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Troubling futures: can participatory design research provide a generative anthropology for the 21st century?
This essay argues there is value in considering participatory design as a form of generative anthropology at a time when we recognise that we need not only to understand cultures but to change them towards sustainable living. Holding up the democratically-oriented practices of some participatory design research to definitions of anthropology allows the essay to explore the role of intervention in social process. And, challenging definitional boundaries, the essay examines design as a participatory tool for cultural change, creating and interogating futures (and the idea of futures). In analysing how designing moves towards change in the world, the essay brings together design research and concepts from anthropology to help us better understand and operationalise our interventions and pursue them in a fair and sustainable manner
Perceptions of research
The term 'research' is rarely questioned. It is a term whose meaning seems to be implicitly understood. Certainly there is an institutional bureaucracy which supports 'research', and academic staff are rewarded for their strength in 'research'. But what is this research? It is likely that there are multiple understandings of 'research', but unless this diversity of understanding is recognised, it is difficult to have meaningful dialogue about it
Cultures of Sustainability: âWays of doingâ cooking
In our research, we have been expanding our conceptual and methodological frames of reference as designers, in order to explore the complexity of factors involved in environmental sustainability and the consequent challenges posed for design research. In this paper, we discuss some of these issues in user-centered and sustainable design, drawing out and developing relations to concepts from other fields of study, such as the sociology of consumption and material culture. In order to better understand the role that (sustainable) design products might play within peopleâs everyday lives and lifestyles, we interpret and discuss notions of âsocio-cultural practicesâ of consumption and frame an approach to studying peopleâs âways of doingâ with artifacts. We point to two examples from our previous research on designing for energy awareness and for sustainable bathing practices.
A current study is presented in depth, in which families and singles, resident in The Netherlands but originating from different countries, have been observed and interviewed during preparation of a meal, eating and clearing up afterwards. Through studying and reflecting on the different âways of doingâ cooking, we gained insights into how cooking and a range of associated practices and artifacts are deeply embedded in traditions, meanings and aspirations. Issues of environmental consumption, such as water, energy and waste, are at stake in such design research but, as we argue, so is attention and sensitivity to how these are interwoven in meaningful socio-cultural practices. The setup and findings are presented, as a point of departure for raising conceptual and methodological questions to be developed in future work
Difficult forms: critical practices of design and research
As a kind of 'criticism from within', conceptual and critical design inquire into what design is about â how the market operates, what is considered 'good design', and how the design and development of technology typically works. Tracing relations of conceptual and critical design to (post-)critical architecture and anti-design, we discuss a series of issues related to the operational and intellectual basis for 'critical practice', and how these might open up for a new kind of development of the conceptual and theoretical frameworks of design. Rather than prescribing a practice on the basis of theoretical considerations, these critical practices seem to build an intellectual basis for design on the basis of its own modes of operation, a kind of theoretical development that happens through, and from within, design practice and not by means of external descriptions or analyses of its practices and products
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