A. Hickson, Danielle T. Janela, Lauren E. Kauffman, Megan P. Quigg, Justin Rosa, Angela M. Schmidt, Erin E. Slattery, and Caroline E. Volz. This booklet profiles Art History Senior Projects by Niki Erdner, Emily A. Francisco, Rose C. Kell, Katherine G. Kiernan, Tara K. Lacy, Shelby A. Leeds, and Molly E. Reynolds

Modern Narcissus: the lingering reflections of myth in modern art

Why has myth continued to fascinate modern artists, and why the myth of Narcissus, with its modern association with narcissism? This article considers the relationship between the Narcissus myth and the lineage of modern art that runs from Symbolism to surrealism through the polymorphous prism of the Greco-Roman Pantheon to which Narcissus belongs. The article offers an interpretation of the role of mythology in modern art that moves beyond psychoanalysis to incorporate the longer span of the art-historical tradition. Addressing issues of aesthetics, gender and sexuality, the following account highlights Narcissus‟s double nature as an erotic myth that comprises both identity formation and intersubjectivity, as enacted in the field of representation. The myths associated with Narcissus in the history of Western art will help us reconsider his role as a powerful figure capable to activate that slippage between word and image, identity and sociability, representation and reality which was celebrated by the Symbolists and formed the centre of the surrealists‟ social-aesthetic project

Capstone 2016 Art and Art History Senior Projects

This booklet profiles Art Senior Projects by Maura B. Conley, Caroline G. Cress, Carolyn E. McBrady, Alesha R. Miller, Emma S. Shaw, Eleanor E. Soule, Katherine G. Warwick, and Rebecca T. Wiest. This booklet profiles Art History Senior Projects by Deirdre E. D\u27Amico, Rebecca S. Duffy, Megan R. Haugh, Molly R. Lindberg, Kelly A.B. Maguire, and Lucy K. Riley

Modern Jewelry Art of Moldova

In this article the author examines some problems concerning formation of the jewelry industry in the territory of Bessarabia, Moldavian RSS and the Republic of Moldova, for the considerations that contemporary art jewelry is presented as a subject very poorly investigated, despite having an interest for historical researchers, the study art, ethnography and culturology. Are determinate some aspects of the evolution of different types of jewelry manufacturing workshops and articles Jewelry Plant Giuvaier from Chisinau, founded in 1972.jewelry art, museum collections, manufacturing, modern masters, jewelry decorations

A Century of Self-Expression: Modern American Art in the Collection of John and Joanne Payson

A catalogue of the exhibition held at Bryn Mawr College February 28-June 1, 2014.https://repository.brynmawr.edu/bmc_books/1023/thumbnail.jp

A Century of Self-Expression: Modern American Art in the Collection of John and Joanne Payson

A catalogue of the exhibition held at Bryn Mawr College February 28-June 1, 2014.https://repository.brynmawr.edu/bmc_books/1023/thumbnail.jp