Comment on "On the Crooks fluctuation theorem and the Jarzynski equality" [J. Chem. Phys. 129, 091101 (2008)]

It has recently been argued that a self-consistency condition involving the Jarzynski equality (JE) and the Crooks fluctuation theorem (CFT) is violated for a simple Brownian process [L. Y. Chen, J. Chem. Phys. 129, 091101 (2008)]. This note adopts the definitions in the original formulation of the JE and CFT and demonstrates the contrary.Comment: 2 page

Foreign Direct Investment in the United States: Interest Rate and Exchange Rate

David Y. Chen, Ph.D., is an associate professor, Department of Economics and Transportation/ Logistics. North Carolina A&T State University, Greensboro, NC 27411

On the non-equivalence of Lorenz System and Chen System

In this paper, we prove that the Chen system with a set of chaotic parameters is not smoothly equivalent to the Lorenz system with any parameters

TRANSLATING THE VISUAL: CHEN CHIEH-JEN’S WORK

Nacido en Taiwán y actualmente residente en Taipei, Chen Chieh-jen (1960) es un videoartista cuya obra presenta una profunda y feroz – aunque a menudo silenciosa – meditación histórica y política. Sus obras se caracterizan por la inserción de imágenes de archivo que se relacionan y dialogan con imágenes contemporáneas. Mirando el pasado de China en relación con su presente, Chen subraya las consecuencias sociales, las expectativas frustradas, las interpretaciones erróneas y las apropiaciones de la mirada occidental. En particular, este estudio aborda un vídeo realizado en 2002, “Lingchi - Echoes of a historical photograph” y otro, “Factory”, realizado en 2003 que revelan el foco principal y la praxis visual y auditiva del artista. En la obra de Chen, de hecho, la visión y, sobre todo, sus límites, tanto en el sentido concreto como en el metafórico, juegan un papel importante en la construcción de un denso discurso artístico y conceptual relacionado con la creación de imágenes y la traducción visual.Born in Taiwan and currently living in Taipei, Chen Chieh-jen (1960) is a video-artist whose oeuvre presents a profound and fierce – although often silent – historical and political meditation. His works are characterized by the insertion of archival footage in close dialogue with actual and contemporary images. Looking at China’s past in relation to its present, Chen underlines social damages, frustrated expectations, misinterpretations and appropriations by the Western gaze. In particular, this study addresses a video made in 2002, “Lingchi - Echoes of a historical photograph”, and “Factory” realized in 2003; having as a mainfocus the artist’s visual and aural praxis. In Chen’s work in fact, vision, and most of all its limits, in both a concrete and metaphorical sense, play a major part in the construction of a dense artistic and conceptual discourse related to image-making and visual translation.

Fractal atomic-level percolation in metallic glasses

Metallic glasses are metallic alloys that exhibit exotic material properties. They may have fractal structures at the atomic level, but a physical mechanism for their organization without ordering has not been identified. We demonstrated a crossover between fractal short-range (<2 atomic diameters) and homogeneous long-range structures using in situ x-ray diffraction, tomography, and molecular dynamics simulations. A specific class of fractal, the percolation cluster, explains the structural details for several metallic-glass compositions. We postulate that atoms percolate in the liquid phase and that the percolating cluster becomes rigid at the glass transition temperature