The Use of Modern Digital Technologies in the Design and Technology VET in Ukraine

The objective of this paper is to substantiate the system of vocational education and training (VET) of fashion designers and technologists to perform computer modeling and design of the clothes. The use of the developed system of training specialists in fashion design, which provides for the use of CAD systems, contributes to the formation of readiness of future fashion designers to use specialized software in their professional activities. To increase the efficiency of VET, we used the following types of educational projects: development of creative collage, development of artistic sketches of clothes, design of templates for different sizes, use of programs for the 3D design of the clothes. A feature of this study is the selection of the software used in the design of the clothes, namely GraziaCAD and JULIVI CAD. The effectiveness of these types of tasks is confirmed by an experiment, in which 80 students from Kyiv National University of Technologies and Design took part (CG 44 students, EG 36 students). Comparing the results of incoming and outgoing control of the level of students’ readiness, a decrease in the number of students with a low level of readiness for the use of ICT in the professional activities was noted: from 22.7 % to 11.4 % in CG and from 22.2 % to 5.6 % in EG. At the same time, the percentage of students with a high level of readiness increased in both groups: from 29.5 % to 38.6 % in CG and from 25.0 % to 66.7 % in EG. Also, it should be noted that the biggest changes in the number of students with a high level of knowledge took place in EG. According to Pearson’s criterion, the compliance of CG and EG with the level of significance 0.05 was determined, and after the experiment, the difference between CG and EG with 95 % reliability was stated. The results of the study confirm the effectiveness of the generally accepted international practice of using digital design in VET in the field of fashion design and technologies

Study of properties of overcoating fabrics during design of women’s clothes in different forms

The article presents a study of the process of designing women’s garments of the coating and suiting assortment, made from different fabrics to determine the fabric properties effect on the parameters of shaping the volume-silhouette form of clothes. An expert evaluation of the signifi cance of material properties for the creation of tectonic forms of clothes was carried out and the most signifi cant properties were determined, i.e. rigidity, thickness, drapeability, mass per unit area, type of weave, raw material composition. An experimental study of physical and mechanical characteristics of overcoating fabrics was performed. To validate the research results, we made samples of women’s coats in different forms at a garment company. It was determined that the raw material composition of fabrics does not affect signifi cantly their physical and mechanical characteristics (drapeability, rigidity). The weave of fabrics which determines other indicators was considered to be more signifi cant. As a result, the relationships between the physical and mechanical properties of fabrics of the coat group and the shaping of women’s coats in different volume- silhouette forms were identifi ed. The latter can be used in the design of garments for an individual and mass production

Forecasted labor functions of fashion industry specialists

The labor functions of the fashion industry workers during cutting of the garments in case of modern and forecasted productions for substantiation of the content of training of qualified workers have been analyzed. The labor functions have been characterized in the context of structuring the production operation as to its phases: preparatory, executive, and control and management. For the operation on cutting of the clothing, the models of the content of the workers` labor for three types of production have been prepared: for industrial, individual, and forecasted. It has been grounded that during the forecasted production the major changes in the content of the cutters` work would take place at the preparatory stage and at the executive stage. It is summarized that during the forecasted production of garments, the qualified workers will need the knowledge and skills on the use of new technologies and materials, computerized equipment, and professionally-oriented software

Študija lastnosti tkanin med oblikovanjem ženskih vrhnjih oblačil različnih oblik

The article presents a study of the process of designing women’s garments of the coating and suiting assortment, made from different fabrics to determine the fabric properties effect on the parameters of shaping the volume-silhouette form of clothes. An expert evaluation of the significance of material properties for the creation of tectonic forms of clothes was carried out and the most significant properties were determined, i.e. rigidity, thickness, drapeability, mass per unit area, type of weave, raw material composition. An experimental study of physical and mechanical characteristics of overcoating fabrics was performed. To validate the research results, we made samples of women’s coats in different forms at a garment company. It was determined that the raw material composition of fabrics does not affect significantly their physical and mechanical characteristics (drapeability, rigidity). The weave of fabrics which determines other indicators was considered to be more significant. As a result, the relationships between the physical and mechanical properties of fabrics of the coat group and the shaping of women’s coats in different volume-silhouette forms were identified. The latter can be used in the design of garments for an individual and mass production.V članku je predstavljena študija procesa oblikovanja vrhnjih ženskih oblačil, od plaščev do vrhnjih oblek, ki so bila izdelana iz različnih tkanin z namenom, da bi ugotovili vplive lastnosti tkanin na parametre oblikovanja volumske silhuete oblačil. Strokovno je bil ovrednoten pomen posameznih lastnosti materialov za ustvarjanje tekstonskih oblačilnih form. Med ugotovljene najpomembnejše lastnosti spadajo togost, debelina, pad, površinska masa, vezava in surovinska sestava materiala. Opravljena je bila analiza fi zikalnih in mehanskih lastnosti izbranih tkanin za vrhnja oblačila. Preverjanje dobljenih rezultatov je bilo izvedeno na vzorcih ženskih plaščev različnih oblik, izdelanih v oblačilnem podjetju. Ugotovljeno je bilo, da surovinska sestava tkanin ne vpliva bistveno na njihovo togost in pad. Vezava tkanin se je izkazala za vplivnejši dejavnik. Posledično so bila ugotov ljena razmerja med fi zikalnimi in mehanskimi lastnostmi tkanin in oblikovanjem ženskih plaščev različnih volumskih oblik in različnih silhuet, ki jih je mogoče uporabiti pri oblikovanju oblačil po meri posameznika in za masovno proizvodnjo

Особливості дизайну сучасних жіночих блузок

Women's blouses are an integral part of modern women's wardrobe. Due to the range and style diversity, they are used in various situations and are included in such dress codes as creative black tie, semi-formal A5, dressy casual A5, casual, business traditional, business best. Research of features of modern blouses' design will allow the increasing quality of collections of models of the designed clothes

Художньо-образні засоби дизайну одягу промислового виробництва

The article reveals and systematizes the artistic means of designing women's blouses of industrial production. On the basis of the analysis of existing blouses of industrial production, the patterns of application of principles and design elements were found to ensure the industrial production of clothes. The possibilities of applying design elements to materials, the product as a whole and its elements, as well as decor are analyzed.У статті виявлено та систематизовано художньо-образні засоби дизайну жіночих блузок промислового виробництва. На основі аналізу існуючих блузок промислового виробництва було виявлено закономірності застосування принципів і елементів дизайну для забезпечення промислового виготовлення виробів. Проаналізовано можливості застосування елементів дизайну стосовно матеріалів, виробу в цілому та його елементів, а також декору

РЕТРОСПЕКТИВНІСТЬ ЯК ПРОЕКТНА ПРАКТИКА ФОРМУВАННЯ АКТУАЛЬНИХ ОБРАЗІВ У СИСТЕМІ МОДИ ХХІ СТОЛІТТЯ

Purpose of the Article. Primary purpose of this research is to describe the retrospectivity as the factor of antiglobalization and individualization in the fashion at the ХХI age. Also the method of introduction of trends of  retrospectivity as a project practice in the fashion system of the end ХХ - beginning of ХХI ages is determined in the article. The methodology consists in systematization and generalization of theoretical and factual information on the artistically-projective methods of development of actual fashion appearances. The basis of methodological principles of description of retrospectivity facilities are literary-analytical and comparatively-associative methods. Scientific Novelty. It is grounded in the article, that expansion of spheres of influence and improvement of ways of retrospective elements adaptation in the modern fashion system today becomes the ponderable factor of forming of actual projects appearances, especially in the context of crisis of consumption. Accordingly, address to the reasons of cultural legacy by many apologists of consumer society is characterized as a search of individuality and self-expression, assisting to development of retro- and vintage trends in the fashion system. Conclusions. As a result of the conducted research it is possible to conclude, that designers realized give the suits or appearances created as compiling of the separate elements used on the basis of quoting or stylization. It is marked in the article, that a wide variety in directions of project activity and typical creative handwriting of modern Houses of fashion and trades marks, make the epoch of using of retro-elements and retro-styles the leading trend of the modern fashion system functioning and is not an instrument in forming of new eccentric stylish decision which will go down in history suit and fashion.Цель работы. Основная цель данного исследования - охарактеризовать ретроспективность как фактор антиглобализации и индивидуализации в моде ХХI в. Также в работе определяется способ внедрения тенденций ретроспективности как проектной практики в системе моды конца ХХ - начала ХХI века. Методология исследования заключается в систематизации и обобщении теоретической и фактологической информации относительно художественно-проектных методов разработки актуальных модных образов. В качестве основы методологических принципов характеристики средств ретроспективности используются литературно-аналитический и сравнительно-ассоциативный методы. Научная новизна. В работе обосновано, что расширение сфер влияния и совершенствования путей адаптации ретроспективных элементов в современной системе моды сегодня становится весомым фактором формирования актуальных проектных образов, особенно в контексте кризиса потребления. Соответственно, обращение к мотивам культурного наследия многими апологетами потребительского общества авторами статьи характеризуется как поиск индивидуальности и самовыражения, содействующий развитию ретро- и винтажных тенденций в системе моды. Выводы. По результатам проведенного исследования можно сделать вывод, что дизайнеры осознанно подают созданные ими костюмы или образы как компиляцию отдельных элементов, используемых на основе цитирования или стилизации. При широком разнообразии в направлениях проектной деятельности и характерном творческом почерке современных Домов моды, дизайнерских брендов и торговых марок, в работе отмечается, что эпоха использования ретро-элементов и ретро-стилей остается ведущей тенденцией функционирования современной системы моды и вряд ли способствует формированию нового неординарного стилевого решения, которое войдет в историю костюма и моды.Мета роботи. Основна мета даного дослідження – охарактеризувати ретроспективність як чинник антиглобалізації та індивідуалізації в моді ХХI ст. Також в роботі визначаються спосіб впровадження тенденцій ретроспективності як проектної практики в системі моди кінця ХХ – початку ХХI століть. Методологія дослідження полягає у систематизації та узагальненні теоретичної та фактологічної інформації щодо художньо-проектних методів розробки актуальних модних образів. За основу методологічних принципів характеристики засобів ретроспективності використано літературно-аналітичний та порівняльно-асоціативний методи. Наукова новизна. В роботі обґрунтовано, що розширення сфер впливу і вдосконалення шляхів адаптації ретроспективних елементів в сучасній системі моди сьогодні стає вагомим чинником формування актуальних проектних образів, особливо в контексті кризи споживання. Відповідно, звернення до мотивів культурної спадщини багатьма апологетами споживацького суспільства авторами статті характеризується як пошук індивідуальності та самовираження, сприяючи розвитку ретро- та вінтажних тенденцій в системі моди. Висновки. За результатами проведеного дослідження можна зробити висновок, що дизайнери усвідомлено подають створені ними костюми чи образи як компіляцію окремих елементів, використаних на основі цитування або стилізації. При широкій різноманітності в напрямах проектної діяльності та характерному творчому почерку сучасних Будинків моди, дизайнерських брендів та торгових марок, в роботі наголошується, що епоха використання ретро-елементів та ретро-стилів залишається провідною тенденцією функціонування сучасної системи моди і навряд сприяє формуванню нового неординарного стильового рішення, яке увійде до історії костюма та моди

Використання сучасних цифрових технологій в дизайнерській та технологічній професійній освіті в Україні

The objective of this paper is to substantiate the system of vocational education and training (VET) of fashion designers and technologists to perform computer modeling and design of the clothes. The use of the developed system of training specialists in fashion design, which provides for the use of CAD systems, contributes to the formation of readiness of future fashion designers to use specialized software in their professional activities. To increase the efficiency of VET, we used the following types of learning activities: development of creative collage, development of artistic sketches of clothes, design of templates for different sizes, use of programs for the 3D design of the clothes. A feature of this study is the selection of the software used in the design of the clothes, namely GraziaCAD and JULIVI CAD. The effectiveness of these types of tasks is confirmed by an experiment, in which 80 students from Kyiv National University of Technologies and Design took part (CG 44 students, EG 36 students). Comparing the results of incoming and outgoing control of the level of students’ readiness, a decrease in the number of students with a low level of readiness for the use of ICT in the professional activities was noted: from 22.7% to 11.4% in CG and from 22.2% to 5.6% in EG. At the same time, the percentage of students with a high level of readiness increased in both groups: from 29.5% to 38.6% in CG and from 25.0% to 66.7% in EG. Also, it should be noted that the biggest changes in the number of students with a high level of knowledge took place in EG. This, with 95% reliability according to Pearson's criterion, means that the experimental educational program led to a significant increase in the level of readiness for the use of ICT in the EG, in comparison with the CG. This confirms the effectiveness of the proposed educational program. The results of the study confirm the effectiveness of the generally accepted international practice of using the digital design in VET in the field of fashion design and technologies

Дослідження особливостей дизайну перснів memento mori

The theme of memory and sorrow can be traced in the art of jewellery since antiquity and had several meanings: romantic (until death do us part), mourning (in memory of the deceased), philosophical (memento mori, remember death). This type of ring still serves as a memorable element of death in the tribes of Africa, Mexico, in the subcultures of the Goths and Punks. The thesis is dedicated to the study of the design features of the memento mori ring from antiquity to the 19th century.Тема пам'яті та скорботи простежується в ювелірному мистецтві ще з часів Античності і мала декілька значень: романтичний (поки смерть не розлучить нас), траурний (в пам'ять про померлого), філософський (memento mori, пам’ятай про смерть). Такий вид перснів досі виконує роль пам’ятного елементу смерті в племенах Африки, в Мексиці, в субкультурах готів і панків. В роботі досліджено особливості дизайну перстнів memento mori від часів Античності до ХІХ ст

Children's sport clothes design: methods and compositional means

The work is devoted to improving the process of designing competitive and ergonomic children’s clothing for roller skaters. The introduction of modern ergonomic design tools into the process of industrial design has been proposed. On the example of developing children's clothing for roller skaters the mechanisms of realization of such stages of designing as "design research" and "design concept" have been considered, where the requirements for designing have been developed, the main ideas for solving the set tasks have been formulated and the basic principles of product construction have been formulated. They are about creating clothes with advanced functionality with the use of transforming and damping elements. The method of experimental determination of the parametric characteristics of the protective elements and their locations on the construction details have been described, as well as the choice of a rational structural device in accordance with the study results of the dynamic conformity of children’s clothing design for roller skaters. The rational constructive-technological and color-graphic models of multifunctional children's costume of roller skaters have been presented and the model range has been created on their basis