Murder in Jerba : honour, shame and hospitality among Maltese in Ottoman Tunisia

Little is known about the sizeable Maltese communities developing along the southern and eastern shores of the Mediterranean in the mid-nineteenth century and the extent to which the migrants reproduced Maltese cultural traditions and practices overseas. This article considers this question through a microhistorical analysis of events culminating in the murder of a Maltese woman in the Ottoman Regency of Tunis in 1866. A close reading of transcripts from the interrogation of witnesses and the accused, all members of a Maltese community in Jerba reveals their shared cultural practices and beliefs surrounding the provision of hospitality, honour and shame. Viewed from this perspective, the curious responses of the witnesses to the murder of their compatriot become meaningful, and the crime is reframed as an honour killing.peer-reviewe

Dealing in identities Insiders and outsiders in a Greek town

For the video tape accompanying this thesis please apply to the issuing universityAvailable from British Library Document Supply Centre- DSC:D61085 / BLDSC - British Library Document Supply CentreSIGLEGBUnited Kingdo

Revisiting December Hollow : Unearthing emotive shape

This paper documents an ongoing project between the composer/engineer Peter Zinovieff, composer Milton Mermikides and violinist Anne-Marie Curran-Cundy. The project is a developed realization of Zinovieff's 1969 December Hollow 'fold-out score' concept. The compositional system is designed to generate electronic music and/or conventional scores by slicing through a three-dimensional topographical score of 'emotional zones'. Each zone is associated with a vector of musical parameters and by selecting various trajectories through the shape, countless pieces may be generated. This paper briefly outlines the approach taken to realize this idea, and develop it with the implementation of real-time processing, the mapping of score space with RGB space and vector transformations of Schumann's Mein Herz ist Schwer, within an adaptive performance model