Digital 3D reconstruction of historical textile fragment

This paper presents a new methodology for reproducing historic fragment in 3D with realistic behaviour, providing users with a feel for the fragment detailing. The fragment piece originates from the English National Trust archive held in the collection at Claydon House. The aim is to utilize a combination of both 2D pattern software and state-of-the-art 3D technology to recreate a compelling and a highly realistic representation of historic fragment. The process starts with investigation of the textile construction. Textile fragments will be incomplete and/or have a level of deterioration therefore various recording techniques are to be explored. A combination of both photography and 3D scanning technology will be utilized throughout the methodology to accurately record the digital data. The equipment setting will be analyzed in order to produce an accurate working method. This paper forming part of a larger study, will specifically focus on the methodology for recording data from one fragment piece

An exploration of digital technology over a number of manipulated textile surfaces

Ink jet printing for textiles has brought many benefits to the textile print industry. It has an ability to print on demand, using thousands of colours, and at reduced costs compared with rotary screenprinting for small scale production, ink jet technology has already established itself as a reliable method of printing for the textile industry. This research investigates a new approach to ink jet technology. Numerous new surfaces are fed through a textile ink jet printer in the generation of bespoke printed textiles. This is an experimental approach to textile ink jet printing, recording practical solutions, and uncovering innovative processes for a new direction for digital technology for textiles. Various surfaces have been enhanced using screen print techniques and embroidery, or manipulated by hand and digitally printed in the production of an array of unique digital resist techniques. This research combines the use of textile hand craftsmanship with digital technology, crossing the boundaries and discovering ways of combining these disciplines. This research will highlights some of the possibilities with applying a hand crafted approach to ink jet technology for textiles, it demonstrate the control of colour, resist effects and the sensitivity of design which can be achieve using these new processes. In addition to this, the research will demonstrate the added value of this crafted approach to digital design, as well discussing the potential for reproducing these complex textile craft techniques and digital resist effects using CAD and ink jet technology.EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Digital 3D reconstruction of historical textile fragment

This paper presents a new methodology for reproducing historic fragment in 3D with realistic behaviour, providing users with a feel for the fragment detailing. The fragment piece originates from the English National Trust archive held in the collection at Claydon House. The aim is to utilize a combination of both 2D pattern software and state-of-the-art 3D technology to recreate a compelling and a highly realistic representation of historic fragment. The process starts with investigation of the textile construction. Textile fragments will be incomplete and/or have a level of deterioration therefore various recording techniques are to be explored. A combination of both photography and 3D scanning technology will be utilized throughout the methodology to accurately record the digital data. The equipment setting will be analyzed in order to produce an accurate working method. This paper forming part of a larger study, will specifically focus on the methodology for recording data from one fragment piece

An Exploration of Digital Technology over a Number of Manipulated Textile Surfaces

Ink jet printing for textiles has brought many benefits to the textile print industry. It has an ability to print on demand, using thousands of colours, and at reduced costs compared with rotary screenprinting for small scale production, ink jet technology has already established itself as a reliable method of printing for the textile industry. This research investigates a new approach to ink jet technology. Numerous new surfaces are fed through a textile ink jet printer in the generation of bespoke printed textiles. This is an experimental approach to textile ink jet printing, recording practical solutions, and uncovering innovative processes for a new direction for digital technology for textiles. Various surfaces have been enhanced using screen print techniques and embroidery, or manipulated by hand and digitally printed in the production of an array of unique digital resist techniques. This research combines the use of textile hand craftsmanship with digital technology, crossing the boundaries and discovering ways of combining these disciplines. This research will highlights some of the possibilities with applying a hand crafted approach to ink jet technology for textiles, it demonstrate the control of colour, resist effects and the sensitivity of design which can be achieve using these new processes. In addition to this, the research will demonstrate the added value of this crafted approach to digital design, as well discussing the potential for reproducing these complex textile craft techniques and digital resist effects using CAD and ink jet technology

Helen Briggs Interview

Helen Briggs, wife of Rodney Briggs, was interviewed for the University of Minnesota Morris documentary Promise of the Prairie: Education in Three Parts.https://digitalcommons.morris.umn.edu/stories/1004/thumbnail.jp

The digital print room - a bespoke approach to print technology

This chapter explores and expands the ideas that emerged during the development of a PhD research project titled An Exploration of Digital Technology over a Number of Manipulated Textile Surfaces carried out by Helen Ryall, one of the authors. The project aims to encourage designers to engage with traditional craft and design methods and apply these to digital technologies in the production of innovative textile surfaces

The Digital Print Room – A bespoke approach to print technology

This research presents the cutting-edge use of digital print technology as an experimental tool for the designer, where the printer effectively becomes the paintbrush, palette and dye vessel; the creative medium. This paper will examine a new approach to ink jet printing which enables, rather than hinders, a hands-on creative approach to digital printing, opening up the possibilities for placement of design and the potential for manipulated surfaces to be fed through the printer. As with any paintbrush, the designer has control, but the mix of colour and the fluidity of the paint mark are open to judgement. The real excitement happens when the manipulated surface is unfolded after printing, revealing the artwork created and a possible base for further design and processing. It is an innovative mindset for approaching technology. One that encourages an understanding of both the limitations and the potential, where chance and spontaneity play a role, as the designer is stimulated to make calculated judgements

Reconstructing textile heritage

This article recreates a deteriorating archive, bringing life, opportunity and growth to a collection that is in reality dying. It explores a collection owned by the National Trust at Claydon House in Buckinghamshire. Modern techniques of Infinate Focus Microscopy and Computerized Tomography scanning are used to render 3D digital images which are intended to capture the imagination of contemporary artists and designers resulting in an ever evolving archive for future generations. The research identifies that all textile materials have significance and even the smallest fragments may serve as an inspiration to the next generation of creative designers. Focusing on the preservation, restoration and visualization of small insignificant fragments of delicate cloth, the article captures and reinvents the materials, giving a new meaning for future generations

Digital 3d Reconstruction Of Historical Textile Fragment

This paper presents and explores 3D techniques for analyzing historic textile fragment. The textile fragment piece examined throughout this paper originates from the English National Trust archive held in the collection at Claydon House. The aim is to utilize data collected with a combination of both 2D pattern software and state-of-the-art 3D technology to both recreate and reconstruct a compelling and highly realistic representation of historic fragment. The process starts with investigation of the textile construction. Textile fragments will be incomplete and/or have a level of deterioration therefore various recording techniques are to be explored. A combination of both photography and 3D scanning technology will be utilized throughout the methodology to accurately record the digital data