El concepto de “"Europa" en la Revista de Occidente (1923-1936) y su recepción en José Ortega y Gasset

The paper deals with the concept of “Europe” of José Ortega y Gasset (1883-1955). Through discourse analysis the paper deepenth into the key factors of influence that were transfered to Spain during the interwar period by the Revista de Occidente and the numerous translations made by its publishing house between 1923 and 1936. The analisis reveals three decisive factors that determined the concept of “Europe” of Ortega and the so called "circle of the Revista de Occidente”: (a) the historical morphology of Oswald Spengler (1880-1936), (b) the cultural metaphysics of Herman von Keyserling (1880-1946) and (c) the ethnological psychology of Wilhlem Haas (1883-1956). The decisive impact of these keyfactors generated several residua in the concept of “Europe” of Ortega and the Revista de Occidente which impede them from being classified as modern.El artículo profundiza en el concepto de Europa de José Ortega y Gasset (1883-1955) investigando, mediante análisis de discursos, los factores de influencia incorporados en España, durante el período de entreguerras, las transferencias culturales de la Revista de Occidente y las traducciones de su editoral entre 1923 y 1936. Resulta que existen tres factores centrales que determinaron el concepto de »Europa« difundido por Ortega y el »círculo de la Revista de Occidente«: (a) la morfología histórica de Oswald Spengler (1880-1936), (b) la metafísica cultural de Herman von Keyserling (1880-1946), y (c) la psicología de los pueblos de Wilhlem Haas (1883-1956). Estos factores de impacto decisivo generaron diversos residuos en el concepto de »Europa« de Ortega y de la Revista de Occidente que impiden clasificarlo como moderno

The 20th Century Violist: Wayne Crouse, viola and Mary Norris, piano

Sonata (1923), Arnold Bax (1883-1953) -- Lachrymae ("Reflections on a song of Dowland"), Benjamin Britten (1913-1976) -- Suite (1919), Ernest Bloch (1880-1959

Sundry civil appropriation bill

Sundry Civil Appropriations Bill. [2259] Public land service; amounts of Indian land sold during 1880-1883

Studio portrait of Dragan Tsankov

Vignetted head and shoulder shot of a man in urban clothes.Dragan Kiriakov Tsankov (1828 – 1911) was a politician, Deputy and twice Prime Minister of the Principality of Bulgaria (1880; 1883 - 1884)

Grant’s Upper Canada Chancery Cases, 1849-1882 (29 v, 1861-1883)

Reports of Cases Adjudged in the Court of Chancery of Upper Canada / by Alexander Grant. Toronto : Henry Rowsell, 1861-1883. 29 v Note: Reprint edition,also sometimes called Second Edition (Toronto: R. Carswell, 1877) is paginated identical to original edition so all references and citations are original and accurate. Cited as: Gr v 1 (1849-1850) – “Second Edition, Revised and Corrected”, Toronto: Henry Rowsell, 1861 v 2 (1850-1851) – “Second Edition”: Toronto: R. Carswell, 1877 v 3 (1851-1852) – “Reprinted”, Toronto: R. Carswell, 1877 v 4 (1853-1854) – “Second Edition”, Toronto: R. Carswell, 1877 v 5 (1853-1857) – Toronto: R. Carswell, 1877 v 6 (1856-1858) -- “Second Edition”, Toronto, R. Carswell, 1877 v 7 (1858-1859) – “Second Edition, Reprint”, Toronto: R. Carswell, 1877 v 8 (1860-1861) – “Reprint”, Toronto: Carswell & Co, 1883) v 9 (1862-1863) – “Reprint”, Toronto and Edinburgh: Carswell & Co., 1883 v 10 (1863-1864) – Toronto: Henry Roswell, 1865 v 11 (1864-1865) – Toronto: Carswell & Co., 1883 v 12 (1865-1866) – Toronto: Carswell & Co., 1883 v 13 (1866-1867) – Toronto: Henry Rowsell, 1868 v 14 (1867-1868) – Toronto: Henry Rowsell, 1868 v 15 (1968-1869) – Toronto: Henry Roswell, 1869 v 16 (1869-1870) – Toronto: Rowsell & Hutchison, 1872 v 17 (1870-1871) – Toronto: Rowsell & Hutchison, 1871 v 18 (1871-1872) – Toronto: Rowsell & Hutchison, 1872 v 19 (1872-1873) – Toronto: Rowsell & Hutchison, 1873 v 20 (1873-1874) – Toronto: Rowsell & Hutchison, 1874 v 21 (1874-1875) – Toronto: Rowsell & Hutchison, 1875 v 22 (1875) – Toronto: Rowsell & Hutchison, 1876 v 23 (1875-1876) – Toronto: Rowsell & Hutchison, 1876 v 24 (1876-1877) – Toronto: Rowsell & Hutchison, 1877 v 25 (1877-1878) – Toronto: Rowsell and Hutchison, 1878 v 26 (1878-1879) – Toronto: Rowsell & Hutchison, 1879 v 27 (1879-1880) – Toronto: Rowsell & Hutchison, 1880 v 28 (1880-1881) – Toronto: Rowsell & Hutchison, 1882 v 29 (1881-1882) – Toronto: Rowsell & Hutchison, 1883https://digitalcommons.osgoode.yorku.ca/lawreports/1000/thumbnail.jp

Right of way to Dakota Central Railway through Sioux Reservation, Dakota. Message from the President of the United States, transmitting communication from the Secretary of the Interior relative to certain agreements with the Sioux Indians and right of way to Dakota Central Railway through Sioux Reservation

48-1Indian AffairsRight of Way Through the Sioux Reservation. [2193] Agreements of 12 June, 23 Dec., and 31 Dec. 1880 granting a right of way to the Dakota Central Railway Co.1883-6

On Preservation and Restoration Works and the New Insights Concerning the Triptych from the Sacristy of Zagreb Cathedral

U okviru ograničenoga konzeruatorsko-rrestauratorskog zahvata analiziran je triptih kao i svi poznati povijesni i povijesnoumjetnički izvori i literatura o njemu. Ovim se analizama pokazalo da je središnja kasnogotička slika, koja se datira 1495., okružena dvjema neogotičkim slikama nastalima 1880.-1883. Te dvije slike do sada su se datirale u 15. stoljeće. Na poleđinu tih dviju neogotičkih slika transferirane su 1880.—1883. dvije barokne slike iz 17. stoljeća. Komparativnom analizom postojećih zakita i retuša na svim slikama, te analizom pisanih izvora i literature datirana su sva restauriranja na slikama.A partial restoration of the triptych was carried out in the Croatian Restoration Institute in the course of preparations for its exhibiting in the Vatican and in Ljubljana. On that occasion the triptych was analyzed from a restoration point of view. All known art historical sources and literature on the triptych or any of its parts were also analyzed. The analysis has shown that the central Late Gothic painting dated to 1495 is surrounded by two Neo-Gothic panels made in 1880—1883. These two panels had been previously dated to the 15 century. Two Baroque (17 century) paintings were transferred to the back of the Neo-Gothic ones in 1880-1883. It is known that the carved wooden wing altarpiece, the triptych\u27s frame, was designed by Hermann Bollé in 1880-1883. Through a comparative analysis of the existing putty patching and retouching, and with the help of written sources, it was possible to date all previous restoration works, The central Late Gothic panel was repaired three times: in 1673 on commission of the cantor I. Mišić; in 1880—1883 when a thorough restoration was undertaken including a transfer of pigment from the wood panel to a canvass accomplished by the Viennese restorer K. Schllein, commissioned by Bollé; and in 1947 when the painting was restored by Z. Wyrubal in preparation for an exhibition in the Strossmayer Gallery of Old Masters in Zagreb. The Baroque paintings on the outer side of the wings were restored twice — in 1880—1883 and in 1947, whereas the Neo-Gothic painting on the inside of the wings were restored in 1947

Index to the Acts & Resolves of Rhode Island 1873-1899 Part 2 (H-O)

Part 2 (H-O): Index to the Printed Acts and Resolves of the General Assembly of the State of Rhode Island and Providence Plantations, from the year 1873-1899

Dragan Tsankov

Vignetted medium close-up of a man in a suit.Dragan Kiriakov Tsankov (1828 - 1911) was a Bulgarian politician and twice Prime Minister of the Principality of Bulgaria (1880 and 1883 - 1884). The photograph is kept in the personal archive of Konstantin Jireček