6 research outputs found

    Preservation of local craft traditions at the international level and integrations into new tehnologies and process of recycling and apllications in modern and functional design

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    Research on tapestry embroidery and application of tapestries in contemporary textile, interior and architecture designs. The researched and found field materials - tapestries were applied to new models of fashion and other areas that were the subject of research. The old tapestry was also used on old wooden chairs as a cushion. The tapestries found application in architecture in conveying the image of the tapestries on the facade of a building

    Composite materials based on e-glass woven textile structures as reinforcement

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    Textile composites are materials composed of two basic elements, one which is called a matrix or basic material, which is a continuous phase and the other element or component i.e. reinforcement (textile preforms), often referred as dispersed phase. Textile preforms are diff erent textile structures made by using traditional textile processes such as weaving, knitting, braiding, stitching, etc. Textile preforms not only play a key role in the transformation of fi ber properties into complex composite performance, but also aff ect the easy or diffi cult infi ltration of matrix and consolidation. In this paper three diff erent types of two dimensional E-glass woven structures as reinforcement for composite materials are discussed. The tensile strength and elongation of E-glass fabrics in the longitudinal and transverse directions was experimentally determined according to the standard ASTM D 5035. Characterization of the structure of woven textile materials i.e. the way of interlacing of warp and weft with binocular microscope was also made. The structural characteristics of the fabrics have a major infl uence on the physical and mechanical properties of the fabrics and their performance in the fi nal composite. They are usually determined by the yarns from which they are made, as well from the process parameters of the weaving machines. Key words: composite, E- glass woven textile structure, plain weave, twill weave, basket weave, tensile strengt

    Mechanical characterization of glass fabric / epoxy composites

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    Textile composite materials present a class of advanced materials reinforced with textile preforms used for primary structural applications. Using the unique combination of light weight, elasticity, strength and toughness, the textile structures have long been recognized as an attractive reinforcement component for production of different types of composite materials for various applications. The aim of this study is to investigate the influence of different types of two - dimensional textile structure as a reinforcing component on mechanical properties of composite materials. For that purpose, E-glass fabric/epoxy resin prepress have been fabricated by using the hand lay-up technique and used in the production of laminated composite samples with help of compression technology. Flexural properties of manufactured samples were determined with help of three-point bending test in accordance with the procedure described in the standard EN ISO 14125. Comparison between results of specimens manufactured at same technological parameters, but from textile fabric with different weave pattern shown that all samples tested at MD direction had performed better flexural properties in comparison to the samples tested at CD direction

    ΠœΠ΅Ρ“ΡƒΠ½Π°Ρ€ΠΎΠ΄Π½ΠΈ Π΄Π΅Π½ΠΎΠ²ΠΈ Π½Π° ΠΌΠΎΠ΄Π°Ρ‚Π° - Π’ΠΎ чСст Π½Π° Π‘Π². ΠšΠΈΡ€ΠΈΠ» ΠΈ ΠœΠ΅Ρ‚ΠΎΠ΄ΠΈΡ˜

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    ΠŸΡ€ΠΎΠ΅ΠΊΡ‚ΠΎΡ‚ β€žΠœΠ΅Ρ“ΡƒΠ½Π°Ρ€ΠΎΠ΄Π½ΠΈ Π΄Π΅Π½ΠΎΠ²ΠΈ Π½Π° ΠΌΠΎΠ΄Π°Ρ‚Π°β€œ Π²ΠΎ кој Π±Π΅Π° Π²ΠΊΠ»ΡƒΡ‡Π΅Π½ΠΈ студСнтитС ΠΈ профСсоритС ΠΎΠ΄ Π’Π’Π€ ΠΏΡ€ΠΈ Π£Π“Π” со ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚ΠΊΠΈ Π½Π° сопствСни ΠΊΠΎΠ»Π΅ΠΊΡ†ΠΈΠΈ, ΡΡ€Π΅Π΄Π½ΠΎΡˆΠΊΠΎΠ»Ρ†ΠΈΡ‚Π΅ ΠΎΠ΄ срСднитС тСкстилни ΡƒΡ‡ΠΈΠ»ΠΈΡˆΡ‚Π° Π²ΠΎ Π‘Π΅Π²Π΅Ρ€Π½Π° МакСдонија, студСнти ΠΈ профСсори ΠΎΠ΄ ΠˆΡƒΠ³ΠΎΠ·Π°ΠΏΠ°Π΄Π½ΠΈΠΎΡ‚ Π£Π½ΠΈΠ²Π΅Ρ€Π·ΠΈΡ‚Π΅Ρ‚ β€žΠΠ΅ΠΎΡ„ΠΈΡ‚ Π ΠΈΠ»ΡΠΊΠΈβ€œ, Π‘Π»Π°Π³ΠΎΠ΅Π²Π³Ρ€Π°Π΄, Π‘ΡƒΠ³Π°Ρ€ΠΈΡ˜Π°. ΠŸΡ€ΠΎΠ΅ΠΊΡ‚ΠΎΡ‚ Π΅ ΠΎΡ€Π³Π°Π½ΠΈΠ·ΠΈΡ€Π°Π½ сС со Ρ†Π΅Π» Π΄Π° сС ΠΈΠΌΠΏΠ»Π΅ΠΌΠ΅Π½Ρ‚ΠΈΡ€Π°Π°Ρ‚ ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚ΠΊΠΈΡ‚Π΅ Π½Π° повСќС структури ΠΎΠ΄ ΠΎΠ±Ρ€Π°Π·ΠΎΠ²Π½ΠΈΡ‚Π΅ институции ΠΊΠΎΠΈ сС Π·Π°Π½ΠΈΠΌΠ°Π²Π°Π°Ρ‚ со Π΄ΠΈΠ·Π°Ρ˜Π½ΠΈΡ€Π°ΡšΠ΅ Π½Π° тСкстил, односно ΠΎΠ±Π»Π΅ΠΊΠ° ΠΈ ΡΠΏΠΎΠ΄Π΅Π»ΡƒΠ²Π°ΡšΠ΅ Π½Π° искуства ΠΈ ΠΈΠ΄Π½ΠΈ соработки со повСќС институции

    ΠœΠ΅Ρ“ΡƒΠ½Π°Ρ€ΠΎΠ΄Π½ΠΈ Π΄Π΅Π½ΠΎΠ²ΠΈ Π½Π° ΠΌΠΎΠ΄Π°Ρ‚Π°

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    ΠŸΡ€ΠΎΠ΅ΠΊΡ‚ΠΎΡ‚ β€žΠœΠ΅Ρ“ΡƒΠ½Π°Ρ€ΠΎΠ΄Π½ΠΈ Π΄Π΅Π½ΠΎΠ²ΠΈ Π½Π° ΠΌΠΎΠ΄Π°Ρ‚Π°β€œ Π²ΠΎ кој Π±Π΅Π° Π²ΠΊΠ»ΡƒΡ‡Π΅Π½ΠΈ студСнтитС ΠΈ профСсоритС ΠΎΠ΄ Π’Π’Π€ ΠΏΡ€ΠΈ Π£Π“Π” со ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚ΠΊΠΈ Π½Π° сопствСни ΠΊΠΎΠ»Π΅ΠΊΡ†ΠΈΠΈ, ΡΡ€Π΅Π΄Π½ΠΎΡˆΠΊΠΎΠ»Ρ†ΠΈΡ‚Π΅ ΠΎΠ΄ срСднитС тСкстилни ΡƒΡ‡ΠΈΠ»ΠΈΡˆΡ‚Π° Π²ΠΎ Π‘Π΅Π²Π΅Ρ€Π½Π° МакСдонија, студСнти ΠΈ профСсори ΠΎΠ΄ ΠˆΡƒΠ³ΠΎΠ·Π°ΠΏΠ°Π΄Π½ΠΈΠΎΡ‚ Π£Π½ΠΈΠ²Π΅Ρ€Π·ΠΈΡ‚Π΅Ρ‚ β€žΠΠ΅ΠΎΡ„ΠΈΡ‚ Π ΠΈΠ»ΡΠΊΠΈβ€œ, Π‘Π»Π°Π³ΠΎΠ΅Π²Π³Ρ€Π°Π΄, Π‘ΡƒΠ³Π°Ρ€ΠΈΡ˜Π°. ΠŸΡ€ΠΎΠ΅ΠΊΡ‚ΠΎΡ‚ Π΅ ΠΎΡ€Π³Π°Π½ΠΈΠ·ΠΈΡ€Π°Π½ сС со Ρ†Π΅Π» Π΄Π° сС ΠΈΠΌΠΏΠ»Π΅ΠΌΠ΅Π½Ρ‚ΠΈΡ€Π°Π°Ρ‚ ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚ΠΊΠΈΡ‚Π΅ Π½Π° повСќС структури ΠΎΠ΄ ΠΎΠ±Ρ€Π°Π·ΠΎΠ²Π½ΠΈΡ‚Π΅ институции ΠΊΠΎΠΈ сС Π·Π°Π½ΠΈΠΌΠ°Π²Π°Π°Ρ‚ со Π΄ΠΈΠ·Π°Ρ˜Π½ΠΈΡ€Π°ΡšΠ΅ Π½Π° тСкстил, односно ΠΎΠ±Π»Π΅ΠΊΠ° ΠΈ ΡΠΏΠΎΠ΄Π΅Π»ΡƒΠ²Π°ΡšΠ΅ Π½Π° искуства ΠΈ ΠΈΠ΄Π½ΠΈ соработки со повСќС институци

    ΠœΠ΅Ρ“ΡƒΠ½Π°Ρ€ΠΎΠ΄Π΅Π½ фСстивал Π½Π° ВласитС β€žΠ’Ρ€Π°Π΄ΠΈΡ†ΠΈΡ˜Π°Ρ‚Π° ΠΈ ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π°Ρ‚Π° ΠΎΠ±Π΅Π΄ΠΈΠ½ΡƒΠ²Π°Π°Ρ‚β€œ

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    ЀСстивал Π²ΠΎ ΠΊΠΎΠΈ сС ΠΈΠ½Ρ‚Π΅Π³Ρ€ΠΈΡ€Π°Π½ΠΈ повСќС содрТини ΠΌΠ΅Ρ“Ρƒ ΠΊΠΎΠΈ Π΄ΠΎΠΌΠΈΠ½Π°Π½Ρ‚Π½ΠΈ сС ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π°Ρ‚Π° ΠΈ Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΡ˜Π°Ρ‚Π°, Π²ΠΎ ΠΊΠΎΠΈ сС Π΄Π°Π΄Π΅Π½ΠΈ моТности Π·Π° ΠΈΡΡ‚Ρ€Π°ΠΆΡƒΠ²Π°ΡšΠ΅ Π½Π° Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΠΎΠ½Π°Π»Π½ΠΈΠΎΡ‚ тСкстил ΠΊΠΎΠΈ сС ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚ΡƒΠ²Π°Π» Π²ΠΎ Π΄Ρ€ΠΆΠ°Π²ΠΈΡ‚Π΅ Π½Π° Π‘Π°Π»ΠΊΠ°Π½ΠΎΡ‚, Π° ΠΊΠΎΠΈ ΠΊΠ°ΠΊΠΎ ΡƒΠΌΠ΅Ρ‚Π½ΠΈΡ‡ΠΊΠΈ симболи Ρ‡ΡƒΠ²Π°Π°Ρ‚ ΠΈΠ½ΠΊΠΎΡ€ΠΏΠΎΡ€ΠΈΡ€Π°Π½ΠΈ ΠΏΠΎΠ΄Π°Ρ‚ΠΎΡ†ΠΈ Π·Π° тСкстилното Ρ‚Π²ΠΎΡ€Π΅ΡšΠ΅ Π²ΠΎ Π‘Π΅Π²Π΅Ρ€Π½Π° МакСдонија, Π‘Ρ€Π±ΠΈΡ˜Π°, Π“Ρ€Ρ†ΠΈΡ˜Π° ΠΈ Романија, Π° ΠΊΠΎΠΈ мСѓусСбно сС ΠΏΠΎΠ²Ρ€Π·Π°Π½ΠΈ ΠΏΡ€Π΅ΠΊΡƒ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»Π½Π°Ρ‚Π° ΠΈ Π΄ΡƒΡ…ΠΎΠ²Π½Π°Ρ‚Π° ΠΊΡƒΠ»Ρ‚ΡƒΡ€Π° Π½Π° ΠΎΠ²ΠΈΠ΅ простори. Π˜ΡΡ‚Ρ€Π°ΠΆΡƒΠ²Π°ΡšΠ΅Ρ‚ΠΎ Π½Π° Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΡ˜Π°Ρ‚Π° ΠΏΡ€Π΅ΠΊΡƒ ΠΏΡ€ΠΈΠ±ΠΈΡ€Π°ΡšΠ΅ Π½Π° ΠΏΠΎΠ΄Π°Ρ‚ΠΎΡ†ΠΈ ΠΎΠ΄ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π»Π½ΠΎΡ‚ΠΎ создавањС Π½Π° Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΠΎΠ½Π°Π»Π½ΠΈΡ‚Π΅ носии ΠΈ Π·Π°Ρ‡ΡƒΠ²ΡƒΠ²Π°ΡšΠ΅Ρ‚ΠΎ Π½Π° Ρ‚Π°ΠΊΠ²ΠΎΡ‚ΠΎ богатство Π³ΠΈ ΠΎΠ±Π΅Π»ΠΎΠ΄Π΅Π½ΡƒΠ²Π° Π½ΠΈΠ²Π½ΠΈΡ‚Π΅ врСдности ΠΊΠΎΠΈ ΡƒΠΊΠ°ΠΆΡƒΠ²Π°Π°Ρ‚ Π½Π° ΠΏΠΎΡΡ‚ΠΎΠ΅ΡšΠ΅Ρ‚ΠΎ Π½Π° ΠΎΠ²ΠΈΠ΅ Π½Π°Ρ€ΠΎΠ΄ΠΈ ΠΈ ΠΊΡƒΠ»Ρ‚ΡƒΡ€ΠΈ Π½Π° ΠΎΠ²ΠΈΠ΅ простори. ОвиС ΠΌΠ°Ρ€ΠΊΠ°Ρ‚Π½ΠΈ симболи ΠΈ дСнСс Π³ΠΈ ΠΎΠ²Π΅ΠΊΠΎΠ²Π΅Ρ‡ΡƒΠ²Π°Π°Ρ‚ тСкстилнитС богатства создавани Π½Π° ΠΎΠ²ΠΈΠ΅ простори. ΠŸΡ€Π΅ΠΊΡƒ овој ΠΌΠ΅Ρ“ΡƒΠ½Π°Ρ€ΠΎΠ΄Π΅Π½ фСстивал сС ΠΎΡ‚ΠΊΡ€ΠΈΠ²Π°Π°Ρ‚ Π΅Ρ‚Π½ΠΎΠ»ΠΎΡˆΠΊΠΎΡ‚ΠΎ, Π΄ΡƒΡ…ΠΎΠ²Π½ΠΎΡ‚ΠΎ ΠΈ Ρ„ΠΎΠ»ΠΊΠ»ΠΎΡ€Π½ΠΎΡ‚ΠΎ богатство ΠΏΡ€Π΅ΠΊΡƒ разновидноста ΠΈ Π΄Ρ€ΡƒΠ³ΠΈΡ‚Π΅ карактСристики присутни Π²ΠΎ Ρ†Π΅Π»Π°Ρ‚Π° содрТина Π½Π° фСстивалот, Π° посСбно Π½Π°Ρ€ΠΎΠ΄Π½ΠΈΡ‚Π΅ носии ΠΊΠΎΠΈ Π³ΠΎ Π±Π΅Π»Π΅ΠΆΠ°Ρ‚ овој Ρ€Π΅Π³ΠΈΠΎΠ½. Па Ρ‚Π°ΠΊΠ° сСкоја Π΄Ρ€ΠΆΠ°Π²Π° учСсничка Π³ΠΈ ΠΈΠΌΠ° своитС спСцифики Π²ΠΎ Π½Π°Ρ€ΠΎΠ΄Π½Π°Ρ‚Π° носија, ΠΎΠ±ΠΈΡ‡Π°ΠΈΡ‚Π΅ ΠΈ Ρ„ΠΎΠ»ΠΊΠ»ΠΎΡ€ΠΎΡ‚. Π’ΠΎ ΠΏΡ€Π΅Ρ‚Ρ…ΠΎΠ΄Π½ΠΈΠΎΡ‚ ΠΏΠ΅Ρ€ΠΈΠΎΠ΄, со ΠΏΡ€ΠΈΠ±ΠΈΡ€Π°ΡšΠ΅ Π½Π° Π΅Ρ‚Π½ΠΎΠ»ΠΎΡˆΠΊΠΈ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΡ˜Π°Π», Ρ„Ρ€Π°Π³ΠΌΠ΅Π½Ρ‚ΠΈ ΠΎΠ΄ носии ΠΈ Π½Π°Ρ€ΠΎΠ΄Π½ΠΈ носии Π²ΠΎ цСлост, сС истраТСни Π³ΠΎΠ»Π΅ΠΌ Π±Ρ€ΠΎΡ˜ Π½Π° носии ΠΈ сС поставСни Π²ΠΎ ΠΈΠ·Π»ΠΎΠΆΠ±Π°Ρ‚Π° која Π΅ Π΄Π΅Π» ΠΎΠ΄ овој фСстивал. Π‘ΠΎ Ρ‚ΠΎΠ° овој Ρ„ΠΎΠ½Π΄ Π·Π° ΠΈΠ·Π»ΠΎΠΆΠ±Π° Π½Π° Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΠΎΠ½Π°Π»Π½ΠΈ влашки носии ΠΏΡ€ΠΈΠ»ΠΈΡ‡Π½ΠΎ сС Π·Π±ΠΎΠ³Π°Ρ‚ΠΈ ΠΈ Π΄Π°Π΄Π΅ особСн придонСс ΠΊΠΎΠ½ Ρ†Π΅Π»ΠΈΠΎΡ‚ фСстивал, ΠΏΠΎΠΊΡ€Π°Ρ˜ Π΄Ρ€ΡƒΠ³ΠΈΡ‚Π΅ Π΄Ρ€ΠΆΠ°Π²ΠΈ учСсници. Π Π°Π±ΠΎΡ‚ΠΈΠ»Π½ΠΈΡ†Π° Π·Π° ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚ΠΊΠΈ Π½Π° Ρ‚Ρ€Π°Π΄ΠΈΡ†ΠΈΠΎΠ½Π°Π»Π½ΠΈ носии која сС ΠΎΠ΄Ρ€ΠΆΠ° Π²ΠΎ Ρ€Π°ΠΌΠΊΠΈΡ‚Π΅ Π½Π° фСстивалот Π½Π° која сС ΠΈΠ·Ρ€Π°Π±ΠΎΡ‚Π΅Π½ΠΈ 20 носии
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