SEGREGATION OF SPEECH SIGNALS IN NOISY ENVIRONMENTS

Automatic segregation of overlapping speech signals from single-channel recordings is a challenging problem in speech processing. Similarly, the problem of extracting speech signals from noisy speech is a problem that has attracted a variety of research for several years but is still unsolved. Speech extraction from noisy speech mixtures where the background interference could be either speech or noise is especially difficult when the task is to preserve perceptually salient properties of the recovered acoustic signals for use in human communication. In this work, we propose a speech segregation algorithm that can simultaneously deal with both background noise as well as interfering speech. We propose a feature-based, bottom-up algorithm which makes no assumptions about the nature of the interference or does not rely on any prior trained source models for speech extraction. As such, the algorithm should be applicable for a wide variety of problems, and also be useful for human communication since an aim of the system is to recover the target speech signals in the acoustic domain. The proposed algorithm can be compartmentalized into (1) a multi-pitch detection stage which extracts the pitch of the participating speakers, (2) a segregation stage which teases apart the harmonics of the participating sources, (3) a reliability and add-back stage which scales the estimates based on their reliability and adds back appropriate amounts of aperiodic energy for the unvoiced regions of speech and (4) a speaker assignment stage which assigns the extracted speech signals to their appropriate respective sources. The pitch of two overlapping speakers is extracted using a novel feature, the 2-D Average Magnitude Difference Function, which is also capable of giving a single pitch estimate when the input contains only one speaker. The segregation algorithm is based on a least squares framework relying on the estimated pitch values to give estimates of each speaker's contributions to the mixture. The reliability block is based on a non-linear function of the energy of the estimates, this non-linear function having been learnt from a variety of speech and noise data but being very generic in nature and applicability to different databases. With both single- and multiple- pitch extraction and segregation capabilities, the proposed algorithm is amenable to both speech-in-speech and speech-in-noise conditions. The algorithm is evaluated on several objective and subjective tests using both speech and noise interference from different databases. The proposed speech segregation system demonstrates performance comparable to or better than the state-of-the-art on most of the objective tasks. Subjective tests on the speech signals reconstructed by the algorithm, on normal hearing as well as users of hearing aids, indicate a significant improvement in the perceptual quality of the speech signal after being processed by our proposed algorithm, and suggest that the proposed segregation algorithm can be used as a pre-processing block within the signal processing of communication devices. The utility of the algorithm for both perceptual and automatic tasks, based on a single-channel solution, makes it a unique speech extraction tool and a first of its kind in contemporary technology

Exploiting correlogram structure for robust speech recognition with multiple speech sources

This paper addresses the problem of separating and recognising speech in a monaural acoustic mixture with the presence of competing speech sources. The proposed system treats sound source separation and speech recognition as tightly coupled processes. In the first stage sound source separation is performed in the correlogram domain. For periodic sounds, the correlogram exhibits symmetric tree-like structures whose stems are located on the delay that corresponds to multiple pitch periods. These pitch-related structures are exploited in the study to group spectral components at each time frame. Local pitch estimates are then computed for each spectral group and are used to form simultaneous pitch tracks for temporal integration. These processes segregate a spectral representation of the acoustic mixture into several time-frequency regions such that the energy in each region is likely to have originated from a single periodic sound source. The identified time-frequency regions, together with the spectral representation, are employed by a `speech fragment decoder' which employs `missing data' techniques with clean speech models to simultaneously search for the acoustic evidence that best matches model sequences. The paper presents evaluations based on artificially mixed simultaneous speech utterances. A coherence-measuring experiment is first reported which quantifies the consistency of the identified fragments with a single source. The system is then evaluated in a speech recognition task and compared to a conventional fragment generation approach. Results show that the proposed system produces more coherent fragments over different conditions, which results in significantly better recognition accuracy

Binaural scene analysis : localization, detection and recognition of speakers in complex acoustic scenes

The human auditory system has the striking ability to robustly localize and recognize a specific target source in complex acoustic environments while ignoring interfering sources. Surprisingly, this remarkable capability, which is referred to as auditory scene analysis, is achieved by only analyzing the waveforms reaching the two ears. Computers, however, are presently not able to compete with the performance achieved by the human auditory system, even in the restricted paradigm of confronting a computer algorithm based on binaural signals with a highly constrained version of auditory scene analysis, such as localizing a sound source in a reverberant environment or recognizing a speaker in the presence of interfering noise. In particular, the problem of focusing on an individual speech source in the presence of competing speakers, termed the cocktail party problem, has been proven to be extremely challenging for computer algorithms. The primary objective of this thesis is the development of a binaural scene analyzer that is able to jointly localize, detect and recognize multiple speech sources in the presence of reverberation and interfering noise. The processing of the proposed system is divided into three main stages: localization stage, detection of speech sources, and recognition of speaker identities. The only information that is assumed to be known a priori is the number of target speech sources that are present in the acoustic mixture. Furthermore, the aim of this work is to reduce the performance gap between humans and machines by improving the performance of the individual building blocks of the binaural scene analyzer. First, a binaural front-end inspired by auditory processing is designed to robustly determine the azimuth of multiple, simultaneously active sound sources in the presence of reverberation. The localization model builds on the supervised learning of azimuthdependent binaural cues, namely interaural time and level differences. Multi-conditional training is performed to incorporate the uncertainty of these binaural cues resulting from reverberation and the presence of competing sound sources. Second, a speech detection module that exploits the distinct spectral characteristics of speech and noise signals is developed to automatically select azimuthal positions that are likely to correspond to speech sources. Due to the established link between the localization stage and the recognition stage, which is realized by the speech detection module, the proposed binaural scene analyzer is able to selectively focus on a predefined number of speech sources that are positioned at unknown spatial locations, while ignoring interfering noise sources emerging from other spatial directions. Third, the speaker identities of all detected speech sources are recognized in the final stage of the model. To reduce the impact of environmental noise on the speaker recognition performance, a missing data classifier is combined with the adaptation of speaker models using a universal background model. This combination is particularly beneficial in nonstationary background noise

Probabilistic models of contextual effects in Auditory Pitch Perception

Perception was recognised by Helmholtz as an inferential process whereby learned expectations about the environment combine with sensory experience to give rise to percepts. Expectations are flexible, built from past experiences over multiple time-scales. What is the nature of perceptual expectations? How are they learned? How do they affect perception? These are the questions I propose to address in this thesis. I focus on two important yet simple perceptual attributes of sounds whose perception is widely regarded as effortless and automatic : pitch and frequency. In a first study, I aim to propose a definition of pitch as the solution of a computational goal. Pitch is a fundamental and salient perceptual attribute of many behaviourally important sounds including speech and music. The effortless nature of its perception has led to the search for a direct physical correlate of pitch and for mechanisms to extract pitch from peripheral neural responses. I propose instead that pitch is the outcome of a probabilistic inference of an underlying periodicity in sounds given a learned statistical prior over naturally pitch-evoking sounds, explaining in a single model a wide range of psychophysical results. In two other psychophysical studies I study how and at what time-scales recent sensory history affects the perception of frequency shifts and pitch shifts. (1) When subjects are presented with ambiguous pitch shifts (using octave ambiguous Shepard tone pairs), I show that sensory history is used to leverage the ambiguity in a way that reflects expectations of spectro-temporal continuity of auditory scenes. (2) In delayed 2 tone frequency discrimination tasks, I explore the contraction bias : when asked to report which of two tones separated by brief silence is higher, subjects behave as though they hear the earlier tone ’contracted’ in frequency towards a combination of recently presented stimulus frequencies, and the mean of the overall distribution of tones used in the experiment. I propose that expectations - the statistical learning of the sampled stimulus distribution - are built online and combined with sensory evidence in a statistically optimal fashion. Models derived in the thesis embody the concept of perception as unconscious inference. The results support the view that even apparently primitive acoustic percepts may derive from subtle statistical inference, suggesting that such inferential processes operate at all levels across our sensory systems

On Using Backpropagation for Speech Texture Generation and Voice Conversion

Inspired by recent work on neural network image generation which rely on backpropagation towards the network inputs, we present a proof-of-concept system for speech texture synthesis and voice conversion based on two mechanisms: approximate inversion of the representation learned by a speech recognition neural network, and on matching statistics of neuron activations between different source and target utterances. Similar to image texture synthesis and neural style transfer, the system works by optimizing a cost function with respect to the input waveform samples. To this end we use a differentiable mel-filterbank feature extraction pipeline and train a convolutional CTC speech recognition network. Our system is able to extract speaker characteristics from very limited amounts of target speaker data, as little as a few seconds, and can be used to generate realistic speech babble or reconstruct an utterance in a different voice.Comment: Accepted to ICASSP 201

Final Research Report on Auto-Tagging of Music

The deliverable D4.7 concerns the work achieved by IRCAM until M36 for the “auto-tagging of music”. The deliverable is a research report. The software libraries resulting from the research have been integrated into Fincons/HearDis! Music Library Manager or are used by TU Berlin. The final software libraries are described in D4.5. The research work on auto-tagging has concentrated on four aspects: 1) Further improving IRCAM’s machine-learning system ircamclass. This has been done by developing the new MASSS audio features, including audio augmentation and audio segmentation into ircamclass. The system has then been applied to train HearDis! “soft” features (Vocals-1, Vocals-2, Pop-Appeal, Intensity, Instrumentation, Timbre, Genre, Style). This is described in Part 3. 2) Developing two sets of “hard” features (i.e. related to musical or musicological concepts) as specified by HearDis! (for integration into Fincons/HearDis! Music Library Manager) and TU Berlin (as input for the prediction model of the GMBI attributes). Such features are either derived from previously estimated higher-level concepts (such as structure, key or succession of chords) or by developing new signal processing algorithm (such as HPSS) or main melody estimation. This is described in Part 4. 3) Developing audio features to characterize the audio quality of a music track. The goal is to describe the quality of the audio independently of its apparent encoding. This is then used to estimate audio degradation or music decade. This is to be used to ensure that playlists contain tracks with similar audio quality. This is described in Part 5. 4) Developing innovative algorithms to extract specific audio features to improve music mixes. So far, innovative techniques (based on various Blind Audio Source Separation algorithms and Convolutional Neural Network) have been developed for singing voice separation, singing voice segmentation, music structure boundaries estimation, and DJ cue-region estimation. This is described in Part 6.EC/H2020/688122/EU/Artist-to-Business-to-Business-to-Consumer Audio Branding System/ABC D