Fugitive cult receptions of conspiracy thriller Utopia

This article studies the relationship between ‘fugitive receptions’ and excessive audience engagement with the cult television series Utopia (Channel Four, 2013-2014). ‘Fugitive receptions’ are centrifugal and unpredictable and thus this research offers an unusual perspective on our normative understanding of media engagement as predictable and measurable. The research relies on audience-fan interviews and the longer-term diffused online reception of the series. In particular, the article analyses how audiences go beyond parameters of normalized audience engagement in their navigation of elements of transgression, ideology, paranoia, and the series’ abrupt cancellation

Researching world audiences: the experience of a complex methodology

This essay critically revisits the methods used in the 2003-4 Lord of the Rings international audience research project. We argue that its way of combining in its core implement, a complex questionnaire which eventually recruited almost 25,000 responses, a combination of quantitative and qualitative questions allowed the project to disclose what the film meant, and how it mattered to audiences in new and distinctive ways. Using in particular two sets of findings which emerged from the overall dataset – one relating to which audiences most enjoyed and valued the film, the other relating to patterns in cross-cultural responses – we show the particular ways the methods adopted allowed moves between quantitative and qualitative understandings. This discussion of methods is set within a reconsideration of debates about the apparent benefits of triangulation. We close by noting some limitations in the research, and suggesting ways future research might overcome those limitations