Edward Bernays University of Applied Sciences. Department of Public Relations.
Abstract
Glumci su kao javne osobe često percipirani kao prepoznatljive osobe s karakteristikama brendova. Neki od njih sebe samostalno brendiraju i čine to planski, dok dio glumaca nema znanje o brendiranju i alatima osobnih odnosa s javnošću, koji su pretpostavka za proces izgradnje osobnog brenda. Ovaj rad polazi od pretpostavke da poznati glumci ulažu znatna sredstva i vrijeme u izgradnju osobnog brenda, a istražuje gdje glumci stječu znanja o osobnom brendiranju, je li to znanje zadovoljavajuće da se sami brinu o razvoju osobnog brenda ili iza sebe imaju profesionalnu agenciju ili pojedince koji o tome brinu, kako i zašto koriste odnose s javnošću za komunikaciju sa svojom publikom, koliko je osoba u PR timu jednog glumca, stvaraju li glumci samostalno sadržaj na društvenim mrežama, planiraju li medijske istupe ili se oni događaju sami od sebe? Za potrebe istraživanja u ovome radu s glumcima će biti provedeno pet dubinskih intervjua nakon kojih će biti napravljena usporedba korištenja metoda i alata osobnih odnosa s javnošću te metode njihovog pozicioniranja u javnosti. Anketnim upitnikom na 100 ispitanika dodatno će se istražiti percepcija opće javnosti o intervjuiranim glumcima kako bi se ispitali stavovi opće javnosti o prepoznatljivosti osobnog brenda pojedinih glumca. Ova saznanja će potencijalno otvoriti prostor za dodatne edukacije glumaca na programima cjeloživotnog obrazovanja i za implementaciju odnosa s javnošću na glumačkim akademijama i školama.As public figures, actors are often perceived as recognizable individuals with brand characteristics. Some of them brand themselves independently and do it in a planned way, while some of the actors do not have knowledge about branding and tools of personal public relations, which is a prerequisite for the process of building a personal brand. This paper starts from the assumption that famous actors invest significant resources and time into building a personal brand, and researches where actors acquire knowledge about personal branding – do they have a professional agency or professionals behind them who take care of their personal brand or are they doing that for themselves; how and why do they use public relations to communicate with their audience, how many people are in their PR teams, do actors consciously create content on social networks, do they plan media appearances? Five in-depth interviews will be conducted with the actors, after which a comparison will be made of the use of methods and tools of personal public relations and the method of their positioning in the public. The general public's perception of the interviewed actors will be further investigated with a survey of 100 respondents in order to examine their views on the recognition of the actor's personal brand. These findings will potentially open up a space for additional education on lifelong education programs and for the implementation of public relations classes on acting schools
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