Ants and Fairies: The Debate with Darwinism in A. S. Byatt’s Morpho Eugenia

Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej nauk

Bulletin of the Massachusetts Archaeological Society, Vol. 3, No. 3

The Hemenway Site, M42/42, Eastham, Mass. (Frederick Johnson) Indians in Bridgewater (Gerald C. Dunn) Progress Report on Site M52/3, Nantucket, Mass. (Edward Brooks) Champlain\u27s Account of the New England Coast

Archaeology from A to Z: Abu Zarad, an ancient town in the heartland of Palestine

A new agreement on cooperation for the archaeological exploration, cultural and tourist valorization of Tell Sheikh Abu Zarad, in central Palestine, has been signed in April 2015 by Rome Sapienza University and the Ministry of Tourism and Antiquities of Palestine. In May-June 2015, the first season of archaeological investigation was carried out, putting on the map this ancient mound, one of the pre-classical cities in the heartland of the country. A GIS aided survey of the tell and its immediate environs, and a systematic collection of surface pottery allowed to reconstruct its ancient landscape, and to put forward a topographic analysis of the site, as well as a provisional timeline of its occupation from the Early Bronze Age until the Ottoman Period. At a preliminary examination, Tell Abu Zarad achieved the urban status in the Middle Bronze II-III, and in Iron I-II

Bulletin of the Massachusetts Archaeological Society, Vol. 8, No. 4

Eight Platform or “Monitor” Pipes in the Peabody Museum, Salem, Massachusetts (Wendell S. Hadlock) A Steatite Vessel and other Artifacts from a Hilltop Cache in Truro, Massachusetts (Ross Moffett) The Squam Pond Indian Site, Nantucket, Massachusetts (Ripley P. Bullen and Edward Brooks) Man in Northeastern North America. Review. (W. Elmer Ekblaw) Index (Volumes I through VIII

Bulletin of the Massachusetts Archaeological Society, Vol. 8, No. 4

Eight Platform or “Monitor” Pipes in the Peabody Museum, Salem, Massachusetts (Wendell S. Hadlock) A Steatite Vessel and other Artifacts from a Hilltop Cache in Truro, Massachusetts (Ross Moffett) The Squam Pond Indian Site, Nantucket, Massachusetts (Ripley P. Bullen and Edward Brooks) Man in Northeastern North America. Review. (W. Elmer Ekblaw) Index (Volumes I through VIII

The Private Memoirs and Confessions of a Justified Collector of Scottish Books

Graduate Winner: 1st Place, 2006. 19th Annual Carl Neureuther Student Book Collection Competition

Bulletin of the Massachusetts Archaeological Society, Vol. 3, No. 4

Winslow’s Reports of the Indians (Charles F. Sherman) The Vinland Voyage – 1941 (Douglas S. Byers) Camp Sites near Plymouth, Mass. (Jesse Brewer) A Trading Center for Local Products in the Town of Hadley, Massachusetts (William J. Howes

The Debt and Other Poems

A selection of poems, translations, and imitations written from 2009-2015

An Africa at every turn : Nathaniel Mackey’s layered landscapes and puns of place

As that complex of developments that we now call “globalisation” continues to shrink and collapse our sense of planetary Place, serial poet and epistolary novelist Nathaniel Mackey’s works can be read as ongoing critiques of utopian “One World” dogmas. In Mackey’s Cubistic approach to locale, wordplay (as world-play) allows several sites to overlap and inhabit a single node on a trans-historic map. His jerry-rigged journeys ‘put one place/atop another’ so that history doesn’t merely repeat, but engages in counter-point and co-existence. For Mackey, “elsewhere” is an ever-advancing horizon, a site that never stands still for complete nomenclature, and an Africa scattered and felt primarily as a mocking residue and a womb turned inside out. Suitably, a large portion of his poetic energies are spent discovering new ways to merge sites together. In his page-layout itself, a ceaseless enjambment causes the poetic line to be forever ‘round[ing] the bend’. In an interlinked saga that connects over a dozen volumes of poetry and prose, Mackey’s layered landscapes treat Setting like an ‘Inn of Many Monikers’ in which Locale and History are vertically stacked chords, the African scattering-of-tribes is treated as a primal scenario, and linear time is collapsed into a singular Present.peer-reviewe