Video Forgery Detection: A Comprehensive Study of Inter and Intra Frame Forgery With Comparison of State-Of-Art

Availability of sophisticated and low-cost smart phones, digital cameras, camcorders, surveillance CCTV cameras are extensively used to create videos in our daily life. The prevalence of video sharing techniques presently available in the market are: YouTube, Facebook, Instagram, snapchat and many more are in utilization to share the information related to videos. Besides this, there are many software which can edit the content of video: Window Movie Maker, Video Editor, Adobe Photoshop etc., with this available software anyone can edit the video content which is called as “Forgery” if edited content is harmful. Usually, videos play a vital role in terms of proof in crime scene. The Victim is judged by the proof submitted by the lawyer to the court. Many such cases have evidenced that the video being submitted as proof is been forged. Checking the authentication of the video is most important before submitting as proof. There has been a rapid development in deep learning techniques which have created deepfake videos where faces are replaced with other faces which strongly made a belief of saying “Seeing is no longer believing”. The available software which can morph the faces are FakeApp, FaceSwap etc., the increased technology really made the Authentication of proofs very doubtful and un-trusty which are not accepted as proof without proper validation of the video. The survey gives the methods that are capable of accurately computing the videos and analyses to detect different kinds of forgeries. It has revealed that most of the existing methods are relying on number of tampered frames. The proposed techniques are with compression, double compression codec videos where research is being carried out from 2016 to present. This paper gives the comprehensive study of techniques, algorithms and applications designed and developed to detect forgery in videos

Non-Facial Video Spatiotemporal Forensic Analysis Using Deep Learning Techniques

Digital content manipulation software is working as a boon for people to edit recorded video or audio content. To prevent the unethical use of such readily available altering tools, digital multimedia forensics is becoming increasingly important. Hence, this study aims to identify whether the video and audio of the given digital content are fake or real. For temporal video forgery detection, the convolutional 3D layers are used to build a model which can identify temporal forgeries with an average accuracy of 85% on the validation dataset. Also, the identification of audio forgery, using a ResNet-34 pre-trained model and the transfer learning approach, has been achieved. The proposed model achieves an accuracy of 99% with 0.3% validation loss on the validation part of the logical access dataset, which is better than earlier models in the range of 90-95% accuracy on the validation set

Recent Advances in Digital Image and Video Forensics, Anti-forensics and Counter Anti-forensics

Image and video forensics have recently gained increasing attention due to the proliferation of manipulated images and videos, especially on social media platforms, such as Twitter and Instagram, which spread disinformation and fake news. This survey explores image and video identification and forgery detection covering both manipulated digital media and generative media. However, media forgery detection techniques are susceptible to anti-forensics; on the other hand, such anti-forensics techniques can themselves be detected. We therefore further cover both anti-forensics and counter anti-forensics techniques in image and video. Finally, we conclude this survey by highlighting some open problems in this domain

A survey on passive digital video forgery detection techniques

Digital media devices such as smartphones, cameras, and notebooks are becoming increasingly popular. Through digital platforms such as Facebook, WhatsApp, Twitter, and others, people share digital images, videos, and audio in large quantities. Especially in a crime scene investigation, digital evidence plays a crucial role in a courtroom. Manipulating video content with high-quality software tools is easier, which helps fabricate video content more efficiently. It is therefore necessary to develop an authenticating method for detecting and verifying manipulated videos. The objective of this paper is to provide a comprehensive review of the passive methods for detecting video forgeries. This survey has the primary goal of studying and analyzing the existing passive techniques for detecting video forgeries. First, an overview of the basic information needed to understand video forgery detection is presented. Later, it provides an in-depth understanding of the techniques used in the spatial, temporal, and spatio-temporal domain analysis of videos, datasets used, and their limitations are reviewed. In the following sections, standard benchmark video forgery datasets and the generalized architecture for passive video forgery detection techniques are discussed in more depth. Finally, identifying loopholes in existing surveys so detecting forged videos much more effectively in the future are discussed

Image and Video Forensics

Nowadays, images and videos have become the main modalities of information being exchanged in everyday life, and their pervasiveness has led the image forensics community to question their reliability, integrity, confidentiality, and security. Multimedia contents are generated in many different ways through the use of consumer electronics and high-quality digital imaging devices, such as smartphones, digital cameras, tablets, and wearable and IoT devices. The ever-increasing convenience of image acquisition has facilitated instant distribution and sharing of digital images on digital social platforms, determining a great amount of exchange data. Moreover, the pervasiveness of powerful image editing tools has allowed the manipulation of digital images for malicious or criminal ends, up to the creation of synthesized images and videos with the use of deep learning techniques. In response to these threats, the multimedia forensics community has produced major research efforts regarding the identification of the source and the detection of manipulation. In all cases (e.g., forensic investigations, fake news debunking, information warfare, and cyberattacks) where images and videos serve as critical evidence, forensic technologies that help to determine the origin, authenticity, and integrity of multimedia content can become essential tools. This book aims to collect a diverse and complementary set of articles that demonstrate new developments and applications in image and video forensics to tackle new and serious challenges to ensure media authenticity

A review of digital video tampering: from simple editing to full synthesis.

Video tampering methods have witnessed considerable progress in recent years. This is partly due to the rapid development of advanced deep learning methods, and also due to the large volume of video footage that is now in the public domain. Historically, convincing video tampering has been too labour intensive to achieve on a large scale. However, recent developments in deep learning-based methods have made it possible not only to produce convincing forged video but also to fully synthesize video content. Such advancements provide new means to improve visual content itself, but at the same time, they raise new challenges for state-of-the-art tampering detection methods. Video tampering detection has been an active field of research for some time, with periodic reviews of the subject. However, little attention has been paid to video tampering techniques themselves. This paper provides an objective and in-depth examination of current techniques related to digital video manipulation. We thoroughly examine their development, and show how current evaluation techniques provide opportunities for the advancement of video tampering detection. A critical and extensive review of photo-realistic video synthesis is provided with emphasis on deep learning-based methods. Existing tampered video datasets are also qualitatively reviewed and critically discussed. Finally, conclusions are drawn upon an exhaustive and thorough review of tampering methods with discussions of future research directions aimed at improving detection methods

FaceForensics++: Learning to Detect Manipulated Facial Images

The rapid progress in synthetic image generation and manipulation has now come to a point where it raises significant concerns for the implications towards society. At best, this leads to a loss of trust in digital content, but could potentially cause further harm by spreading false information or fake news. This paper examines the realism of state-of-the-art image manipulations, and how difficult it is to detect them, either automatically or by humans. To standardize the evaluation of detection methods, we propose an automated benchmark for facial manipulation detection. In particular, the benchmark is based on DeepFakes, Face2Face, FaceSwap and NeuralTextures as prominent representatives for facial manipulations at random compression level and size. The benchmark is publicly available and contains a hidden test set as well as a database of over 1.8 million manipulated images. This dataset is over an order of magnitude larger than comparable, publicly available, forgery datasets. Based on this data, we performed a thorough analysis of data-driven forgery detectors. We show that the use of additional domainspecific knowledge improves forgery detection to unprecedented accuracy, even in the presence of strong compression, and clearly outperforms human observers.Comment: Video: https://youtu.be/x2g48Q2I2Z

Datasets, Clues and State-of-the-Arts for Multimedia Forensics: An Extensive Review

With the large chunks of social media data being created daily and the parallel rise of realistic multimedia tampering methods, detecting and localising tampering in images and videos has become essential. This survey focusses on approaches for tampering detection in multimedia data using deep learning models. Specifically, it presents a detailed analysis of benchmark datasets for malicious manipulation detection that are publicly available. It also offers a comprehensive list of tampering clues and commonly used deep learning architectures. Next, it discusses the current state-of-the-art tampering detection methods, categorizing them into meaningful types such as deepfake detection methods, splice tampering detection methods, copy-move tampering detection methods, etc. and discussing their strengths and weaknesses. Top results achieved on benchmark datasets, comparison of deep learning approaches against traditional methods and critical insights from the recent tampering detection methods are also discussed. Lastly, the research gaps, future direction and conclusion are discussed to provide an in-depth understanding of the tampering detection research arena

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field