8 research outputs found
Desmontando mi colecci贸n. Exergos sobre la exposici贸n
Los distintos miembros del Grupo de Investigaci贸n FIDEX (Figuras del exceso. Pol铆ticas del cuerpo) de la Universidad Miguel Hern谩ndez, explican a los alumnos de la Facultad de Bellas Artes y p煤blico en general los distintos par谩metros discursivos y de producci贸n de sus respectivas obras expuestas en la exhibici贸n "The Collector", que tuvo lugar en la Sala de Exposiciones de la Facultad de Bellas Artes de la Universidad de M谩laga desde el 3 al 31 de octubre de 2019.Universidad de M谩laga. Campus de Excelencia Internacional Andaluc铆a Tech
Apocalypse-Calipso
This visual essay is a mash-up of illustrations, a cultural criticism made up of a non-narrative concatenation of music discs, magazine cover, press photos, postcards, advertisements and movie posters remakes, all from the decades of the 60s, 70s and 80s, that takes Benidorm as a paradigm of massive construction and of cultural and visual transformation from late Francoism until the s. XXI. The graphic tour conceptualizes an extractivist imaginary that analyzes the changes between image, culture and petromodernity derived from tourism, globalization, mass consumption and the rise of disposable goods, the empire of souvenir and kitsch, or pop and theme park aesthetics, in an increasingly artificial and less sustainable environment.The etymological game between apocalypse and Calypso (Caribbean musical genre and nymph daughter of the titan Atlas who reigned on the island of Ogigia, and therefore sister of the Hesperides, the Hyades and the Pleiades), fosters, in crescendo, a reflection between the veiled and the revealed, the bikini and the topless, the idyllic and the contaminated, through the retro-futuristic prophecy of a natural pop aquatic catastrophe.聽This project is a derivation, in COVID-19 times, of our series Fucking the City vol III: We love Benidorm
Apocalypse-Calipso
This visual essay is a mash-up of illustrations, a cultural criticism made up of a non-narrative concatenation of music discs, magazine cover, press photos, postcards, advertisements and movie posters remakes, all from the decades of the 60s, 70s and 80s, that takes Benidorm as a paradigm of massive construction and of cultural and visual transformation from late Francoism until the s. XXI. The graphic tour conceptualizes an extractivist imaginary that analyzes the changes between image, culture and petromodernity derived from tourism, globalization, mass consumption and the rise of disposable goods, the empire of souvenir and kitsch, or pop and theme park aesthetics, in an increasingly artificial and less sustainable environment.The etymological game between apocalypse and Calypso (Caribbean musical genre and nymph daughter of the titan Atlas who reigned on the island of Ogigia, and therefore sister of the Hesperides, the Hyades and the Pleiades), fosters, in crescendo, a reflection between the veiled and the revealed, the bikini and the topless, the idyllic and the contaminated, through the retro-futuristic prophecy of a natural pop aquatic catastrophe.聽This project is a derivation, in COVID-19 times, of our series Fucking the City vol III: We love Benidorm
Apocalypse-Calipso
Este ensayo visual es un mash-up de ilustraciones, una cr铆tica cultural compuesta por una concatenaci贸n no narrativa de remakes a rotulador de portadas de discos y revistas, fotos de prensa, postales, anuncios y carteles de cine, todos ellos provenientes de las d茅cadas de los 60, 70 y 80, que toma Benidorm como paradigma de la construcci贸n masiva y de la transformaci贸n cultural y visual desde el tardofranquismo hasta el s. XXI. El recorrido gr谩fico conceptualiza un imaginario extractivista que analiza los cambios entre imagen, cultura y petromodernidad derivados del turismo, la globalizaci贸n, el consumo masivo y el auge lo desechable, el imperio del souvenir y de lo kitsch, o la est茅tica pop y del parque tem谩tico, en un entorno cada vez m谩s artificial y menos sostenible.El juego etimol贸gico entre apocalipsis y Calipso (g茅nero musical caribe帽o y ninfahija del tit谩n Atlas que reinaba en la isla de Ogigia, y hermana por tanto de las Hesp茅rides, las H铆ades y las Pl茅yades), propicia, in crescendo, una reflexi贸n entre lo velado y lo revelado, el bikini y el topless, lo id铆lico y lo contaminado, a trav茅s dela profec铆a retro-futurista de una cat谩strofe natural acu谩tica pop.Este proyecto es una deriva, en tiempos del COVID-19, de nuestra serie Follarse la Ciudad vol III: We love Benidorm
Apocalypse-Calipso
Este ensayo visual es un mash-up de ilustraciones, una cr铆tica cultural compuesta por una concatenaci贸n no narrativa de remakes a rotulador de portadas de discos y revistas, fotos de prensa, postales, anuncios y carteles de cine, todos ellos provenientes de las d茅cadas de los 60, 70 y 80, que toma Benidorm como paradigma de la construcci贸n masiva y de la transformaci贸n cultural y visual desde el tardofranquismo hasta el s. XXI. El recorrido gr谩fico conceptualiza un imaginario extractivista que analiza los cambios entre imagen, cultura y petromodernidad derivados del turismo, la globalizaci贸n, el consumo masivo y el auge lo desechable, el imperio del souvenir y de lo kitsch, o la est茅tica pop y del parque tem谩tico, en un entorno cada vez m谩s artificial y menos sostenible.聽El juego etimol贸gico entre apocalipsis y Calipso (g茅nero musical caribe帽o y ninfa hija del tit谩n Atlas que reinaba en la isla de Ogigia, y hermana por tanto de las Hesp茅rides, las H铆ades y las Pl茅yades), propicia, in crescendo, una reflexi贸n entre lo velado y lo revelado, el bikini y el topless, lo id铆lico y lo contaminado, a trav茅s de la profec铆a retro-futurista de una cat谩strofe natural acu谩tica pop.Este proyecto es una deriva, en tiempos del COVID-19, de nuestra serie Follarse la Ciudad vol III: We love Benidorm
Apocalypse-Calipso
This visual essay is a mash-up of illustrations, a cultural criticism made up of a non-narrative concatenation of music discs, magazine cover, press photos, postcards, advertisements and movie posters remakes, all from the decades of the 60s, 70s and 80s, that takes Benidorm as a paradigm of massive construction and of cultural and visual transformation from late Francoism until the s. XXI. The graphic tour conceptualizes an extractivist imaginary that analyzes the changes between image, culture and petromodernity derived from tourism, globalization, mass consumption and the rise of disposable goods, the empire of souvenir and kitsch, or pop and theme park aesthetics, in an increasingly artificial and less sustainable environment.The etymological game between apocalypse and Calypso (Caribbean musical genre and nymph daughter of the titan Atlas who reigned on the island of Ogigia, and therefore sister of the Hesperides, the Hyades and the Pleiades), fosters, in crescendo, a reflection between the veiled and the revealed, the bikini and the topless, the idyllic and the contaminated, through the retro-futuristic prophecy of a natural pop aquatic catastrophe.聽This project is a derivation, in COVID-19 times, of our series Fucking the City vol III: We love Benidorm
Apocalypse-Calipso
This visual essay is a mash-up of illustrations, a cultural criticism made up of a non-narrative concatenation of music discs, magazine cover, press photos, postcards, advertisements and movie posters remakes, all from the decades of the 60s, 70s and 80s, that takes Benidorm as a paradigm of massive construction and of cultural and visual transformation from late Francoism until the s. XXI. The graphic tour conceptualizes an extractivist imaginary that analyzes the changes between image, culture and petromodernity derived from tourism, globalization, mass consumption and the rise of disposable goods, the empire of souvenir and kitsch, or pop and theme park aesthetics, in an increasingly artificial and less sustainable environment.The etymological game between apocalypse and Calypso (Caribbean musical genre and nymph daughter of the titan Atlas who reigned on the island of Ogigia, and therefore sister of the Hesperides, the Hyades and the Pleiades), fosters, in crescendo, a reflection between the veiled and the revealed, the bikini and the topless, the idyllic and the contaminated, through the retro-futuristic prophecy of a natural pop aquatic catastrophe.聽This project is a derivation, in COVID-19 times, of our series Fucking the City vol III: We love Benidorm