System requirements and considerations for visual table of contents in PVR

With the introduction of non-tape-based digital video recorders also known as personal video recorders (PVR), consumers can expect alternative navigation methods to the well-known trick-play modes found on analog and digital tape-based systems. In this paper, we explore the system requirements and aspects of a visual table of contents (VTOC). A primary advantage of implementing a VTOC search mode is that it provides a much higher visual performance at high search speeds (50 times or higher) than the conventional search techniques. We present a solution for generating a video signal for visual search that is based on reusing MPEG-2 compressed video data. The video search signal is composed of a set of MPEG-2 compressed subpictures, resulting in a mosaic screen. An efficient strategy is introduced, that allows either full or partial reuse of the compressed sub-pictures via motion compensation of earlier reference sub-pictures to allow the generation of a new mosaic screen

NSSDC Conference on Mass Storage Systems and Technologies for Space and Earth Science Applications, volume 1

Papers and viewgraphs from the conference are presented. This conference served as a broad forum for the discussion of a number of important issues in the field of mass storage systems. Topics include magnetic disk and tape technologies, optical disks and tape, software storage and file management systems, and experiences with the use of a large, distributed storage system. The technical presentations describe, among other things, integrated mass storage systems that are expected to be available commercially. Also included is a series of presentations from Federal Government organizations and research institutions covering their mass storage requirements for the 1990's

Měření Triple play služeb v hybridní síti

The master's thesis deals with a project regarding the implementation, design and the quality of IPTV, VoIP and Data services within the Triple Play services. In heterostructural networks made up of GEPON and xDSL technologies. Different lengths of the optical and metallic paths were used for the measurements. The first part of the thesis is theoretically analyzed the development and trend of optical and metallic networks. The second part deals with the measurement of typical optical and metallic parameters on the constructed experimental network, where its integrity was tested. Another part of the thesis is the evaluation of Triple play results, regarding the test where the network was variously tasked/burdened with data traffic and evaluated according to defined standards. The last part is concerned with the Optiwave Software simulation environment.Diplomová práce se zabývá návrhem, realizací a kvalitou služeb IPTV, VoIP a Data v rámci Triple play služeb v heterostrukturní sítí tvořené GEPON a xDSL technologiemi. Pro měření byli využity různé délky optické a metalické trasy. První části diplomové práce je teoreticky rozebrán vývoj a trend optických a metalických sítí. Druhá část se zaměřuje na měření typických optických a metalických parametrů na vybudované experimentální síti, kde byla následně testována její integrita. Dalším bodem práce je vyhodnocení výsledků Triple play, kde síť je různě zatěžována datovým provozem a následně vyhodnocována podle definovaných norem. Závěr práce je věnovaný simulačnímu prostředí Optiwave.440 - Katedra telekomunikační technikyvýborn

A multi-level perspective analysis of the change in music consumption 1989-2014

This thesis seeks to examine the historical socio-technical transitions in the music industry through the 1990s and 2000s which fundamentally altered the way in which music is consumed along with the environmental resource impact of such transitions. Specifically, the investigation seeks to establish a historical narrative of events that are significant to the story of this transition through the use of the multi-level perspective on socio-technical transitions as a framework. This thesis adopts a multi-level perspective for socio-technical transitions approach to analyse this historical narrative seeking to identify key events and actors that influenced the transition as well as enhance the methodological implementation of the multi-level perspective. Additionally, this thesis utilised the Material Intensity Per Service unit methodology to derive several illustrative scenarios of music consumption and their associated resource usage to establish whether the socio-technical transitions experienced by the music industry can be said to be dematerialising socio-technical transitions. This thesis provides a number of original empirical and theoretical contributions to knowledge. This is achieved by presenting a multi-level perspective analysis of a historical narrative established using over 1000 primary sources. The research identifies, examines and discusses key events, actors and transition pathways denote the complex nature of dematerialising socio-technical systems as well as highlights specifically the influence different actors and actor groups can have on the pathways that transitions take. The thesis also provides a broader contribution to the understanding of dematerialisation and technology convergence