Towards modelling dialectic and eristic argumentation on the social web

Modelling arguments on the social web is a key challenge for those studying computational argumentation. This is because formal models of argumentation tend to assume dialectic and logical argument, whereas argumentation on the social web is highly eristic. In this paper we explore this gap by bringing together the Argument Interchange Format (AIF) and the Semantic Interlinked Online Communities (SIOC) project, and modelling a sample of social web arguments. This allows us to explore which eristic effects cannot be modelled, and also to see which features of the social web are missing.We show that even in our small sample, from YouTube, Twitter and Facebook, eristic effects (such as playing to the audience) were missing from the final model, and that key social features (such as likes and dislikes) were also not represented. This suggests that both eristic and social extensions need to be made to our models of argumentation in order to deal effectively with the social we

'Catching the user' in online research: an innovative approach for respondent recruitment

Most APIs (Application Programming Interfaces) are used in social science research to retrieve metadata on media objects, harvesting descriptive data (e.g. tags) and user interaction with the object (e.g. number of comments), or on media subjects (e.g. number of posts) as they enable instantaneous, automated and repeatable data collection. This paper elaborates on another use of APIs; namely as a tool for the recruitment of respondents from online platforms. We will present two case studies in which APIs were used to recruit respondents from YouTube and Twitter and to invite them to participate in an online survey. Using these case studies as a springboard, we will point to the methodological opportunities and challenges, and, importantly, to the ethical considerations related to using APIs for enlisting respondents, such as the blurred distinction between private and public spaces or between ‘being in public’ and ‘being public’

State of the art 2015: a literature review of social media intelligence capabilities for counter-terrorism

Overview This paper is a review of how information and insight can be drawn from open social media sources. It focuses on the specific research techniques that have emerged, the capabilities they provide, the possible insights they offer, and the ethical and legal questions they raise. These techniques are considered relevant and valuable in so far as they can help to maintain public safety by preventing terrorism, preparing for it, protecting the public from it and pursuing its perpetrators. The report also considers how far this can be achieved against the backdrop of radically changing technology and public attitudes towards surveillance. This is an updated version of a 2013 report paper on the same subject, State of the Art. Since 2013, there have been significant changes in social media, how it is used by terrorist groups, and the methods being developed to make sense of it.  The paper is structured as follows: Part 1 is an overview of social media use, focused on how it is used by groups of interest to those involved in counter-terrorism. This includes new sections on trends of social media platforms; and a new section on Islamic State (IS). Part 2 provides an introduction to the key approaches of social media intelligence (henceforth ‘SOCMINT’) for counter-terrorism. Part 3 sets out a series of SOCMINT techniques. For each technique a series of capabilities and insights are considered, the validity and reliability of the method is considered, and how they might be applied to counter-terrorism work explored. Part 4 outlines a number of important legal, ethical and practical considerations when undertaking SOCMINT work

Music 2025 : The Music Data Dilemma: issues facing the music industry in improving data management

© Crown Copyright 2019Music 2025ʼ investigates the infrastructure issues around the management of digital data in an increasingly stream driven industry. The findings are the culmination of over 50 interviews with high profile music industry representatives across the sector and reflects key issues as well as areas of consensus and contrasting views. The findings reveal whilst there are great examples of data initiatives across the value chain, there are opportunities to improve efficiency and interoperability