War and dissociation : the case of futurist aesthetics

Thanks to their deliberate engagement in state propaganda Italian Futurists deserved a prominent spot in the history of military aesthetics in the 20th century. However, under what looked like an unequivocal expression of support for war, lied a deep philosophical disagreement concerning its existential and epistemological value. The bone of contention concerned the effects of warfare on perception and, consequently, the means of its depiction. The author analyses this intellectual disagreement within the group and focuses, in particular, on its philosophical implications

Spin Glass and Antiferromagnetic Behaviour in a Diluted fcc Antiferromagnet

We report on a Monte Carlo study of a diluted Ising antiferromagnet on a fcc lattice. This is a typical model example of a highly frustrated antiferromagnet, and we ask, whether sufficient random dilution of spins does produce a spin glass phase. Our data strongly indicate the existence of a spin glass transition for spin--concentration $p<0.75$: We find a divergent spin glass susceptibility and a divergent spin glass correlation length, whereas the antiferromagnetic correlation length saturates in this regime. Furthermore, we find a first order phase transition to an antiferromagnet for $1\ge p>0.85$, which becomes continuous in the range $0.85>p>0.75$. Finite size scaling is employed to obtain critical exponents. We compare our results with experimental systems as diluted frustrated antiferromagnets as ${\rm Zn_{1-p}Mn_{p}Te}$.Comment: 29 pages (revtex) and 10 figures uuencoded and Z-compresse

Schumpeter: Theorist of the Avant-Garde

This paper argues that Schumpeter’s 1911 edition of ‘Theory of Economic Development’ can be fruitfully read as a theory of the avant-garde, in line with such theories developed by artistic avant-garde around the same time, in particular by the Italian Futurists. In particular it will show that both Schumpeter and other avant-garde theorists sought to break with past (1), identify an avant-garde who could force that break (2), find new ways to represent the dynamic world (3), embrace the new and dynamic (4) and promote a perpetual dynamic process, instead of a specific end-state or utopia (5). This new reading helps us to understand the cultural meaning of this seminal text in economics. Secondly it greatly facilitates our understanding of the differences with the later interwar German edition and English edition, which were more cautious in their embrace of the new, less focused on the individual qualities of the entrepreneur and placed more emphasis on historical continuity. Thirdly this reading suggests a different reason for the bifurcation between Schumpeter and the rest of the Austrian school of economics. Traditionally this split is explained by Schumpeter’s affinities with the Lausanne School, this paper instead suggests that the crucial break between Schumpeter on the one hand and Böhm-Bawerk, Wieser and later members of the Austrian School on the other hand is their theory of and attitude toward social change

SUPREMATISMO Y REVOLUCIÓN. ARTE MODERNO Y POLÍTICA CONTEMPORÁNEA

RESUMEN Este artículo examina la estética suprematista en relación con teorías políticas contemporáneas sobre la revolución y la transformación social. El punto de partida del suprematismo es la destrucción de la realidad objetiva como acto liberador. Aunque diversos autores contemporáneos del campo de la teoría política conciben el arte tcomo producción de sentimientos que actúan como puntos de partida de la acción y el compromiso. Ambas perspectivas se entrelazan en el concepto de 'revolución': la liberación de la representación totalitaria y la creación de una nueva sociedad

Les dieux s'en vont, d'Annunzio reste /

"Quelques fragments de ce volume ont paru dans le Gil Blas."Mode of access: Internet