Морфологическая адаптация французских антропонимов в русском и украинском языках

Исследуется проблема морфологического освоения имен собственных в русском и украинском языка

Готшалк (ум. 868 г.) и его учение о предопределении

We study competitive capacity investment for the emergence of a new market. Firms may invest either in capacity leading demand or in capacity lagging demand at different costs. We show how the lead time and other operational factors including volume flexibility, existing capacity, and demand uncertainty impact equilibrium outcomes. Our results indicate that a type of bandwagon behavior is the most likely equilibrium outcome: if both firms are going to invest, then they are most likely to act in unison. Contrary to much received wisdom, we show that leader–follower behavior is very uncommon in equilibrium where firms do not have volume flexibility, and will not occur at all if lead times are sufficiently short. On the other hand, if there is volume flexibility in production, then the likelihood of this sequential investment behavior increases. Our findings underscore the importance of operational characteristics in determining the competitive dynamics of capacity investment timing

Проблемы «отцовства», поднимаемые В. Гюго в своих произведениях

ГЕНДЕРНАЯ ПРОБЛЕМАТИКА В ЛИТЕРАТУРЕ И ИСКУССТВЕ. ОППОЗИЦИЯ «СВОЙ – ЧУЖОЙ

Une saga sorabe

Le titre du roman de Křesćan Krawc est Paradiz (le Paradis), c’est un lieu, une propriété familiale comprenant une maison, une petite usine et un jardin dans la serbska hola, la lande sablonneuse entre Haute et Basse-Lusace. C’est le roman d’une famille sorabe, la famille Šewc, une sorte de dynastie, depuis le grand-père jusqu’au petit-fils Jan-Pawoł, qui apparaît comme enfant sous le nom de Janek, le narrateur, derrière lequel on devine l’auteur. C’est le monde et l’Histoire vus par les yeux d’un enfant, c’est-à-dire naïvement, mais sobrement, avec réalisme, sans concessions, sans parti pris idéologique. On y voit une société paysanne qui a conservé une forte identité, ses modes de pensée et sa façon de parler. Chemin faisant, des tabous sont d’ailleurs levés. La narration se déroule comme un film dont les séquences correspondent au temps de l’enfant, entre une mère courageuse et un père patriote et entreprenant, même si l’Histoire reste la trame du récit : la guerre, l’après-guerre, et la RDA socialiste.The title of Křesćan Krawc’s novel is Paradiz (Paradise). It is a place in the serbska hola, a sandy moor lying between High and Low Lusatia and a family property. It is also the story of the Šewces, a Sorbian family who is a kind of dynasty running from the grandfather down to the grandson Jan Pawoł, named Jank, i.e. the story-teller. The world is seen through a child’s eyes, i.e. with naivety and sobriety, with a realistic approach, without prejudice of any kind nor ideological tendency. The back- ground is a rural society that has kept a strong identity as well as its ways of living, thinking and speaking. Some taboos may be lifted here and there. The narration develops like a film and the sequences correspond to the feeling a child has of time, but History remains the red thread: the war, the postwar, the socialist society of the GDR. At the heart of the narrative we find the child, a brave mother and an enterprising father who is a true Sorbian patriot