13,548 research outputs found

    Strategic Management and HRM

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    [Excerpt] The purpose of this chapter is to discuss this intersection between Strategic Management and HRM, what we know, and future directions for SHRM research. We will begin by briefly discussing the concept of strategy and the popularization of the resource-based view (RBV) of the firm. Next we will address its role in creating the link between HRM and Strategic Management including key questions that the RBV has raised in relation to SHRM. We will then examine the current state of affairs in SHRM; the progress made, and key questions and concerns occupying the attention of SHRM researchers. Finally, we will conclude with our views on future directions for SHRM research

    Land Grant Application- Allen, Wright (Denmark)

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    Land grant application submitted to the Maine Land Office on behalf of Wright Allen for service in the Revolutionary War, by their widow Ruth.https://digitalmaine.com/revolutionary_war_me_land_office/1016/thumbnail.jp

    Mcneil Robinson as Choral Musician A Survey of his Choral Works for the Christian and Jewish Traditions

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    McNeil Robinson II (1943-2015), internationally renowned organist and composer, was born in Birmingham, Alabama and educated at Birmingham Southern College, Mannes College of Music, and the Juilliard School. Robinson served at several iconic and celebrated churches and at a synagogue in the City of New York including: the Church of St. Mary the Virgin, the Church of the Holy Family (United Nations), Park Avenue Christian Church, Park Avenue Synagogue, and Holy Trinity Roman Catholic Church. As an academic, Robinson was chair of the organ department and a professor of music at Manhattan School of Music. Over the course of these appointments, Robinson composed music for organ solo, organ and orchestra, choral, and solo voice with organ and orchestra accompaniment. Other compositions include music for a film, a play, and an unfinished opera. Robinson composed sixty choral compositions along with a wealth of service music for both the Christian and Jewish traditions. These compositions include anthems, Missa brevis, hymns, and psalm responsorials. Although, much of the choral music was written for use in his own parish and synagogue, other works were commissions received from other houses of worship across the United States and abroad, including a commission by the Archbishop of Canterbury in England, and for the concert stage. Robinson’s compositional teachers and influences include: Vincent Persichetti, Yehudi Wyner, and Virgil Thomson, with influences of Igor Stravinsky, Olivier Messiaen, and Maurice Duruflé. Robinson’s choral compositions can be categorized as post-Neoclassical, serial, and conservative with elements of contemplativeand Romantic style-characteristics. This document aims to provide a comprehensive look at composer McNeil Robinson, with an emphasis on his choral composition. Chapter One will provide a biographical sketch of Robinson’s life and career. Chapter Two contains conversations with family, academics, formers students, clergy, singers, and other professionals in the field. Chapter Three introduces Robinson as a choral musician. Chapter Four outlines Robinson’s compositional style. Chapters Five is a survey of Robinson’s choral music for the Christian tradition. Chapter Six discusses Robinson and Park Avenue Synagogue. Chapter Seven is a survey of Robinson’s choral music for the Jewish Tradition. Chapter Eight serves as a conclusion. The appendixes will outline a list of supplemental materials, which includes: a catalogue of works, bulletin from Robinson’s memorial service (containing his musical compositions), a video of his memorial service, a video interview of Robinson with the NYC American Guild of Organists, an audio recording of Robinson speaking about Jewish music and his tenure at Park Avenue Synagogue, and a video of the author’s lecture-recital. The appendix continues with the Leupold Archive inventory list, Robinson’s obituary, submitted themes for improvisation, list of commissions and premieres at Park Avenue Synagogue, and DMA recital programs and brief biographical sketch of the author

    The Rhetorical Event of Modern Southern Humor: A Requisite Element in Discourse

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    This dissertation examines the rhetorical nature and dynamics of Southern humor in the second half of the twentieth century by analyzing, from a distinctly rhetorical perspective, a selection of popular Southern humor texts. It seeks to understand how Southern humor happens--its methods and techniques--and it also seeks to understand, as much as possible, the implications of these events for the various interlocutors and participants involved. By investigating the stylistic, storytelling, and linguistic techniques of Southern humor, while relying on the scholarship of writers in a variety of academic disciplines, I hope to answer the following research question: how does Southern humor, as a discourse event, enact and affirm many of the stereotypical aspects of the Southern identity, while it also questions and deconstructs those stereotypes at the same time? Chapter One lays out the theoretical foundations, in both humor theory and Southern identity theory, that the subsequent chapters build upon. Each of Chapters Two, Three, and Four uses one of Aristotle\u27s rhetorical appeals as a way of studying the rhetorical methods and impact of Southern humor in a more focused way. Chapter Two explores how Southern humor creates incongruity through the application of framing devices and the distortion of logos and demonstrates that humor derives as much from the way a joke is told as it does from any specific content or subject matter. Chapter Three focuses specifically on the role and persona of the humorist or comedian in the humor event and looks at how that role imbues the humorist with a great amount of rhetorical power but also distances him or her from the audience. Chapter Four examines the rhetorical nature of laughter in humor, as well as the unique and paradoxical position of the humor audience as both a passive recipient of humor and the ultimate arbiter of the success (or failure) of that discourse. Relying heavily on the work on Mikhail Bakhtin, the concluding Chapter Five attempts to step beyond the normal limits of Southern humor by looking at Toole\u27s Confederacy of Dunces and its grotesque protagonist, specifically, in order to better comprehend and test the limits of humorous decorum

    A Study of Three Fourth Century Christian Writers\u27 Reactions to Pagan Education

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    During the fourth century of the common era, a period which saw the acceptance of Christianity by the Roman empire and with that the continuing problem of how to relate Christ and culture, several of the fathers of the church wrote concerning the education of Christians. What did these men have in mind when they talked about Christian education? How did this relate to pagan education? Was there any compatibility between the two, and if so, what was it

    An examination of the Good Behavior Game and behavior specific praise statements on student and teacher behavior

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    This study directly compares two interdependent group oriented contingency strategies, the GBG and the GBG with a behavior specific praise statement (BSPS) component (i.e., GBG+BSPS) to examine the relative effectiveness of each as a tool for class-wide behavior management, to inspect the effect on teacher interactions with students, and to assess the relative teacher and student acceptability of both games. The Good Behavior Game has been identified as an evidence-based intervention to manage class-wide behavior difficulties, but recently has been criticized for not being proactive in teaching appropriate classroom behavior. The relative effectiveness and acceptability of each game as a class-wide behavior management tool will be examined. This experiment will extend the literature on the GBG by comparing the GBG to a similar, more positive variation of the game where teacher initiated behavior specific praise is included in the procedures (GBG+BSPS)

    Sticky prices: a new monetarist approach

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    Why do some sellers set nominal prices that apparently do not respond to changes in the aggregate price level? In many models, prices are sticky by assumption; here it is a result. We use search theory, with two consequences: prices are set in dollars, since money is the medium of exchange; and equilibrium implies a nondegenerate price distribution. When the money supply increases, some sellers may keep prices constant, earning less per unit but making it up on volume, so profit stays constant. The calibrated model matches price-change data well. But, in contrast with other sticky-price models, money is neutral.

    Furman University Scholar Exchange (FUSE) Uploading a Submission from a Department, Center or Institute Collection

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    Learn how to submit content into FUSE from a Department, Center or Institute Collectio

    Furman University Scholar Exchange (FUSE) Registering for an Account

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    Learn how to register for an account on the Furman University Scholar Exchange (FUSE
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