Electronic Resources and Academic Libraries, 1980-2000: A Historical Perspective

published or submitted for publicatio

Listening to the self: The Shawshank redemption and the technology of music

Music has often been used to symbolize and express ontological experiences. This article explores a mode of nineteenth-century self-audition where music captures a glimpse of the freedom that lies at the core of the subject. This mode of listening has intensified with the development of modern technology and is still prevalent in constructing the identity of the self. The opera scene from the Shawshank Redemption not only is an example of this special effect, but provides a narrative of how music achieves this affect, creating an ideal and virtual self through sound technology. © 2011 by the Regents of the University of California.published_or_final_versio

Volume 7 - Issue 6 - Friday, October 29, 1971

The Rose Thorn, Rose-Hulman\u27s independent student newspaper.https://scholar.rose-hulman.edu/rosethorn/2039/thumbnail.jp

Ancient hyper present

My practice, especially this virtual garden, is a collage made of media, images, and virtual space across different eras and time signatures. Graphic design can exist in a gallery, on the screen, inside headsets or in the streets. Like a lucid dream, it can be disorienting as it opens up to a more-than physical ground of experience; within the virtual, within shared memory. This reflective practice arises as a form of “anachronism.” Before I could arrive at my transdisciplinary practice that considers experiences of exile and diaspora, I had to grapple with a singular question: what does it mean to visualize and materialize nostalgia for a distant world? In my effort to answer, I learned to identify as both an architect of memory and an archivist of place, and allow my work to exist in a multiverse of fields, rather than in one space. To communicate the literal and transpersonal, Ancient Hyper Present gathers an array of forms: editorial, kinetic, typographic, spatial, and experiential. I call forth a practice of reflection, to go through the process of seeing the unseeable or the unacknowledged

Spartan Daily, November 13, 1998

Volume 111, Issue 54https://scholarworks.sjsu.edu/spartandaily/9342/thumbnail.jp

Spartan Daily, November 11, 2003

Volume 121, Issue 52https://scholarworks.sjsu.edu/spartandaily/9918/thumbnail.jp

Volume 38 - Issue 09 - Friday, December 6, 2002

The Rose Thorn, Rose-Hulman\u27s independent student newspaper.https://scholar.rose-hulman.edu/rosethorn/1286/thumbnail.jp

Washington University Record, April 23, 2004

https://digitalcommons.wustl.edu/record/2000/thumbnail.jp