Report on the Second International Workshop on Narrative Extraction from Texts (Text2Story 2019)

The Second International Workshop on Narrative Extraction from Texts (Text2Story’19 [http://text2story19.inesctec.pt/]) was held on the 14th of April 2019, in conjunction with the 41st European Conference on Information Retrieval (ECIR 2019) in Cologne, Germany. The workshop provided a platform for researchers in IR, NLP, and design and visualization to come together and share the recent advances in extraction and formal representation of narratives. The workshop consisted of two invited talks, ten research paper presentations, and a poster and demo session. The proceedings of the workshop are available online at http://ceur-ws.org/Vol-2342/info:eu-repo/semantics/publishedVersio

Photo2Video: Semantic-Aware Deep Learning-Based Video Generation from Still Content

Applying machine learning (ML), and especially deep learning, to understand visual content is becoming common practice in many application areas. However, little attention has been given to its use within the multimedia creative domain. It is true that ML is already popular for content creation, but the progress achieved so far addresses essentially textual content or the identification and selection of specific types of content. A wealth of possibilities are yet to be explored by bringing the use of ML into the multimedia creative process, allowing the knowledge inferred by the former to influence automatically how new multimedia content is created. The work presented in this article provides contributions in three distinct ways towards this goal: firstly, it proposes a methodology to re-train popular neural network models in identifying new thematic concepts in static visual content and attaching meaningful annotations to the detected regions of interest; secondly, it presents varied visual digital effects and corresponding tools that can be automatically called upon to apply such effects in a previously analyzed photo; thirdly, it defines a complete automated creative workflow, from the acquisition of a photograph and corresponding contextual data, through the ML region-based annotation, to the automatic application of digital effects and generation of a semantically aware multimedia story driven by the previously derived situational and visual contextual data. Additionally, it presents a variant of this automated workflow by offering to the user the possibility of manipulating the automatic annotations in an assisted manner. The final aim is to transform a static digital photo into a short video clip, taking into account the information acquired. The final result strongly contrasts with current standard approaches of creating random movements, by implementing an intelligent content- and context-aware video.The work presented in this paper has been supported by the European Commission under contract number H2020-ICT-20-2017-1-RIA-780612 and by National Funds through the Portuguese funding agency, FCT—Fundação para a Ciência e a Tecnologia, within project LA/P/0063/2020.info:eu-repo/semantics/publishedVersio

Geographic information extraction from texts

A large volume of unstructured texts, containing valuable geographic information, is available online. This information – provided implicitly or explicitly – is useful not only for scientific studies (e.g., spatial humanities) but also for many practical applications (e.g., geographic information retrieval). Although large progress has been achieved in geographic information extraction from texts, there are still unsolved challenges and issues, ranging from methods, systems, and data, to applications and privacy. Therefore, this workshop will provide a timely opportunity to discuss the recent advances, new ideas, and concepts but also identify research gaps in geographic information extraction

Towards an interoperable ecosystem of AI and LT platforms : a roadmap for the implementation of different levels of interoperability

With regard to the wider area of AI/LT platform interoperability, we concentrate on two core aspects: (1) cross-platform search and discovery of resources and services; (2) composition of cross-platform service workflows. We devise five different levels (of increasing complexity) of platform interoperability that we suggest to implement in a wider federation of AI/LT platforms. We illustrate the approach using the five emerging AI/LT platforms AI4EU, ELG, Lynx, QURATOR and SPEAKER

Inducing Stereotypical Character Roles from Plot Structure

If we are to understand stories, we must understand characters: characters are central to every narrative and drive the action forward. Critically, many stories (especially cultural ones) employ stereotypical character roles in their stories for different purposes, including efficient communication among bundles of default characteristics and associations, ease understanding of those characters\u27 role in the overall narrative, and many more. These roles include ideas such as hero, villain, or victim, as well as culturally-specific roles such as, for example, the donor (in Russian tales) or the trickster (in Native American tales). My thesis aims to learn these roles automatically, inducing them from data using a clustering technique. The first step of learning character roles, however, is to identify which coreference chains correspond to characters, which are defined by narratologists as animate entities that drive the plot forward. The first part of my work has focused on this character identification problem, specifically focusing on the problem of animacy detection. Prior work treated animacy as a word-level property, and researchers developed statistical models to classify words as either animate or inanimate. I claimed this approach to the problem is ill-posed and presented a new hybrid approach for classifying the animacy of coreference chains that achieved state-of-the-art performance. The next step of my work is to develop approaches first to identify the characters and then a new unsupervised clustering approach to learn stereotypical roles. My character identification system consists of two stages: first, I detect animate chains from the coreference chains using my existing animacy detector; second, I apply a supervised machine learning model that identifies which of those chains qualify as characters. I proposed a narratologically grounded definition of character and built a supervised machine learning model with a small set of features that achieved state-of-the-art performance. In the last step, I successfully implemented a clustering approach with plot and thematic information to cluster the archetypes. This work resulted in a completely new approach to understanding the structure of stories, greatly advancing the state-of-the-art of story understanding

Políticas de Copyright de Publicações Científicas em Repositórios Institucionais: O Caso do INESC TEC

A progressiva transformação das práticas científicas, impulsionada pelo desenvolvimento das novas Tecnologias de Informação e Comunicação (TIC), têm possibilitado aumentar o acesso à informação, caminhando gradualmente para uma abertura do ciclo de pesquisa. Isto permitirá resolver a longo prazo uma adversidade que se tem colocado aos investigadores, que passa pela existência de barreiras que limitam as condições de acesso, sejam estas geográficas ou financeiras. Apesar da produção científica ser dominada, maioritariamente, por grandes editoras comerciais, estando sujeita às regras por estas impostas, o Movimento do Acesso Aberto cuja primeira declaração pública, a Declaração de Budapeste (BOAI), é de 2002, vem propor alterações significativas que beneficiam os autores e os leitores. Este Movimento vem a ganhar importância em Portugal desde 2003, com a constituição do primeiro repositório institucional a nível nacional. Os repositórios institucionais surgiram como uma ferramenta de divulgação da produção científica de uma instituição, com o intuito de permitir abrir aos resultados da investigação, quer antes da publicação e do próprio processo de arbitragem (preprint), quer depois (postprint), e, consequentemente, aumentar a visibilidade do trabalho desenvolvido por um investigador e a respetiva instituição. O estudo apresentado, que passou por uma análise das políticas de copyright das publicações científicas mais relevantes do INESC TEC, permitiu não só perceber que as editoras adotam cada vez mais políticas que possibilitam o auto-arquivo das publicações em repositórios institucionais, como também que existe todo um trabalho de sensibilização a percorrer, não só para os investigadores, como para a instituição e toda a sociedade. A produção de um conjunto de recomendações, que passam pela implementação de uma política institucional que incentive o auto-arquivo das publicações desenvolvidas no âmbito institucional no repositório, serve como mote para uma maior valorização da produção científica do INESC TEC.The progressive transformation of scientific practices, driven by the development of new Information and Communication Technologies (ICT), which made it possible to increase access to information, gradually moving towards an opening of the research cycle. This opening makes it possible to resolve, in the long term, the adversity that has been placed on researchers, which involves the existence of barriers that limit access conditions, whether geographical or financial. Although large commercial publishers predominantly dominate scientific production and subject it to the rules imposed by them, the Open Access movement whose first public declaration, the Budapest Declaration (BOAI), was in 2002, proposes significant changes that benefit the authors and the readers. This Movement has gained importance in Portugal since 2003, with the constitution of the first institutional repository at the national level. Institutional repositories have emerged as a tool for disseminating the scientific production of an institution to open the results of the research, both before publication and the preprint process and postprint, increase the visibility of work done by an investigator and his or her institution. The present study, which underwent an analysis of the copyright policies of INESC TEC most relevant scientific publications, allowed not only to realize that publishers are increasingly adopting policies that make it possible to self-archive publications in institutional repositories, all the work of raising awareness, not only for researchers but also for the institution and the whole society. The production of a set of recommendations, which go through the implementation of an institutional policy that encourages the self-archiving of the publications developed in the institutional scope in the repository, serves as a motto for a greater appreciation of the scientific production of INESC TEC