Malaysian landscapes in the fiction of K S Maniam

[Introduction]: In his prolific output of fiction, including two published novels and numerous stories, K S Maniam has explored and revealed a range of Malaysian landscapes for the people who live there. Whilst acknowledging that “landscape” is an elusive concept that is difficult readily to define, this analysis accepts Victor Savage’s broad approach to landscape as a “living process “ which involves “the total sensually perceptible features of a person’s experience at a particular place and time.” (1) For Maniam, the landscapes are variously natural and cultural, exterior and interior, childlike and adult, a rich panorama. Accordingly, the paper examines such dimensions of landscape as physical settings, memory, dream, and imagination, mind and personality, margins and shadows, as well as institutions from plantation to coffee shop. Through all these settings, Maniam has furnished a vital and authentic Malaysian mosaic. This paper considers the significance of this mosaic through a thematic study of Maniam’s fictional output to date, i.e. from 1976 to the present. The American author, Joyce Carol Oates, has observed that “all artists know either consciously or instinctively that the secret intention of their life’s work is to rescue from the plunge of time something of beauty, permanence, significance,”(2) and so it is with Maniam as literary artist, and with Malaysia as place and experience. This analysis also draws on the key basic assumptions set out by Altick and Fenstermaker in The Art of Literary Research (1993), firstly that to understand the meaning of a text, it is necessary to know as much as possible about its creator, the author, and secondly that authors and texts are products of particular social and historical contexts.(3

Diaspora and identity in the fiction of K S Maniam

[Introduction]: Emmanuel Nelson has truly observed that the “haunting presence of India” lies at the core of diasporic fiction by writers of Indian descent, together with the “anguish of personal loss” that an awareness of India engenders. (1) In any consideration of diasporic fiction, terms like exile, alienation, nostalgia, despair, dislocation, abandonment, and disintegration come readily to mind. In the case of distinguished Malaysian Indian writer, K S Maniam, the list can be augmented by reference to a profound sense of futility, and the absence of any personal sense of contemporary national identity. In 1984, Maniam poignantly reflected that the life of his particular community in Malaysia was “a straining towards achievement that does not end in fulfillment.” (2) This human gap between what could be and what is constitutes the actual fate of diaspora in Maniam’s fiction. The prospects for diaspora are, in short, very limited. This paper treats Maniam’s novels and short stories as documents of cultural knowledge, both of the South Indian community in Malaysia and of nation-building in Malaysia itself. Maniam’s fiction is also assessed in light of V S Naipaul’s concern that diasporic writers should strive to create a self in their own words, to assert their own voice in the country where they live, and so refuse to accept cultural or personal extinction. (3) The paper outlines the consequences of that refusal, especially Maniam’s inability to relate to a particular Malayo-Muslim definition of the nation. The paper also draws out the writer’s preference for a dynamic and multi-faceted Malaysian culture grounded on metaphysical and humanistic assumptions, as well as a post-colonial state graciously informed by its diverse cultural heritage

Impact assessment in a non-government organisation

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