Report of the Stanford Linked Data Workshop

The Stanford University Libraries and Academic Information Resources (SULAIR) with the Council on Library and Information Resources (CLIR) conducted at week-long workshop on the prospects for a large scale, multi-national, multi-institutional prototype of a Linked Data environment for discovery of and navigation among the rapidly, chaotically expanding array of academic information resources. As preparation for the workshop, CLIR sponsored a survey by Jerry Persons, Chief Information Architect emeritus of SULAIR that was published originally for workshop participants as background to the workshop and is now publicly available. The original intention of the workshop was to devise a plan for such a prototype. However, such was the diversity of knowledge, experience, and views of the potential of Linked Data approaches that the workshop participants turned to two more fundamental goals: building common understanding and enthusiasm on the one hand and identifying opportunities and challenges to be confronted in the preparation of the intended prototype and its operation on the other. In pursuit of those objectives, the workshop participants produced:1. a value statement addressing the question of why a Linked Data approach is worth prototyping;2. a manifesto for Linked Libraries (and Museums and Archives and …);3. an outline of the phases in a life cycle of Linked Data approaches;4. a prioritized list of known issues in generating, harvesting & using Linked Data;5. a workflow with notes for converting library bibliographic records and other academic metadata to URIs;6. examples of potential “killer apps” using Linked Data: and7. a list of next steps and potential projects.This report includes a summary of the workshop agenda, a chart showing the use of Linked Data in cultural heritage venues, and short biographies and statements from each of the participants

From York to New Earswick: reforming working-class homes, 1899-1914

How to improve the lives of the working class and the poor in Britain has been a key concern for social reformers, architects and designers, and local and national governments throughout twentieth century, but the origins of this were in the preceding century. From the middle of the nineteenth century, reformers had understood the necessity of improving the living conditions, diet and material environment of those with low incomes. Housing, at the core of this, was increasingly a political issue, but as this case study of the development of a garden village in the North of England demonstrates, it was also a moral and aesthetic one

The ‘unequalled artist and architect Senior Anthonio, il maltese’, pioneer of Renaissance architecture and military engineering in Europe

In the 1530s and 1540s the Maltese architect and military engineer Antonio (‘Fauczun’, ‘Anthoni Faissant’) signed responsible for the construction of several prestigious fortifications, fortresses, public edifices, and palaces in the German towns of Nuremberg, Lichtenau, Lauf, Hiltpoltsein, and Hersbruck, and most likely also in Heidelberg and Brzeg in Silesia (today in Poland). Most of these constructions were part of the avant-garde of early-sixteenth-century fortification technique and architecture and very much praised by the contemporaries. Until now the name of Antonio Falzon has escaped Maltese researchers and this paper aims to draw attention to this eminent architect and military engineer who apparently also was active as artisan and designer.peer-reviewe

Exploring roles and relationships in the production of the built environment

Given the number of different agencies and the complexity of institutional and professional relationships in the production, management and regulation of the built environment, many students entering built environment professions leave university education to take up work placements or employment without a sufficient understanding of the different actors and the formal and informal interactions and social relationships between them. Furthermore, destructive stereotypes may form during the educational process as students construct their own professional identity, in part learnt from their teachers and peers, and naturalised by the academic and professional institutions that form the context of their education – a process of enculturation termed ‘professional socialization’ by social scientists (Cuff, 1991: 118). These stereotypes may lead ultimately to inter-professional tensions and hostilities. Innovations in practice often involve challenges to established roles or joined-up thinking which breaches institutional structures, for all of which graduates may be ill-prepared

Future users, future cities: dweller as designer

As technology advances, users get more detached from the way things work and are produced. Users end up being pure consumers and leave their positions as decision makers behind. Before the architecture and buildings processes were industrialized, most practitioners of the so-called vernacular architecture were in fact the dwellers of what they built and they easily met the specific personal needs since they were in total control. Some “architectural theorists have turned to vernacular construction with the conviction that such buildings and settlements express the interconnectedness between humans and the landscapes they live in.” (Beesley and Bonnemaison 2008). Considering the present day intense building activity, such relationship of dweller and architecture seems not possible excepting a very few examples to later referred to. This paper will instead focus on the possibility of the non-architect users of architectures as decision makers in order to reach designs that meet the requirements of their addressees

Critical Dialogues : Scotland + Venice 2012

Alberto Campo Baeza writing in the catalogue, Young Spanish Architecture, an Ark Monograph of 1985, talks about, ‘’a world riddled with noise and yet paradoxically mute, creatively speaking, a group of young Spanish architects are playing a very engaging song, their own song, the most beautiful song.’’ Twenty-seven years later that Spanish song has grown in quality and projection as subsequent architects took their lead from this earlier generation resulting in a Spanish architectural culture of great stature and depth. New voices are occasionally heard, often emanating from the architectural edge, such as Pascal Flammer and Raphael Zuber’s work in Switzerland and Alejandro Aravena’s Elemental Housing in Chile. Some of the most beautiful and poignant songs have emerged from China in Atelier Archmixing’s Twin Trees Pavilion and Amateur Architecture Studio’s early Ceramic House, projects that can be heard through the din of the architectural circus that travels the globe, a circus with an increasingly desperate and cynical appetite. For a song to become engaging and powerful, three components are critical: personality, passion and technique. Scotland’s presence in Venice 2012 is about the recognition of four voices that are on the verge of making themselves heard. Scotland lies on the periphery of Europe, nascent both politically and in contemporary terms architecturally. Yet once its architects stood shoulder to shoulder with the best in Europe and many claim that Charles Rennie Mackintosh’s sublime Glasgow School of Art 1899-1909 heralded modernism not just in the UK but also in Europe. In the post-Second World War period Gillespie Kidd and Coia in the West and Morris and Steedman in the East helped propel Scottish architecture in new directions, the former becoming part of a west coast figurative culture that explored a phenomenological sense of section and atmosphere, the latter by an east coast sense of abstraction, detachment and refinement. It seems to me there has always been this kind of architectural watershed that splits Scotland in two. The west possesses a character like its fractured romantic coastline that is passionate about layers, complexity and conversation, whilst the east with its more austere coastline nurtures a more ascetic, reflective, emotionless and silent quality in both its art and architecture. More recently the architectural scene seems to have lost this sense of split personality that came out of place. The new architecture has a tendency towards an image of rediscovered modernism albeit executed with a new graphic material suaveness that could equally be seen anywhere in the UK. The years from the 1970’s have seen a gradual dissolution in the architect’s role. It is a situation that has been greatly exacerbated by the current recession in which many architects have lost not just their voice, but their ability to make architecture altogether. The four architectural practices represented in Venice are all based in Glasgow; they all share a concern for people, the ordinary, and the street. They all have passion and an emerging personality even though their technique has had little opportunity to develop. The critical word that connects these architects is architectural practice. They explore the act of practicing as an architect in a marginal situation, politically, socially, professionally and culturally. Their approach is primarily concerned with conversation and engagement. Venice itself is a city on the edge. Once the edge of Europe and a portal to a far eastern imagination, a city barely founded on land or sea, a mirage. The Scottish contribution to the Venice Biennale itself is a marginal act, emerging, hopeful, outside the main event. Four Northern figures flit amongst southern shadows

The EPR in crisis

A review of the status of the Areva European Prssurised Water Reactor (EPR)

The XP customer team: A grounded theory

The initial definition of XP resulted in many people interpreting the on-site customer to be a single person. We have conducted extensive qualitative research studying XP teams, and one of our research questions was “who is the customer”? We found that, rather than a single person, a customer team always exists. In this paper we outline the different roles that were typically on the team, which range from the recognized “Acceptance Tester” role to the less recognized roles of “Political Advisor” and “Super-Secretary”

Walter Burley Griffin and Marion Mahony Griffin, Architects of Anthroposophy

This paper reveals that the first public lecture in Australia on biodynamic agriculture was held on 26 June 1938 at the home of the architects Walter Burley Griffin and Marion Mahoney Griffin at Castlecrag, Sydney. This meeting is a seminal event in the history of the development of organic farming in Australia. The Griffins were responsible for the design of Australia’s capital city, Canberra. They were introduced to Anthroposophy in Australia, with Marion joining the Anthroposophic Society in Australia in 1930 and Walter joining in 1931. They each played an active and prominent role in the discussion, dissemination, presentation and celebration of the thoughts and teachings of Rudolf Steiner. Marion wrote an extensive unpublished memoir of over 1600 typescript pages and this paper draws on that memoir and other primary sources