Au Congo Français: Monseigneur Carrie 1842-1904 I

Contents Chapitre I: A Loanda D’Angola et Congo (p.1) Chapitre II: Les Peres du Saint-Esprit en Angola et Congo (p.11) Chapitre III: “Abandonnez L’Angola” (p.25) Chapitre IV: Landana, Siege de la Prefecture Apostolique (p.33) Chapitre V: Le Pere Duparquet, Prefet Apostolique du Congo (p.45) Chapitre VI: Nouvelles Etapes (p.59) Chapitre VII: Le Nouveau Superieur de Landana (p.79) Chapitre VIII: Association Internationale Africaine du Congo (p.95) Chapitre IX: Saint-Antoine-Linzolo-Loango (p.113) Chapitre X: Les Portugais a Landana (p.125) Chapitre XI: L’évêque de Loango (p.155) Chapitre XII: Brazzaville et Bangui (p.169) Chapitre XIII: Succes et Dafaites-les Reglements (p.189) Chapitre XIV: Voyage Manqué Dans Le Haut-Fleuve (p.207) Chapitre XV: Sette-cama – Monseigneur Augouard, Eveque de Brazzaville (p.221)https://dsc.duq.edu/spiritan-books/1005/thumbnail.jp

Ujfalvy’s place in the development of Finno-Ugrian language studies in the second half of the 19th century in France

The article presents the work of Charles Eugène de Ujfalvy de Mező-Kövesd [Hung. Mezőkövesdi Ujfalvy Károly Jenő] (1842–1904), still less known French-Hungarian researcher, who played an important role as an initiatior of the Finno-Ugrian language studies in France. His interests were very wide and he worked hard with a real scientific passion. He left behind numerous publications on linguistics, anthropology and ethnography, which contributed to the increase of the general knowledge about Asia’s many peoples in the second half of the 19th century

Au Congo Français: Monseigneur Carrie 1842-1904 II

Contents XVI. Buanza (p.241) XVII. Le Barrage du Kouilou (p.273) XVIII. Foussemagne et Monteil (p.287) XIX. Buanza Menacé (p.307) XX. Retour a Loango (p.327) XXI. Essor de L’Apostolat (p.345) XXII. Boudianga (p.367) XXIII. Les Sœurs de Saint-Joseph rentrent en France (p.389) XXIV. Le Crepuscule (p.409) XXV. Les Derniers Jours (p.435) Documentation (p.453) Errata (p.455) Table des Matieres (p.457)https://dsc.duq.edu/spiritan-books/1006/thumbnail.jp

What's in a Word?

Words are all around us to the point that their complexity is lost in familiarity. The term “word” itself can ambiguously refer to different linguistic concepts: orthographic words, phonological words, grammatical words, word-forms, lexemes, and to an extent lexical items. While it is hard to come up with exception-less criteria for wordhood, some typical properties are that words are writeable and spellable, consist of morphemes, are syntactic units, carry meaning, and interrelate with other words. Moreover, words can be classified and categorized in a number of different ways depending on how they are used, by whom, and to what extent they are established within the lexicon. English has many ways of adding new words to its repertoire through both productive and creative means. “Knowing” a word need not entail knowing every facet of its history and usage, yet there is still more to a word than simply the symbol-to-meaning relation

A Touch of Art : Sarah Wyman Whitman and the Art of the Book in Boston

Painter, book designer, and stained glass artist, Sarah Wyman Whitman (1842-1904) has largely been ignored in art historical scholarship despite her “Renaissance Woman” approach to artistic production, her devotion to the democratization of design, and prominence in Boston’s nineteenth-century social circles. Whitman acted as a pioneer by carving out a niche for women artists who chose to avoid the male-dominated, hierarchal sphere of nineteenth-century fine arts. Instead, she turned to producing cloth-stamped book covers and works in stained glass and is credited as the first person to procure full-time employment as a book designer. My paper will use Sarah Wyman Whitman’s life and work to explore how her social networks of Boston artists, authors, and reformers shaped her work across media and illuminate a variety of issues facing women artists during this period in the context of the fine press revival in Boston, the gender politics of craft, and notions of feminine sensibility