“Falling into the sky”: gravity and levity in Pynchon’s Mason & Dixon

My argument follows geographer Gunnar Olsson when he asks “What is geography if it is not the drawing and interpreting of a line? And what is the drawing of a line if it is not also the creation of new objects?” Using Thomas Pynchon’s 1997 novel Mason & Dixon about the drawing of the Mason-Dixon line, I explore how the mapmaker’s productive power is never merely reflective but generative too, constructing a world as much as representing one. I question the consequent relation between “above and below,” drawing on Farinelli’s insight that critique of such constructions must recognise an antagonistic humour in the production of maps and territories. Pynchon’s novel, I argue, is exemplary in the wit with which it pits the anomalous, strange and contingent phenomena of the below against the homogenising, categorising power of above. His approach helps us understand the dark heart of Enlightenment cartography and society

Exploring language as the “in-between”

Assuming a performative notion of language, this contribution addresses how language functions as a symbolic means and asks for its function for the dialogical self. In accordance with a non-individualistic notion, individuals are related to each other within and by virtue of an in-between. This in-between is called “spacetime of language”: a dynamic evolving across time, perceived as linguistic forms with their chronotopology and the positionings of the performers (self as-whom to other as-whom). With respect to the linguistic forms, the specificity of language functioning is described by Bühler’s term of displacement. The effect of displacement is to generate sharedness by inducing a movement the partners follow, going beyond their actual, sensitive contact. Symbolic displacement, expanding Bühler’s notion, is particularly interesting with regard to the dialogical self: it permits the social construction of several perspectives on self, other, and reality—positions and voices informing the self’s performances

Domesticating Fears and Fantasies of ‘the East’: integrating the Ottoman legacy within European heritage

'Europe' has no fixed geographical, historical, religious or cultural boundaries. Claims for the existence of European civilization as a discrete construct are continually made yet dissolve on close scrutiny. Here, we examine these claims at one of the grandest points of existential crisis and belonging for Europe, the relationship with the 'Other within': Turkey, the Balkans and Ottoman heritage in Europe. Through a hybrid semiotic and Foucauldian analysis of catalogues of eight high-profile exhibitions in the United Kingdom, Turkey, Belgium and Portugal we argue that an unsettled discursive struggle is at play, in which one 'Europe' articulates 'reconciliation' of profound civilizational difference while another, Ottoman, 'Europe' stakes a claim of right as an intrinsic component of what it means to be European in a contemporary context. We attempt to trace the role of museum marketing in the perennial accommodation/exclusion of the Ottoman Empire as an intrinsic component in the diversity of Europe’s cultural heritage

A Reply to My Critics: The Critical Spirit of Bourdieusian Language

Drawing on my article “Bourdieusian reflections on language: Unavoidable conditions of the real speech situation”, this paper provides a detailed response to the above commentaries by Lisa Adkins, Bridget Fowler, Michael Grenfell, David Inglis, Hans-Herbert Kögler, Steph Lawler, William Outhwaite, Derek Robbins and Bryan S. Turner. The main purpose of this “Reply to my critics” is to reflect upon the most important issues raised by these commentators and thereby contribute to a more nuanced understanding of key questions arising from Bourdieu’s analysis of language