High capacity data embedding schemes for digital media

High capacity image data hiding methods and robust high capacity digital audio watermarking algorithms are studied in this thesis. The main results of this work are the development of novel algorithms with state-of-the-art performance, high capacity and transparency for image data hiding and robustness, high capacity and low distortion for audio watermarking.En esta tesis se estudian y proponen diversos métodos de data hiding de imágenes y watermarking de audio de alta capacidad. Los principales resultados de este trabajo consisten en la publicación de varios algoritmos novedosos con rendimiento a la altura de los mejores métodos del estado del arte, alta capacidad y transparencia, en el caso de data hiding de imágenes, y robustez, alta capacidad y baja distorsión para el watermarking de audio.En aquesta tesi s'estudien i es proposen diversos mètodes de data hiding d'imatges i watermarking d'àudio d'alta capacitat. Els resultats principals d'aquest treball consisteixen en la publicació de diversos algorismes nous amb rendiment a l'alçada dels millors mètodes de l'estat de l'art, alta capacitat i transparència, en el cas de data hiding d'imatges, i robustesa, alta capacitat i baixa distorsió per al watermarking d'àudio.Societat de la informació i el coneixemen

A robust audio watermarking scheme based on reduced singular value decomposition and distortion removal

This paper presents a blind audio watermarking algorithm based on the reduced singular value decomposition(RSVD). A new observation on one of the resulting unitary matrices is uncovered. The proposed scheme manipulates coefficients based on this observation in order to embed watermark bits. To preserve audio fidelity a threshold- based distortion control technique is applied and this is further supplemented by distortion suppression utilizing psychoacoustic principles. Test results on real music signals show that this watermarking scheme is in the range of imperceptibility for human hearing, is accurate and also robust against MP3 compression at various bit rates as well as other selected attacks. The data payload is comparatively high compared to existing audio watermarking schemes

Digital Image Watermarking in Wavelet Domain

Internet allows individuals to share the information.  The shared information is like text, image, audio and video files.  This information sharing results in some problems such as copyright violation, unauthorized use of documents. Such problems can be solved by using a technique called as digital watermarking. This paper presents different aspects of watermarking and how it is useful for intellectual property protection on internet.DOI:http://dx.doi.org/10.11591/ijece.v3i1.174

Towards Optimal Copyright Protection Using Neural Networks Based Digital Image Watermarking

In the field of digital watermarking, digital image watermarking for copyright protection has attracted a lot of attention in the research community. Digital watermarking contains varies techniques for protecting the digital content. Among all those techniques,Discrete Wavelet Transform (DWT) provides higher image imperceptibility and robustness. Over the years, researchers have been designing watermarking techniques with robustness in mind, in order for the watermark to be resistant against any image processing techniques. Furthermore, the requirements of a good watermarking technique includes a tradeoff between robustness, image quality (imperceptibility) and capacity. In this paper, we have done an extensive literature review for the existing DWT techniques and those combined with other techniques such as Neural Networks. In addition to that, we have discuss the contribution of Neural Networks in copyright protection. Finally we reached our goal in which we identified the research gaps existed in the current watermarking schemes. So that, it will be easily to obtain an optimal techniques to make the watermark object robust to attacks while maintaining the imperceptibility to enhance the copyright protection

Robust Audio Watermarks in Frequency Domain, Journal of Telecommunications and Information Technology, 2014, nr 2

In this paper an audio watermarking technique is presented, using log-spectrum, dirty paper codes and LDPC for watermark embedding. This technique may be used as a digital communication channel, transmitting data at about 40 b/s. It may be also applied for hiding a digital signature, e.g., for copyright protection purposes. Robustness of the watermarks against audio signal compression, resampling and transmitting through an acoustic channel is tested. In this paper an audio watermarking technique ispresented, using log-spectrum, dirty paper codes and LDPCfor watermark embedding. This technique may be used asa digital communication channel, transmitting data at about40 b/s. It may be also applied for hiding a digital signature,e.g., for copyright protection purposes. Robustness of the watermarks against audio signal compression, resampling andtransmitting through an acoustic channel is tested

New Digital Audio Watermarking Algorithms for Copyright Protection

This thesis investigates the development of digital audio watermarking in addressing issues such as copyright protection. Over the past two decades, many digital watermarking algorithms have been developed, each with its own advantages and disadvantages. The main aim of this thesis was to develop a new watermarking algorithm within an existing Fast Fourier Transform framework. This resulted in the development of a Complex Spectrum Phase Evolution based watermarking algorithm. In this new implementation, the embedding positions were generated dynamically thereby rendering it more difficult for an attacker to remove, and watermark information was embedded by manipulation of the spectral components in the time domain thereby reducing any audible distortion. Further improvements were attained when the embedding criteria was based on bin location comparison instead of magnitude, thereby rendering it more robust against those attacks that interfere with the spectral magnitudes. However, it was discovered that this new audio watermarking algorithm has some disadvantages such as a relatively low capacity and a non-consistent robustness for different audio files. Therefore, a further aim of this thesis was to improve the algorithm from a different perspective. Improvements were investigated using an Singular Value Decomposition framework wherein a novel observation was discovered. Furthermore, a psychoacoustic model was incorporated to suppress any audible distortion. This resulted in a watermarking algorithm which achieved a higher capacity and a more consistent robustness. The overall result was that two new digital audio watermarking algorithms were developed which were complementary in their performance thereby opening more opportunities for further research

Steganography and steganalysis: data hiding in Vorbis audio streams

The goal of the current work is to introduce ourselves in the world of steganography and steganalysis, centering our efforts in acoustic signals, a branch of steganography and steganalysis which has received much less attention than steganography and steganalysis for images. With this purpose in mind, it’s essential to get first a basic level of understanding of signal theory and the properties of the Human Auditory System, and we will dedicate ourselves to that aim during the first part of this work. Once established those basis, in the second part, we will obtain a precise image of the state of the art in steganographic and steganalytic sciences, from which we will be able to establish or deduce some good practices guides. With both previous subjects in mind, we will be able to create, design and implement a stego-system over Vorbis audio codec and, finally, as conclusion, analyze it using the principles studied during the first and second parts