M & L Jaargang 1/2

Edgard Goedleven - EditoriaalFrans Baudouin en Nora De Poorter Het gerestaureerde Kolveniershof en het Rubenianum te Antwerpen. [The Antwerp Kolveniershof and Rubenianum restored.]Herman Stynen Het huis Guiette (1962) van architect Le Corbusier te Antwerpen. [The Guiette house (1962) by Le Corbusier in Antwerp.]Jos Vandenbreeden Het Vlaams Huis te Watermaal-Bosvoorde, een ontwerp van Albert Charle (1821-1889). [The Flemish House at Watermaal-Bosvoorde (Brussels), a design by Albert Charle (1821-1889).]Marjan Buyle en Leon Smets De Begijnhofkerk te Sint-Truiden en haar muur- en pijlerschilderingen. [The beguinage church of Sint-Truiden and its wall and column paintings.]Wim Claes en Roger Deneef Het plateau van Overijse. [The Plateau of Overijse.]Anthony Demey Het bouwkundig erfgoed van het arrondissement Sint-Niklaas in vogelvlucht. [Architectural heritage in the Sint-Niklaas arrondissement: a birds eye view.]Lut Pans Sociale stadsvernieuwing van naderbij bekeken. [Social aspects of urban renovation: a close view.]Toespraak van Gemeenschapsminister K. PomaM&L Binnenkran

Boston University Symphony Orchestra and Boston University Mixed Chorus, April 9, 1984

This is the concert program of the Boston University Symphony Orchestra and Boston University Mixed Chorus performance on Monday, April 9, 1984 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Concerto No. 2 in B minor for string bass by Giovanni Bottesini, Concerto No. 2 in D minor, Op. 22 for violin by Henryk Wieniawski, and Gloria by Francis Poulenc. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Chamber Music Concert, April 21, 1983

This is the concert program of the Chamber Music Concert on Thursday, April 21, 1983 at 1:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were String Quartet in D major, Op. 50 No. 6 by Franz Joseph Haydn, Sonatine by Désiré-Émile Inghelbrecht, and Duo Concertante on themes of "I Puritani" by Giovanni Bottessini. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

Karst Research in the 19th Century - Karel Dežman’s (1821-1889) Work

Karel Dežman’s research of the karst phenomena was examined. Among his works the cave research, description of Proteus, other cave animals and plants were found. A special concern was put on Dežman’s sources dealing with Proteus research. As the custodian of the Land Museum of Ljubljana, Dežman promoted the Ljubljanian natural history research of his time. His scientific works are not very well known because he did not follow the political line of the official Slovenian national representatives

Réalisme et « autre de l’art » dans les Contes de Champfleury

Pourquoi inclure l’œuvre de Champfleury (pseudonyme de Jules Husson-Fleury, 1821-1889) dans le cadre d’une réflexion sur les rapports entre littérature et anthropologie ? Parce que cet auteur indépendant et prolifique, connu de la postérité pour son engagement dans le débat sur le réalisme des années 1850 et pour avoir encouragé les débuts artistiques de Courbet, a manifesté, au fil de toute son existence, un intérêt croissant à l’égard de la culture populaire. Sa production, vaste et hétéro..

The Positive Law Model of the Fourth Amendment

For fifty years, courts have used a “reasonable expectation of privacy” standard to define “searches” under the Fourth Amendment. As others have recognized, that doctrine is subjective, unpredictable, and conceptually confused, but viable alternatives have been slow to emerge. This Article supplies one. We argue that Fourth Amendment protection should be anchored in background positive law. The touchstone of the search-and-seizure analysis should be whether government officials have done something forbidden to private parties. It is those actions that should be subjected to Fourth Amendment reasonableness review and the presumptive requirement to obtain a warrant. In short, Fourth Amendment protection should depend on property law, privacy torts, consumer laws, eavesdropping and wiretapping legislation, anti-stalking statutes, and other provisions of law generally applicable to private actors, rather than a freestanding doctrine of privacy fashioned by courts on the fly. This approach rests on multiple grounds. It is consistent with the history of the Fourth Amendment and with the structure of protection in the closely related area of constitutional property. It draws upon fundamental principles of liberal constitutionalism, namely a concern about abuse of official power. And it is superior to current privacy-based doctrine in many practical ways: it is clearer, more predictable, more accommodating of variation in different times and places, and more sensitive to the institutional strengths of legislative bodies, particularly when it comes to issues presented by new technologies. It also has significant doctrinal implications. Of most immediate importance, it provides a framework to analyze third-party problems — situations in which information about one person is obtained from another — that is more coherent and more attractive than the modern third-party doctrine. It also provides a new framework for many other contested Fourth Amendment questions, from abandoned property and DNA to the use of drones

Inundaciones de la huerta de Murcia : juicio sobre su frecuente repetición de pocos años a esta parte, sus terribles desastres, sus causas y remedios

MU-AM , 8-H-27(8)MU-AM , 10-E-5(8)MU-AM ,1-J-18(16

Réalisme et « autre de l’art » dans les Contes de Champfleury

Pourquoi inclure l’œuvre de Champfleury (pseudonyme de Jules Husson-Fleury, 1821-1889) dans le cadre d’une réflexion sur les rapports entre littérature et anthropologie ? Parce que cet auteur indépendant et prolifique, connu de la postérité pour son engagement dans le débat sur le réalisme des années 1850 et pour avoir encouragé les débuts artistiques de Courbet, a manifesté, au fil de toute son existence, un intérêt croissant à l’égard de la culture populaire. Sa production, vaste et hétéroc..