Intonation Awareness

Young instrumentalists are taught to press buttons or keys to make pitches sound from their instruments, but that doesn\u27t always ensure that they are in the center of the pitch. It also doesn\u27t ensure that they are in tune with those around them. It is important to improve awareness that pitch is not only physical, but conceptual as well. It is important that instrumentalists know how to center pitch and make adjustments while playing their individual instruments, to compensate for tendencies of said instrument. There are many ways to practice this. I met with four flutists three times to try to help them with this process. They sang, used tuners, and created a journal. All of this helped increase awareness of playing in tune. In the end, they found out what adjustments they needed to make individually to get the pitch closer to the center

The acquisition of English L2 prosody by Italian native speakers: experimental data and pedagogical implications

This paper investigates Yes-No question intonation patterns in English L2, Italian L1, and English L1. The aim is to test the hypothesis that L2 learners may show different acquisition strategies for different dimensions of intonation, and particularly the phonological and phonetic components. The study analyses the nuclear intonation contours of 4 target English words and 4 comparable Italian words consisting of sonorant segments, stressed on the semi-final or final syllable, and occurring in Yes-No questions in sentence-final position (e.g., Will you attend the memorial?, Hai sentito la Melania?). The words were contained in mini-dialogues of question-answer pairs, and read 5 times by 4 Italian speakers (Padova area, North-East Italy) and 3 English female speakers (London area, UK). The results show that: 1) different intonation patterns may be used to realize the same grammatical function; 2) different developmental processes are at work, including transfer of L1 categories and the acquisition of L2 phonological categories. These results suggest that the phonetic dimension of L2 intonation may be more difficult to learn than the phonological one

Intonation of sentences with an NPI

This paper presents the results of a production experiment on the intonation of sentences containing a negative polarity item (NPI) in Tokyo Japanese. The results show that NPI sentences exhibit a focus intonation: the F0-peak of the word to which an NPI is attached is raised, while the pitch contour after the NPI-attached word is compressed until the negation. This intonation pattern is parallel to that of wh-question, in which the F0 of the wh-phrase is raised while the post-wh-contour is compressed until the question particle

An infrastructure for Turkish prosody generation in text-to-speech synthesis

Text-to-speech engines benefit from natural language processing while generating the appropriate prosody. In this study, we investigate the natural language processing infrastructure for Turkish prosody generation in three steps as pronunciation disambiguation, phonological phrase detection and intonation level assignment. We focus on phrase boundary detection and intonation assignment. We propose a phonological phrase detection scheme based on syntactic analysis for Turkish and assign one of three intonation levels to words in detected phrases. Empirical observations on 100 sentences show that the proposed scheme works with approximately 85% accuracy

Intonation in neurogenic foreign accent syndrome

Foreign accent syndrome (FAS) is a motor speech disorder in which changes to segmental as well as suprasegmental aspects lead to the perception of a foreign accent in speech. This paper focuses on one suprasegmental aspect, namely that of intonation. It provides an in-depth analysis of the intonation system of four speakers with FAS with the aim of establishing the intonational changes that have taken place as well as their underlying origin. Using the autosegmental-metrical framework of intonational analysis, four different levels of intonation, i.e. inventory, distribution, realisation and function, were examined. Results revealed that the speakers with FAS had the same structural inventory at their disposal as the control speakers, but that they differed from the latter in relation to the distribution, implementation and functional use of their inventory. In contrast to previous findings, the current results suggest that these intonational changes cannot be entirely attributed to an underlying intonation deficit but also reflect secondary manifestations of physiological constraints affecting speech support systems and compensatory strategies. These findings have implications for the debate surrounding intonational deficits in FAS, advocating a reconsideration of current assumptions regarding the underlying nature of intonation impairment in FAS

Intonation development from five to thirteen

Research undertaken to date suggests that important developments in the understanding and use of intonation may take place after the age of 5;0. The present study aims to provide a more comprehensive account of these developments. A specially designed battery of prosodic tasks was administered to four groups of thirty children, from London (U.K.), with mean ages of 5;6, 8;7, 10;10 and 13;9. The tasks tap comprehension and production of functional aspects of intonation, in four communicative areas: CHUNKING (i.e. prosodic phrasing), AFFECT, INTERACTION and FOCUS. Results indicate that there is considerable variability among children within each age band on most tasks. The ability to produce intonation functionally is largely established in five-year-olds, though some specific functional contrasts are not mastered until C.A. 8;7. Aspects of intonation comprehension continue to develop up to C.A. 10;10, correlating with measures of expressive and receptive language development

Language identification with suprasegmental cues: A study based on speech resynthesis

This paper proposes a new experimental paradigm to explore the discriminability of languages, a question which is crucial to the child born in a bilingual environment. This paradigm employs the speech resynthesis technique, enabling the experimenter to preserve or degrade acoustic cues such as phonotactics, syllabic rhythm or intonation from natural utterances. English and Japanese sentences were resynthesized, preserving broad phonotactics, rhythm and intonation (Condition 1), rhythm and intonation (Condition 2), intonation only (Condition 3), or rhythm only (Condition 4). The findings support the notion that syllabic rhythm is a necessary and sufficient cue for French adult subjects to discriminate English from Japanese sentences. The results are consistent with previous research using low-pass filtered speech, as well as with phonological theories predicting rhythmic differences between languages. Thus, the new methodology proposed appears to be well-suited to study language discrimination. Applications for other domains of psycholinguistic research and for automatic language identification are considered

Phonology and intonation

The encoding standards for phonology and intonation are designed to facilitate consistent annotation of the phonological and intonational aspects of information structure, in languages across a range ofprosodic types. The guidelines are designed with the aim that a nonspecialist in phonology can both implement and interpret the resulting annotation

Automatisation of intonation modelling and its linguistic anchoring

This paper presents a fully machine-driven approach for intonation description and its linguistic interpretation. For this purpose,a new intonation model for bottom-up F0 contour analysis and synthesis is introduced, the CoPaSul model which is designed in the tradition of parametric, contour-based, and superpositional approaches. Intonation is represented by a superposition of global and local contour classes that are derived from F0 parameterisation. These classes were linguistically anchored with respect to information status by aligning them with a text which had been coarsely analysed for this purpose by means of NLP techniques. To test the adequacy of this data-driven interpretation a perception experiment was carried out, which confirmed 80% of the findings