9 research outputs found

    āļāļēāļĢāļ­āļ­āļāđāļšāļšāđāļĨāļ°āļžāļąāļ’āļ™āļēāđ‚āļ•āđŠāļ°āļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļāļēāļĢāļŠāļ­āļ™āļ™āļąāļāđ€āļĢāļĩāļĒāļ™āļ—āļĩāđˆāļšāļāļžāļĢāđˆāļ­āļ‡āļ—āļēāļ‡āļ”āđ‰āļēāļ™āļĢāđ‰āļēāļ‡āļāļēāļĒāļŦāļĢāļ·āļ­āļŠāļļāļ‚āļ āļēāļžāđƒāļ™āļĢāļ°āļ”āļąāļšāļ‚āļąāđ‰āļ™āļ­āļ™āļļāļšāļēāļĨ

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2554This research was designed and development of learning and teaching’ s desk for disable child in kindergarten. It has been studied to provide a consistent and suitable for disability children. There are three activities this study such as extra experience, creative and educational games activities. From all three activities as mentioned, the disability children need to use with learning’ s desk. But the form of learning’ s desk in the present can not support three groups of disability children or example, the disability children who used them mouth, foot and hand for writing. This research was planned to create the concept of design to product the table which used for the children in kindergarten. Who have problem in physical and movement dissability. It is designed to take advantage of utilization, pattern, color and material which were according to a product design and also suitable for children who are disabilities. The results showed that there is satisfaction to the table which can adjusted the level for the utilization. In additional there are bag at the table for storage of stationary, book, and also there are slot for pencil and palette. There are humeral symbol, Thai and English font on the table. This table is a safe material, disassemble and light weight. There are the wheels at below of a table for easy mobility. The bag can remove and washable. Table structure and size were appropriate, modern, suitable for the learning activities, Leg of table made of stainless material and other parts made of high strength materials.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļ­āļ­āļāđāļšāļšāļĨāļ§āļ”āļĨāļēāļĒāļœāđ‰āļēāļ—āļ­āđāļšāļšāļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒāđ€āļžāļ·āđˆāļ­āļāļēāļĢāļ›āļĢāļ°āļĒāļļāļāļ•āđŒāđƒāļŠāđ‰āļāļąāļšāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāđ€āļ„āļŦāļ°āļŠāļīāđˆāļ‡āļ—āļ­ āļŠāļļāļĄāļŠāļ™āļ—āļ­āļœāđ‰āļēāļ§āļąāļ”āđ„āļœāđˆāļŦāļđāļŠāđ‰āļēāļ‡ āļ­āļģāđ€āļ āļ­āļšāļēāļ‡āđ€āļĨāļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ™āļ„āļĢāļ›āļāļĄ

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2556āļ‡āļēāļ™āļ§āļīāļˆāļąāļĒāļ‰āļšāļąāļšāļ™āļĩāđ‰āļĄāļĩāļ§āļąāļ•āļ–āļļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāđ€āļžāļ·āđˆāļ­āļāļēāļĢāļ­āļ­āļāđāļšāļšāļĨāļ§āļ”āļĨāļēāļĒāļœāđ‰āļēāļ—āļ­āđāļšāļšāļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒāļŠāļēāļŦāļĢāļąāļšāļāļēāļĢāļ›āļĢāļ°āļĒāļļāļāļ•āđŒāđƒāļŠāđ‰āļāļąāļšāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāđ€āļ„āļŦāļ°āļŠāļīāđˆāļ‡āļ—āļ­ āļŠāļļāļĄāļŠāļ™āļ—āļ­āļœāđ‰āļēāļ§āļąāļ”āđ„āļœāđˆāļŦāļđāļŠāđ‰āļēāļ‡ āļ­āļģāđ€āļ āļ­āļšāļēāļ‡āđ€āļĨāļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ™āļ„āļĢāļ›āļāļĄ āļ—āļĩāđˆāļŠāļ­āļ”āļ„āļĨāđ‰āļ­āļ‡āļāļąāļšāļ āļđāļĄāļīāļ›āļąāļāļāļē āđāļĨāļ°āļĻāļąāļāļĒāļ āļēāļžāļ—āļēāļ‡āļāļēāļĢāļœāļĨāļīāļ•āļ‚āļ­āļ‡āļŠāļļāļĄāļŠāļ™ āļ‹āļķāđˆāļ‡āļ›āļĢāļ°āļŠāļēāļāļĢāļāļĨāļļāđˆāļĄāļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āđƒāļ™āļ‡āļēāļ™āļ§āļīāļˆāļąāļĒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āļ„āļ·āļ­ āļŠāļļāļĄāļŠāļ™āļ—āļ­āļœāđ‰āļēāļ§āļąāļ”āđ„āļœāđˆāļŦāļđāļŠāđ‰āļēāļ‡ āļ­āļģāđ€āļ āļ­āļšāļēāļ‡āđ€āļĨāļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ™āļ„āļĢāļ›āļāļĄ āļœāļĨāļāļēāļĢāļ§āļīāļˆāļąāļĒāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āļžāļšāļ§āđˆāļē āļ›āļĢāļ°āļŠāļēāļāļĢāļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļ›āļĢāļ°āļāļ­āļšāļ­āļēāļŠāļĩāļžāđ€āļāļĐāļ•āļĢāļāļĢāļĢāļĄāđ€āļ›āđ‡āļ™āļ­āļēāļŠāļĩāļžāļŦāļĨāļąāļ āđāļĨāļ°āļ—āļ­āļœāđ‰āļē āļžāļ·āđ‰āļ™āđ€āļĄāļ·āļ­āļ‡āđ€āļ›āđ‡āļ™āļ­āļēāļŠāļĩāļžāļĢāļ­āļ‡ āļāļĨāļļāđˆāļĄāļŠāļļāļĄāļŠāļ™āļ—āļ­āļœāđ‰āļēāļ§āļąāļ”āđ„āļœāđˆāļŦāļđāļŠāđ‰āļēāļ‡ āļĄāļĩāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļžāļąāļ’āļ™āļēāļĢāļđāļ›āđāļšāļšāļ•āļēāļĄāđāļ™āļ§āļ„āļīāļ”āļĨāļ§āļ”āļĨāļēāļĒāļœāđ‰āļēāļ—āļ­āđāļšāļšāļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒ āļœāļđāđ‰āļ§āļīāļˆāļąāļĒāđ„āļ”āđ‰āđƒāļŠāđ‰āļ§āļīāļ˜āļĩāļāļēāļĢāļ§āļīāļˆāļąāļĒāđ€āļŠāļīāļ‡āļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāđāļšāļšāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđ‚āļ”āļĒāļāļēāļĢāđāļĨāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™āļ›āļāļīāļšāļąāļ•āļīāļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļ™āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļāļĨāļļāđˆāļĄāļ—āļ­āļœāđ‰āļēāļāļąāļšāļœāļđāđ‰āļ§āļīāļˆāļąāļĒāđ€āļžāļ·āđˆāļ­āļŠāđˆāļ‡āļœāļĨāđƒāļŦāđ‰āđ€āļāļīāļ”āļāļēāļĢāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļ›āļąāļāļŦāļēāđāļĨāļ°āđāļŠāļ§āļ‡āļŦāļēāđāļ™āļ§āļ—āļēāļ‡āđƒāļ™āļāļēāļĢāđāļāđ‰āļ›āļąāļāļŦāļē āļ‹āļķāđˆāļ‡āļžāļšāļ§āđˆāļēāļĨāļ§āļ”āļĨāļēāļĒāļœāđ‰āļēāļ—āļ­āđāļšāļšāļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒ āļ•āđ‰āļ­āļ‡āļĄāļĩāļĢāļđāļ›āđāļšāļšāļ—āļĩāđˆāļœāļĨāļīāļ•āļ‡āđˆāļēāļĒāđ„āļĄāđˆāļ‹āļąāļšāļ‹āđ‰āļ­āļ™ āļĄāļĩāļĨāļąāļāļĐāļ“āļ°āļāļēāļĢāļ—āļ­āļœāđ‰āļē āđ€āļ›āđ‡āļ™āļĨāļēāļĒāļ‚āļąāļ”āļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļŠāļĄāļāļąāļšāļāļēāļĢāļ—āļ­āļœāđ‰āļēāļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™āļ‚āļ­āļ‡āļŠāļļāļĄāļŠāļ™ āđāļĨāļ°āļšāđˆāļ‡āļšāļ­āļāļ–āļķāļ‡āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļŠāļļāļĄāļŠāļ™ āļĨāļąāļāļĐāļ“āļ°āļĨāļ§āļ”āļĨāļēāļĒāļ‚āļ­āļ‡āļœāđ‰āļēāļ—āļ­āđƒāļŠāđ‰āđāļ™āļ§āļ„āļīāļ”āļāļēāļĢāļ­āļ­āļāđāļšāļšāļĨāļ§āļ”āļĨāļēāļĒāđ€āļ™āđ‰āļ™āđāļ™āļ§āļ„āļīāļ”āļ”āđ‰āļēāļ™āļāļēāļĢāđƒāļŠāđ‰āļŠāļĩāļ§āļīāļ• āļŦāļĢāļ·āļ­āļ–āļīāđˆāļ™ āļāļģāđ€āļ™āļīāļ”āļ‚āļ­āļ‡āļĢāļēāļāđ€āļŦāļ‡āđ‰āļēāļŠāļļāļĄāļŠāļ™ āļ›āļĢāļ°āļāļ­āļšāđ„āļ›āļ”āđ‰āļ§āļĒ āļĨāļ§āļ”āļĨāļēāļĒāđ€āļ‰āļĩāļĒāļ‡ āļĨāļ§āļ”āļĨāļēāļĒāđ€āļāļĢāđ‡āļ”āļ›āļĨāļē āļĨāļ§āļ”āļĨāļēāļĒāļ”āļēāļ§ āļĨāļ§āļ”āļĨāļēāļĒāļ™āđ‰āļē āļĨāļ§āļ”āļĨāļēāļĒāļ āļđāđ€āļ‚āļē āđ‚āļ”āļĒāđ€āļ™āđ‰āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāļ—āļĩāđˆāđ€āļ”āđˆāļ™āļ‚āļ­āļ‡āļœāđ‰āļē “āļĨāļēāļĒāđāļ•āļ‡āđ‚āļĄâ€ āļ‚āļ­āļ‡āļāļĨāļļāđˆāļĄāļ—āļ­āļœāđ‰āļēāļžāļ·āđ‰āļ™āđ€āļĄāļ·āļ­āļ‡āļ•āļģāļšāļĨāđ„āļœāđˆāļŦāļđāļŠāđ‰āļēāļ‡ āđƒāļ™āļĨāļąāļāļĐāļ“āļ°āļāļēāļĢāļĄāļąāļ”āļŦāļĄāļĩāđˆ āđ‚āļ”āļĒāļāļēāļĢāļĄāļąāļ”āļ”āđ‰āļēāļĒāļžāļļāđˆāļ‡āđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļŠāđˆāļ§āļ‡āļ‚āļ­āļ‡āļŠāļĩāļ•āđˆāļēāļ‡āđ†āđƒāļŦāđ‰āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āđ€āļŠāđ‰āļ™āļ”āđ‰āļēāļĒāļžāļļāđˆāļ‡ āđ‚āļ”āļĒāđƒāļŠāđ‰āļŠāļĩāļ”āļēāļŦāļĢāļ·āļ­āļŠāļĩāļāļĢāļĄāļ—āđˆāļē āđ€āļ›āđ‡āļ™āļŠāļĩāļŦāļĨāļąāļāđƒāļ™āļāļēāļĢāļ­āļ­āļāđāļšāļšāļĨāļ§āļ”āļĨāļēāļĒRajamangala University of Technology Phra Nakho

    āļāļēāļĢāļ­āļ­āļāđāļšāļšāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļ­āļžāļĢāļĄāļ­āđ€āļ™āļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāđāļšāļšāļāļķāđˆāļ‡āļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļīāđ€āļžāļ·āđˆāļ­āļžāļąāļ’āļ™āļēāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāđ€āļ„āļŦāļ°āļŠāļīāđˆāļ‡āļ—āļ­ āđ€āļŠāļīāļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļ™āļģāđ„āļ›āļŠāļđāđˆāļ›āļĢāļ°āļŠāļēāļ„āļĄāđ€āļĻāļĢāļĐāļāļāļīāļˆāļ­āļēāđ€āļ‹āļĩāļĒāļ™

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2557The purposes of this research were to study semi-automatic versatile carpet weaving data of central region villagers, studies problems and requirement in the semi automatic versatile carpet weaving to be effective fulfill requirements for the most weavers and led the data were to study, analyze to create prototype of a semi automatic versatile carpet weaving to develop household textile products in culture that led to the ASEAN Economic Community, and lead the knowledge to transfer technology by workshops. This research was the development of experimental research by fieldwork survey from 25 Nam Tao Temple sampling of semi automatic versatile carpet weaver groups in top central at Tambon Wat Nam Tao of Maharat district in Ayutthaya province and choose the specific type with the weaving group and semi automatic versatile carpet weaving from 25 Nong Ngu Hau weaver groups at Tambon Bang Pra Khru of Nakhon Luang district in Ayutthaya province. Total weaver groups who used this carpet weaving jacquard were 50 persons. Results indicated that testing for the satisfaction efficient of villagers were satisfied to the semi automatic versatile carpet weaving jacquard in period that can woven more quickly. Including setting the reel head to stand on the warp by the head reel of carpet loom and the carpet roll can make carpet in 90 centimeters width and applied to household textiles such as carpet rugs, wall rugs, and decorative carpet. The semi automatic versatile carpet weaving jacquard can weave 4 hooks. They were made the minute patterns, exquisitely and various woven. They have added the convenience of a device to lock the both sides of warp reel head and the jacquard structure were increased strength with a square box steel and the Z. It can also adjust the space of the seat movement when weaving according to individual aptitude. It can be moved easily and reduced the lack of warp yarn. It was set easier in new warp yarn by the hooking after setting the warp yarn jacquard was finished. It was convenient to roll the finished carpet weaving by using lever handle to simultaneously rotate on both sides of gear axis. Using a foot pedal lever to raise the hooks, raise the sway hooks to lift up follow to the weaving rhythm. It was production costs close to the price of the similar carpet, the effective yield rapidly and worth. It was suitable for the beginner weavers or a new person who had basic woven would be weaving rapidly and the carpet weaving quality was good. Due to its rotating axis and lock system were made of cogs that helped to lock the beater or comb teeth for solidness and strength to handle and help facing fabric regularly. Summary this research was is related to the methodology, technique, and carpet weaving process. The essential was to reel the warp yarn and set the hooks that was minuteness in the deeply technical, promotes the concept to develop the semi automatic carpet weaving with electrical system and motor to help labor saving, able to reduce and solve period problems too much. So the semi automatic versatile carpet weaving design will be the basic of knowledge "direct" that can lead to the development of devices, patterns, and cultural household textile products leading to the ASEAN Economic Community in the next occasion. .Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļĻāļķāļāļĐāļēāļ›āļąāļˆāļˆāļąāļĒāļ—āļĩāđˆāļĄāļĩāļœāļĨāļ•āđˆāļ­āļāļēāļĢāļ­āļ­āļāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļĻāļķāļāļĐāļē : āļāļĢāļ“āļĩāļĻāļķāļāļĐāļēāļ„āļ“āļ°āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļŠāļīāđˆāļ‡āļ—āļ­āđāļĨāļ°āļ­āļ­āļāđāļšāļšāđāļŸāļŠāļąāđˆāļ™ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2558A Study of Factors Affecting Student’s Decision to Drop out School: A Case Study of Faculty of Industrial Textiles and Fashion Design, Rajamangala University of Technology Phra Nakhon was an applied research. It was designed for analyzing the voice of customers in student studying management. The samples group was four department students in the Industrial Textiles and Fashion Design faculty as Garment Technology, Textile Chemistry Technology, Fashion and Design, and Product design who retired during study and graduated in 2014 and 2015 academic year. The research results were used for improving the study efficiency and reducing the unexpected study. From the results shown, the most problem was withdrawn registration especially in the first and the second year student. Garment technology department was the highest rate of retention after that Fashion and design, Textile Chemistry Technology, and Product design were respectively. The education satisfactions survey was found the moderate level for curriculum and lecturer as the mean 2.57 and 3.14, orderly. Additional, the environmental satisfaction was low as 2.26 for the unexpected education students. In the other hands, the graduated students had the greater satisfactions for the whole factors. The curriculum satisfied was good as 3.30, the lecturer was best as 3.67, and the environment was moderate as 2.95, correspondingly. From these results, the Faculty of Industrial Textiles and Fashion Design were developed and pay attention in the subjects and lecturer in the first and second year education. The understanding of core study and the essential of each department was the significant factor for retaining and priding the student until they graduated in the Faculty of Industrial Textiles and Fashion Design.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļ­āļ­āļāđāļšāļšāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļ­āļžāļĢāļĄāļ­āđ€āļ™āļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāđāļšāļšāļāļķāđˆāļ‡āļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļīāđ€āļžāļ·āđˆāļ­āļžāļąāļ’āļ™āļēāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāđ€āļ„āļŦāļ°āļŠāļīāđˆāļ‡āļ—āļ­ āđ€āļŠāļīāļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļ™āļģāđ„āļ›āļŠāļđāđˆāļ›āļĢāļ°āļŠāļēāļ„āļĄāđ€āļĻāļĢāļĐāļāļāļīāļˆāļ­āļēāđ€āļ‹āļĩāļĒāļ™

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2557The purposes of this research were to study semi-automatic versatile carpet weaving data of central region villagers, studies problems and requirement in the semi automatic versatile carpet weaving to be effective fulfill requirements for the most weavers and led the data were to study, analyze to create prototype of a semi automatic versatile carpet weaving to develop household textile products in culture that led to the ASEAN Economic Community, and lead the knowledge to transfer technology by workshops. This research was the development of experimental research by fieldwork survey from 25 Nam Tao Temple sampling of semi automatic versatile carpet weaver groups in top central at Tambon Wat Nam Tao of Maharat district in Ayutthaya province and choose the specific type with the weaving group and semi automatic versatile carpet weaving from 25 Nong Ngu Hau weaver groups at Tambon Bang Pra Khru of Nakhon Luang district in Ayutthaya province. Total weaver groups who used this carpet weaving jacquard were 50 persons. Results indicated that testing for the satisfaction efficient of villagers were satisfied to the semi automatic versatile carpet weaving jacquard in period that can woven more quickly. Including setting the reel head to stand on the warp by the head reel of carpet loom and the carpet roll can make carpet in 90 centimeters width and applied to household textiles such as carpet rugs, wall rugs, and decorative carpet. The semi automatic versatile carpet weaving jacquard can weave 4 hooks. They were made the minute patterns, exquisitely and various woven. They have added the convenience of a device to lock the both sides of warp reel head and the jacquard structure were increased strength with a square box steel and the Z. It can also adjust the space of the seat movement when weaving according to individual aptitude. It can be moved easily and reduced the lack of warp yarn. It was set easier in new warp yarn by the hooking after setting the warp yarn jacquard was finished. It was convenient to roll the finished carpet weaving by using lever handle to simultaneously rotate on both sides of gear axis. Using a foot pedal lever to raise the hooks, raise the sway hooks to lift up follow to the weaving rhythm. It was production costs close to the price of the similar carpet, the effective yield rapidly and worth. It was suitable for the beginner weavers or a new person who had basic woven would be weaving rapidly and the carpet weaving quality was good. Due to its rotating axis and lock system were made of cogs that helped to lock the beater or comb teeth for solidness and strength to handle and help facing fabric regularly. Summary this research was is related to the methodology, technique, and carpet weaving process. The essential was to reel the warp yarn and set the hooks that was minuteness in the deeply technical, promotes the concept to develop the semi automatic carpet weaving with electrical system and motor to help labor saving, able to reduce and solve period problems too much. So the semi automatic versatile carpet weaving design will be the basic of knowledge "direct" that can lead to the development of devices, patterns, and cultural household textile products leading to the ASEAN Economic Community in the next occasion.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļ­āļ­āļāđāļšāļšāđāļĨāļ°āļžāļąāļ’āļ™āļēāļĢāļđāļ›āđāļšāļšāļšāļĢāļĢāļˆāļļāļ āļąāļ“āļ‘āđŒāļŠāļģāļŦāļĢāļąāļšāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļˆāļēāļāļœāđ‰āļēāđ„āļŦāļĄāļŠāļļāļĢāļīāļ™āļ—āļĢāđŒ

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2551This research work has the objectives to study the designing and development of package patterns, products, from Surin Silk: such as; silk materials, homestead textile products, men’s-women’s clothes and bag products. On this research, the researcher had studied the context of the society in various weaving groups in Surin Province, textile product patterns, package patterns, materials and techniques, package production process in concordance with the intellects and production potentials of the community and the sampling group population in this research work subject is the people weaving group producing textile products of Surin Province and buyers of textile products made from Surin silk used in this research is weaving group of the Village of Takook, Khewasinrin District, Surin Province. Result of the research on this subject found that most of the populations make their livings in agriculture which is their primary occupation whereas weaving is their secondary occupation. Weaving group in Surin is desirous of having the packages for containing their textile products for their own group while management problems and hindrances of the group are found to be circulating capital and marketing as well as their lacks of knowledge and understandings in designing the packages. On designing the packages of Surin silk weaving group, the researcher placed the emphasis focally on data analysis primarily on the weaving group due to the reason that the weaving group has a very limited production cost of the packages. The researcher adopted the participating active research method by exchanging ideas, jointly working between the weaving group and the researcher in order to cause the problem analysis and find the ways in solving the problems and found that packages for containing Surin silk textile products must be in accordance with the specifications of the community product standard or One Tambon One Product (OTOP) where the pattern of production is not complicate; production cost is low; diversified goods can be contained in; goods contained in the package can be seen; the package is durable; can well cover the goods and express the specific identity of the group. It can be concluded that the package pattern is the exotic and novel pattern of its kind. The box and covering package exclusively of each unit is suitable for a show and transportation of the goods. Primary materials used as the structures of the package are papers and plastic sheets manually shaping up the structures of the package both by the method of gluing and ungluing. Package graphic expressing the unique identity specifically of the group is the mixture of the cloth designs and the weaving equipments by lessening the details in order to facilitate the shortening of the designs to their smaller sizes that will be a lot easier for printing process and must be easily communicable with the consumers by fully expressing the unique identity of Surin Province. On the part of the indication on and the details of the goods, it shall be in accordance with the specifications of the OPTOP standard. The graphic production technique is by way of photocopying, print by printer on papers or stickers and silkscreen printing. Obviously, such technique is an economized technique which can help reduce the production cost which, evidently, is harmoniously compatible with the potentials and resources available in the community.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļ­āļ­āļāđāļšāļšāđāļĨāļ°āļžāļąāļ’āļ™āļēāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāđ€āļ„āļŦāļ°āļŠāļīāđˆāļ‡āļ—āļ­āļˆāļēāļāđ€āļĻāļĐāļœāđ‰āļēāđ€āļŦāļĨāļ·āļ­āđƒāļŠāđ‰āļ”āđ‰āļ§āļĒ āđ€āļ—āļ„āļ™āļīāļ„āļāļēāļĢāđƒāļŠāđ‰āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĒāļīāļ‡āļžāļĢāļĄ (Hand Tufted) āļŠāļēāļŦāļĢāļąāļšāļāļĨāļļāđˆāļĄāļ§āļīāļŠāļēāļŦāļāļīāļˆāļŠāļļāļĄāļŠāļ™āļšāđ‰āļēāļ™āđ€āļ„āļĩāļĒāļ™āļ‡āļēāļĄ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ™āļ„āļĢāļ™āļēāļĒāļ

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2557The purposes of this research Design and development from remnant fabrics by for Bann Ta Kien Ngam Community enterprises, Nakhon Na yok province to study the technique and procedure of applying and designing from fabric knit in textile products . Therefore, the researcher realize that the remnant fabrics which is unused in garment and apparel manufacturing process to be reused by transform to increase the value of products such as Textile home furnish to decorate the living room which is designed by hand Tufted machine and develop to be products and product design is nature design style. The processes can be divided into three parts which are surveying information, creating the prototype and analyzing the products from fabric knit. The information are collected by using the questionnaire from the sample group to study about the general information and the opinion from the sample group for applying remnant fabric knit and transform to be the new products that are summarized that the using of remnant fabric to create the textile home furnish products for decorate the living room’s decoration is 49 percent. Thus, the researcher choose the products that are appropriate with remnant fabric quality such as carpet, cushions and backrest pillows And the second process is creating the prototype by using the technique of hand Tufted machine to create the designs for each product. Then, the research survey the opinion of the sample group to for prototype. It can be summarize that the beautiful interesting design is 66 percent, the beautiful and appropriate design is 56 percent, the appropriate color using is 52 percent and the utility of the product is 60 percent.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāđ€āļžāļīāđˆāļĄāļĄāļđāļĨāļ„āđˆāļēāđ€āļĻāļĐāļ”āđ‰āļēāļĒāļžāļ­āļĨāļīāđ€āļ­āļŠāđ€āļ•āļ­āļĢāđŒāļ•āļēāļĄāđāļ™āļ§āļ„āļīāļ”āļ”āđ‰āļēāļ™āļāļēāļĢāļ­āļ­āļāđāļšāļšāđ€āļŠāļīāļ‡āļ™āļīāđ€āļ§āļĻāđ€āļĻāļĢāļĐāļāļāļīāļˆ

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2565The purpose of this research was to design and develop products from polyester yarn scraps according to an eco-economic design concept. The workpiece is formed by the compression molding machine used in the industrial system. Researchers studied the waste materials used in various processes of manufacturing in textile establishments to increase their value by designing a new product or by developing polyester yarn scraps. According to the research process, with the upcycle method that focuses on using resources for maximum value by turning the scarps into new products and eco-design concepts to increase the value of plastic polymer waste, one of the concepts of resource efficiency (4Rs) by recycling and design process. The research focuses on the process of polyester yarn scrap forming, especially from the textile industry, with the potential to be re formed to create new products with beautiful, shapes and unique patterns. From polyester yarn scarps through the extrusion process. By using the compression molding machine with a compression force of 80 tons, the temperature range and the time are controlled appropriately. Under the mold prototype hat from or flash mold.Rajamangala University of Technology Phra Nakho

    āļāļēāļĢāļĻāļķāļāļĐāļēāļ„āļ§āļēāļĄāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āđāļĨāļ°āļāļēāļĢāļ”āļģāļĢāļ‡āļ­āļĒāļđāđˆāļ‚āļ­āļ‡āļœāđ‰āļēāļ‹āļīāđˆāļ™āļ•āļĩāļ™āļˆāļāđ„āļ—āļĒāļ§āļ™ āļˆāļąāļ‡āļŦāļ§āļąāļ”āļŠāļĢāļ°āļšāļļāļĢāļĩ

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    āļĢāļēāļĒāļ‡āļēāļ™āļ§āļīāļˆāļąāļĒ -- āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļŠāļĄāļ‡āļ„āļĨāļžāļĢāļ°āļ™āļ„āļĢ, 2561This research is a qualitative research. The objective is to study and analyze information about The pattern of Pha Sin Tin Jok (Traditionally Sarong )Thai Yuan Saraburi cloth including the changes and the existence of the Thakok Thai Sarong Saraburi in the present (2017 - 2018). Using the concept of social and cultural change and the theory of globalization concepts for analysis. Research area is Mueang District and Sao Hai District Saraburi. The research population is Weaving sarongs Sarong user and local sages. Analytical study issues are Clothing culture in Thailand, Saraburi Promotion from the government Pha Sin Tin Jok (Traditionally) Sarong Thai Yuan Saraburi style and pattern weavers and wisdom transfer. The research results are Saraburi is a province where Thai Yuan people from Chiang Saen Chiang Rai province Settled in the reign of King Rama I of Rattanakosin Due to war and have inherited the lineage until now. In Sao Hai District Saraburi is the district where most Thai people live and has a unique Lanna cultural foundation Whether language, lifestyle, food and beliefs In the folk textile Has a unique pattern that has been passed down for over 200 years. Clothing culture in Thailand, Saraburi There is also a conservative costume. Especially on special occasions The pattern of Pha Sin Tin Jok (Traditionally Sarong )Thai Yuan Saraburi cloth remains the same style. From the era that migrated from Chiang Saen In addition, there are other sarong fabrics that are used in everyday life, namely woven sarong muk kai and kan. There is a succession of sarong weaving wisdom from the generation to the present, most of which are woven with flowers. In the ancient pattern, there is a conservation of ancient Pha Sin Tin Jok Thai Yuan Saraburi by re-woven according to the original pattern from the ancient Thai sarong that remains in Saraburi. Pha Sin Tin Jok Thai Yuan Saraburi, has been promoted by various government agencies. There may be changes in the times that have changed with the adaptation to various product designs or the application of sarong work to the era. The existence of Thai people in Saraburi has seen the value of wisdom in their ethnicity. Together with promotion from various sectors That encourages Thai people to be proud Inspired in the conservation of Thai culture and arts. The establishment of Thai Folk Culture Hall in Saraburi The new weaving of the Sarawak sarong from the ancient Pha Sin Tin Jok Thai Yuan Saraburi style Including the floating market That shows the existence of the Thai culture of Saraburi living.Rajamangala University of Technology Phra Nakho
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