Computing Chromatic Adaptation

Most of today’s chromatic adaptation transforms (CATs) are based on a modified form of the von Kries chromatic adaptation model, which states that chromatic adaptation is an independent gain regulation of the three photoreceptors in the human visual system. However, modern CATs apply the scaling not in cone space, but use “sharper” sensors, i.e. sensors that have a narrower shape than cones. The recommended transforms currently in use are derived by minimizing perceptual error over experimentally obtained corresponding color data sets. We show that these sensors are still not optimally sharp. Using different computational approaches, we obtain sensors that are even more narrowband. In a first experiment, we derive a CAT by using spectral sharpening on Lam’s corresponding color data set. The resulting Sharp CAT, which minimizes XYZ errors, performs as well as the current most popular CATs when tested on several corresponding color data sets and evaluating perceptual error. Designing a spherical sampling technique, we can indeed show that these CAT sensors are not unique, and that there exist a large number of sensors that perform just as well as CAT02, the chromatic adaptation transform used in CIECAM02 and the ICC color management framework. We speculate that in order to make a final decision on a single CAT, we should consider secondary factors, such as their applicability in a color imaging workflow. We show that sharp sensors are very appropriate for color encodings, as they provide excellent gamut coverage and hue constancy. Finally, we derive sensors for a CAT that provide stable color ratios over different illuminants, i.e. that only model physical responses, which still can predict experimentally obtained appearance data. The resulting sensors are sharp

Evaluation and improvement of the workflow of digital imaging of fine art reproduction in museums

Fine arts refer to a broad spectrum of art formats, ie~painting, calligraphy, photography, architecture, and so forth. Fine art reproductions are to create surrogates of the original artwork that are able to faithfully deliver the aesthetics and feelings of the original. Traditionally, reproductions of fine art are made in the form of catalogs, postcards or books by museums, libraries, archives, and so on (hereafter called museums for simplicity). With the widespread adoption of digital archiving in museums, more and more artwork is reproduced to be viewed on a display. For example, artwork collections are made available through museum websites and Google Art Project for art lovers to view on their own displays. In the thesis, we study the fine art reproduction of paintings in the form of soft copy viewed on displays by answering four questions: (1) what is the impact of the viewing condition and original on image quality evaluation? (2) can image quality be improved by avoiding visual editing in current workflows of fine art reproduction? (3) can lightweight spectral imaging be used for fine art reproduction? and (4) what is the performance of spectral reproductions compared with reproductions by current workflows? We started with evaluating the perceived image quality of fine art reproduction created by representative museums in the United States under controlled and uncontrolled environments with and without the presence of the original artwork. The experimental results suggest that the image quality is highly correlated with the color accuracy of the reproduction only when the original is present and the reproduction is evaluated on a characterized display. We then examined the workflows to create these reproductions, and found that current workflows rely heavily on visual editing and retouching (global and local color adjustments on the digital reproduction) to improve the color accuracy of the reproduction. Visual editing and retouching can be both time-consuming and subjective in nature (depending on experts\u27 own experience and understanding of the artwork) lowering the efficiency of artwork digitization considerably. We therefore propose to improve the workflow of fine art reproduction by (1) automating the process of visual editing and retouching in current workflows based on RGB acquisition systems and by (2) recovering the spectral reflectance of the painting with off-the-shelf equipment under commonly available lighting conditions. Finally, we studied the perceived image quality of reproductions created by current three-channel (RGB) workflows with those by spectral imaging and those based on an exemplar-based method

Aerospace Medicine and Biology: A continuing bibliography with indexes (supplement 156)

This bibliography lists 170 reports, articles, and other documents introduced into the NASA scientific and technical information system in June 1976

Aerospace Medicine and Biology: A continuing bibliography with indexes, supplement 140

This bibliography lists 306 reports, articles, and other documents introduced into the NASA scientific and technical information system in March 1975

A Physiological and Psychometric Evaluation of Human Subconscious Visual Response and Its Application in Health Promoting Lighting.

Subconscious vision is a recent focus of the vision science community, brought on by the discovery of a previously unknown photoreceptor in the retina dedicated to driving non-image-forming responses, intrinsically photosensitive retinal ganglion cells (ipRGCs). In addition to accepting inputs from rod and cone photoreceptors, ipRGCs contain their own photopigment, melanopsin, and are considered true photoreceptors. ipRGCs drive various non-image-forming photoresponses, including circadian photoentrainment, melatonin suppression, and pupil constriction. In order to understand more about ipRGC function in humans, we studied its sensitivity to light stimuli in the evening and day. First, we measured the sensitivity threshold of melatonin suppression at night. Using a protocol that enhances data precision, we have found the threshold for human melatonin suppression to be two orders of magnitude lower than previously reported. This finding has far-reaching implications since there is mounting evidence that nocturnal activation of the circadian system can be harmful. Paradoxically, ipRGCs are understimulated during the day. Optimizing daytime non-image-forming photostimulation has health benefits, such as increased alertness, faster reaction times, better sleep quality, and treatment of depression. In order to enhance ipRGC excitation, we aimed to circumvent adaptation (i.e. desensitization) of the photoresponse by using flickering instead of steady light. We find that properly timed flickering light enhances pupillary light reflex significantly when compared to steady light with 9-fold more energy density. Employing our findings, a new form of LED light is proposed to enhance subconscious visual responses at a typical indoor illuminance level. Using the silent substitution technique, a melanopsin-selective flicker is introduced into the light. A linear optimization algorithm is used to maximize the contrast of the subconscious, melanopsin-based response function while keeping conscious, cone-driven responses to the pulsing light fixed. Additional boundary conditions utilizing test color samples as an environmental mimic are introduced to limit the amount of perceived color change in a simulated environment. Two examples of lights are given to illustrate potential applications for general illumination and therapeutic purposes. For the lighting and electronics industry, we hope our study of subconscious-stimulative thresholds at night will better inform their design guidelines for health conscious products.PhDMacromolecular Science and EngineeringUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttp://deepblue.lib.umich.edu/bitstream/2027.42/133226/1/garenv_1.pd

Aerospace medicine and biology: A continuing bibliography with indexes, supplement 125

This special bibliography lists 323 reports, articles, and other documents introduced into the NASA scientific and technical information system in January 1974

Aerospace Medicine and Biology: A continuing bibliography with indexes (supplement 141)

This special bibliography lists 267 reports, articles, and other documents introduced into the NASA scientific and technical information system in April 1975

A tour of contemporary color vision research

The study of color vision encompasses many disciplines, including art, biochemistry, biophysics, brain imaging, cognitive neuroscience, color preferences, colorimetry, computer modelling, design, electrophysiology, language and cognition, molecular genetics, neuroscience, physiological optics, psychophysics and physiological optics. Coupled with the elusive nature of the subjective experience of color, this wide range of disciplines makes the study of color as challenging as it is fascinating. This overview of the special issue Color: Cone Opponency and Beyond outlines the state of the science of color, and points to some of the many questions that remain to be answered in this exciting field