Now is the hour when we must say goodbye; [first line of chorus]

Performance Medium: Piano, Voice and Chord

Now is the hour.

Gift of Dr. Mary Jane Esplen.Piano vocal [instrumentation]F major [key]Slow waltz tempo [tempo]Popular song [form/genre]Photograph: Stacie Fields [illustration]W. H. Paling & Co. Ltd. [lithographer]Publisher's advertisement on back cover [note

\u27No hallowed skein of stars\u27: The Terror of the Void, the Allure of Solipsism, and the Search for Meaning in Thomas Pynchon\u27s \u3ci\u3eThe Crying of Lot 49\u3c/i\u3e

The Crying of Lot 49 follows the quest of Oedipa Maas, and through her quest Thomas Pynchon critiques the human search for meaning. Oedipa Maas is a character torn between creating a solipsistic world or refusing to consider meaning at all in order to dodge the concept of a meaningless void. Either method creates a closed system of thought that limits itself to eventual stagnation while instigating violence on anything lying outside that system. Oedipa Maas shows that relying on solipsism or becoming paralyzed by the idea of a void will only hinder finding any universal meaning. The only viable option appears to be a continual struggle of sorting and evaluating beliefs and belief systems, skepticism without despair

Now is the hour when we must say goodbye; soon you\u27ll be sailing [first line of chorus]

Performers: Eddy HowardPiano, Voice and Chord

Now is the hour when we must say goodbye; [first line of chorus]

Performers: Eddy HowardPiano, Voice and Chord

Now is the hour.

Gift of Dr. Mary Jane Esplen.Piano vocal [instrumentation]F major [key]Slow waltz tempo [tempo]Popular song [form/genre]Photograph: Bing Crosby [illustration]W. H. Paling & Co. Ltd. [lithographer]Publisher's advertisement on back cover [note