3,677 research outputs found

    The DiTME Project: interdisciplinary research in music technology

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    This paper profiles the emergence of a significant body of research in audio engineering within the Faculties of Engineering and Applied Arts at Dublin Institute of Technology. Over a period of five years the group has had significant success in completing a Strand 3 research project entitled Digital Tools for Music Education (DiTME)

    AVISARME: Audio Visual Synchronization Algorithm for a Robotic Musician Ensemble

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    This thesis presents a beat detection algorithm which combines both audio and visual inputs to synchronize a robotic musician to its human counterpart. Although there has been considerable work done to create sophisticated methods for audio beat detection, the visual aspect of musicianship has been largely ignored. With advancements in image processing techniques, as well as both computer and imaging technologies, it has recently become feasible to integrate visual inputs into beat detection algorithms. Additionally, the proposed method for audio tempo detection also attempts to solve many issues that are present in current algorithms. Current audio-only algorithms have imperfections, whether they are inaccurate, too computationally expensive, or suffer from terrible resolution. Through further experimental testing on both a popular music database and simulated music signals, the proposed algorithm performed statistically better in both accuracy and robustness than the baseline approaches. Furthermore, the proposed approach is extremely efficient, taking only 45ms to compute on a 2.5s signal, and maintains an extremely high temporal resolution of 0.125 BPM. The visual integration also relies on Full Scene Tracking, allowing it to be utilized for live beat detection for practically all musicians and instruments. Numerous optimization techniques have been implemented, such as pyramidal optimization (PO) and clustering techniques which are presented in this thesis. A Temporal Difference Learning approach to sensor fusion and beat synchronization is also proposed and tested thoroughly. This TD learning algorithm implements a novel policy switching criterion which provides a stable, yet quickly reacting estimation of tempo. The proposed algorithm has been implemented and tested on a robotic drummer to verify the validity of the approach. The results from testing are documented in great detail and compared with previously proposed approaches

    A Sequential MUSIC algorithm for Scatterers Detection 2 in SAR Tomography Enhanced by a Robust Covariance 3 Estimator

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    Synthetic aperture radar (SAR) tomography (TomoSAR) is an appealing tool for the extraction of height information of urban infrastructures. Due to the widespread applications of the MUSIC algorithm in source localization, it is a suitable solution in TomoSAR when multiple snapshots (looks) are available. While the classical MUSIC algorithm aims to estimate the whole reflectivity profile of scatterers, sequential MUSIC algorithms are suited for the detection of sparse point-like scatterers. In this class of methods, successive cancellation is performed through orthogonal complement projections on the MUSIC power spectrum. In this work, a new sequential MUSIC algorithm named recursive covariance canceled MUSIC (RCC-MUSIC), is proposed. This method brings higher accuracy in comparison with the previous sequential methods at the cost of a negligible increase in computational cost. Furthermore, to improve the performance of RCC-MUSIC, it is combined with the recent method of covariance matrix estimation called correlation subspace. Utilizing the correlation subspace method results in a denoised covariance matrix which in turn, increases the accuracy of subspace-based methods. Several numerical examples are presented to compare the performance of the proposed method with the relevant state-of-the-art methods. As a subspace method, simulation results demonstrate the efficiency of the proposed method in terms of estimation accuracy and computational load

    Efficient methods for joint estimation of multiple fundamental frequencies in music signals

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    This study presents efficient techniques for multiple fundamental frequency estimation in music signals. The proposed methodology can infer harmonic patterns from a mixture considering interactions with other sources and evaluate them in a joint estimation scheme. For this purpose, a set of fundamental frequency candidates are first selected at each frame, and several hypothetical combinations of them are generated. Combinations are independently evaluated, and the most likely is selected taking into account the intensity and spectral smoothness of its inferred patterns. The method is extended considering adjacent frames in order to smooth the detection in time, and a pitch tracking stage is finally performed to increase the temporal coherence. The proposed algorithms were evaluated in MIREX contests yielding state of the art results with a very low computational burden.This study was supported by the project DRIMS (code TIN2009-14247-C02), the Consolider Ingenio 2010 research programme (project MIPRCV, CSD2007-00018), and the PASCAL2 Network of Excellence, IST-2007-216886
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