35 research outputs found
Application of environmental art practices in architectural design of everyday spaces
ΠΠΎΠΊΡΠΎΡΡΠΊΠ° ΡΠ΅Π·Π° ΡΠ΅ΠΎΡΠΈΡΡΠΊΠΈ ΡΠ΅ ΠΏΠΎΠ·ΠΈΡΠΈΠΎΠ½ΠΈΡΠ° Ρ ΠΏΠΎΡΡ ΡΡΠ°Π½ΡΠ΄ΠΈΡΠΈΠΏΠ»ΠΈΠ½Π°ΡΠ½ΠΎΠ³
ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΡΠ°Π²ΡΠ΅ΠΌΠ΅Π½ΠΈΡ
ΠΏΡΠΎΡΠ΅ΠΊΡΠ°Π½ΡΡΠΊΠΈΡ
ΠΏΡΠ°ΠΊΡΠΈ ΠΈ ΡΠΈΡ
ΠΎΠ²ΠΈΡ
ΡΠ΅Π½ΠΎΠΌΠ΅Π½ΠΎΠ»ΠΎΡΠΊΠΈΡ
ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΡΠ° ΠΊΡΠΎΠ· ΠΏΠΎΡΠ°ΠΌ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°. Π’Π΅ΠΌΠ° Π΄ΠΈΡΠ΅ΡΡΠ°ΡΠΈΡΠ΅ ΡΠ΅ ΠΎΠ΄ΡΠ΅ΡΠ΅ΡΠ΅ ΠΏΠΎΡΠΌΠ°
Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠΎΠ³ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°, ΡΠ΅Π³ΠΎΠ²Π° ΡΠ΅ΠΎΡΠΈΡΡΠΊΠ° ΠΏΠΎΡΡΠ°Π²ΠΊΠ° ΠΊΡΠΎΠ· ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ΅ ΠΏΡΠ°ΠΊΡΠΈ
Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°Π»Π½ΠΈΡ
ΡΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ ΠΈ ΡΠ΅Π³ΠΎΠ²Π° Π°Π½Π°Π»ΠΈΠ·Π° ΠΊΡΠΎΠ· ΡΡΡΠ΄ΠΈΡΡ ΠΏΡΠΎΡΡΠΎΡΠ° ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅ Ρ
ΠΏΡΠΎΡΠ΅ΠΊΡΠΈΠΌΠ° Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠ΅ ΠΠ°ΡΠΈΠ»ΠΈΡΠ° ΠΠΈΠ»ΡΠ½ΠΎΠ²ΠΈΡΠ°. ΠΡΠ½ΠΎΠ²Π½ΠΈ ΡΠΈΡ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΡΠ΅
ΡΡΠΏΠΎΡΡΠ°Π²ΡΠ°ΡΠ΅ ΠΏΡΠ°ΠΊΡΠΈΡΠ½ΠΈΡ
ΡΠ΅Π»Π°ΡΠΈΡΠ° ΠΈΠ·ΠΌΠ΅ΡΡ ΠΏΡΠ°ΠΊΡΠΈ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°Π»Π½ΠΈΡ
ΡΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ ΠΈ
Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠΎΠ³ ΠΏΡΠΎΡΠ΅ΠΊΡΠΎΠ²Π°ΡΠ°, ΠΊΠ°ΠΊΠΎ Π±ΠΈ ΡΠ΅ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠ΅ ΠΏΡΠΎΡΠ΅ΠΊΡΠ°Π½ΡΡΠΊΠ΅ ΠΏΡΠ°ΠΊΡΠ΅
ΠΎΡΠ²ΠΎΡΠΈΠ»Π΅ ΠΏΡΠ΅ΠΌΠ° ΠΊΡΠΈΡΠΈΡΠΊΠΎβΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠΊΠΈΠΌ ΠΏΠΎΡΠ΅Π½ΡΠΈΡΠ°Π»ΠΈΠΌΠ° ΠΈΠ½ΡΠ΅ΡΠ΄ΠΈΡΡΠΈΠΏΠ»ΠΈΠ½Π°ΡΠ½ΠΈΡ
ΠΈ
Ρ
ΠΈΠ±ΡΠΈΠ΄Π½ΠΈΡ
ΠΏΡΠ°ΠΊΡΠΈ Ρ ΡΠΌΠ΅ΡΠ½ΠΈΡΠΊΠΎΠΌ ΡΡΠ²Π°ΡΠ°Π»Π°ΡΡΠ²Ρ. ΠΠΎΡΠΈΡΠ½ΠΎΡΡ ΡΡΠΏΠΎΡΡΠ°Π²ΡΠ΅Π½Π΅ ΡΠ΅Π»Π°ΡΠΈΡΠ΅
ΡΠ°Π³Π»Π΅Π΄Π°Π²Π° ΡΠ΅ ΠΊΡΠΎΠ· ΠΌΠΎΠ³ΡΡΠ½ΠΎΡΡ ΠΈΠ½ΡΠ΅ΡΠ΄ΠΈΡΡΠΈΠΏΠ»ΠΈΠ½Π°ΡΠ½Π΅ ΡΠ°Π·ΠΌΠ΅Π½Π΅ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠΊΠΈΡ
ΡΠ°ΠΊΡΠΈΠΊΠ°
ΠΈ ΡΠ΅Ρ
Π½ΠΈΠΊΠ°, ΠΊΠ°ΠΎ ΠΈ ΠΊΡΠΎΠ· ΠΌΠΎΠ³ΡΡΠ½ΠΎΡΡ ΡΠ½Π°ΠΏΡΠ΅ΡΠ΅ΡΠ° ΠΏΡΠΎΡΠ΅ΠΊΡΠ°Π½ΡΡΠΊΠ΅ ΠΏΡΠ°ΠΊΡΠ΅ ΠΊΡΠΎΠ·
ΠΏΡΠΎΡΠΈΡΠΈΠ²Π°ΡΠ΅ ΠΏΠΎΠ΄ΡΡΡΡΠ° ΠΈ ΠΌΠ΅Π΄ΠΈΡΠ° ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΠΈ Π΄Π΅Π»ΠΎΠ²Π°ΡΠ°.
ΠΠΏΠ΅ΡΠ°ΡΠΈΠ²Π½ΠΈ ΡΠΈΡ Π΄ΠΈΡΠ΅ΡΡΠ°ΡΠΈΡΠ΅ ΡΠ΅ Π΄Π° ΡΠ΅ Ρ ΠΎΠΊΠ²ΠΈΡΠΈΠΌΠ° Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠΎΠ³ Π΄Π΅Π»ΠΎΠ²Π°ΡΠ°
ΡΠΊΠ°ΠΆΠ΅ Π½Π° ΠΊΠΎΡΠΈΡΠ½ΠΎΡΡ ΠΏΡΠΎΡΡΠ°Π²Π°ΡΠ° ΡΠΈΡΠΎΠΊΠΎΠ³ ΡΠΏΠ΅ΠΊΡΡΠ° ΡΡΠ΄ΡΠΊΠΎΠ³ ΠΏΠΎΠ½Π°ΡΠ°ΡΠ° Ρ
ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²Π½ΠΎΠΌ ΠΆΠΈΠ²ΠΎΡΡ, ΠΎΠ΄ ΠΎΠ½ΠΎΠ³Π° ΡΡΠΎ Π½Π°Π·ΠΈΠ²Π°ΠΌΠΎ ΠΈΠ·Π²ΠΎΡΠ΅ΡΠ΅ΠΌ ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅, ΠΏΡΠ΅ΠΊΠΎ
ΡΠΈΡΡΠ°Π»Π° ΠΈ ΡΡΡΠΈΠ½Π°, Π΄ΠΎ ΠΎΠ±Π»ΠΈΠΊΠ° ΠΊΡΠ»ΡΡΡΠ°Π»Π½ΠΎΠ³ ΠΈΠ·Π²ΠΎΡΠ΅ΡΠ° ΠΈ ΠΏΠ΅ΡΡΠΎΡΠΌΠ°Π½ΡΠ°. ΠΡΠ΅ΡΠΏΠΎΡΡΠ°Π²ΠΊΠ°
ΡΠ΅ Π΄Π° ΡΠ΅ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΡΡΠ° ΡΠ°Π³Π»Π΅Π΄Π°Π²Π° ΠΊΠ°ΠΎ ΡΡΡΡΠΊΡΡΡΠ° ΡΠΈΡΡΠ΅ΠΌΠ° Π·Π½Π°ΠΊΠΎΠ²Π° Ρ ΡΠ»ΠΎΠΆΠ΅Π½ΠΈΠΌ
ΠΊΠΎΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΡΡΠΊΠΈΠΌ ΠΈ ΡΠ΅Π½ΠΎΠΌΠ΅Π½ΠΎΠ»ΠΎΡΠΊΠΈΠΌ ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΌΠ°, ΠΊΠ°ΠΎ Π²ΠΈΡΠ΅ΠΌΠ΅Π΄ΠΈΡΡΠΊΠ° ΡΠ΅ΠΊΡΡΡΠ°Π»Π½Π°
ΠΏΠΎΡΠ°Π²Π½ΠΎΡΡ ΠΊΠΎΡΠ° ΡΠ΅ ΠΎΠ΄ΠΈΠ³ΡΠ°Π²Π° Ρ Π²ΡΠ΅ΠΌΠ΅Π½ΡΠΊΠΈΠΌ ΠΈΠ½ΡΠ΅ΡΠ²Π°Π»ΠΈΠΌΠ° ΠΊΠΎΠ½ΡΡΠΈΡΡΠΈΡΠ°ΡΠ°
ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»Π½Π΅ ΠΈ ΠΊΠΎΠ»Π΅ΠΊΡΠΈΠ²Π½Π΅ ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅.
ΠΠΏΡΡΠ° ΠΌΠ΅ΡΠΎΠ΄ΠΎΠ»ΠΎΡΠΊΠ° ΡΠ΅ΠΎΡΠΈΡΡΠΊΠ° ΠΏΠΎΠ·ΠΈΡΠΈΡΠ° ΠΎΠ²ΠΎΠ³ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΡΠ΅ Π΄ΠΎΠΌΠΈΠ½Π°Π½ΡΠ½ΠΎ
ΡΠ΅Π½ΠΎΠΌΠ΅Π½ΠΎΠ»ΠΎΡΠΊΠ° (Ρ
Π΅ΡΠΌΠ΅Π½Π΅ΡΡΠΈΡΠΊΠ° ΠΈ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠ²Π½Π°), Ρ ΠΎΠΊΠ²ΠΈΡΡ ΠΊΠΎΡΠ΅ ΡΠ΅ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ΅
ΡΠΏΡΠΎΠ²ΠΎΠ΄ΠΈ ΠΊΠ°ΠΎ ΠΊΠ²Π°Π»ΠΈΡΠ°ΡΠΈΠ²Π½ΠΎ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠ²Π½ΠΎ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ΅. ΠΠ²Π°Π»ΠΈΡΠ°ΡΠΈΠ²Π½Π°
ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΠΏΡΠ΅ΡΠΏΠΎΡΡΠ°Π²ΡΠ°ΡΡ ΡΠΊΡΡΡΠ΅Π½ΠΎΡΡ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° Ρ ΠΏΡΠΎΠ±Π»Π΅ΠΌ ΠΈ ΠΏΡΠ΅Π΄ΠΌΠ΅Ρ
ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ°, Ρ ΠΎΠ²ΠΎΠΌ ΡΠ»ΡΡΠ°ΡΡ ΡΠ΅Π»Π΅Π²Π°Π½ΡΠ½Π° ΡΠ΅ ΠΏΠΎΠ·ΠΈΡΠΈΡΠ° Π΄Π²ΠΎΡΡΡΡΠΊΠ΅ ΡΠ»ΠΎΠ³Π΅ Π°ΡΡΠΎΡΠ° ΠΊΠ°ΠΎ
Ρ
ΡΠΎΠ½ΠΈΡΠ°ΡΠ° ΠΈ Π°ΠΊΡΠ΅ΡΠ° Π΄ΠΎΠ³Π°ΡΠ°ΡΠ°, ΡΡΠΎ ΡΠ΅ ΡΠΈΠ½ΠΈ ΡΠΏΠ΅ΡΠΈΡΠΈΡΠ½ΠΎΠΌ ΠΈ Π½Π° ΡΠ°Ρ Π½Π°ΡΠΈΠ½ ΠΏΡΠΈΠΌΠ΅ΡΠ΅Π½ΠΎΠΌ
ΠΊΠ²Π°Π»ΠΈΡΠ°ΡΠΈΠ²Π½ΠΈΠΌ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠΈΠΌΠ°.
Π£ ΠΏΡΠ²ΠΎΠΌ Π΄Π΅Π»Ρ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΠΏΠΎΡΡΠ°Π²ΡΠ΅Π½ ΡΠ΅ ΡΠ΅ΠΎΡΠΈΡΡΠΊΠΈ ΠΎΠΊΠ²ΠΈΡ ΡΠ°Π΄Π°, Π°Π½Π°Π»ΠΈΠ·ΠΈΡΠ°Π½ΠΈ
ΡΡ ΡΠ΅ΡΠ΅ΡΠ΅Π½ΡΠ½ΠΈ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠ΅ ΡΠ΅ΠΎΡΠΈΡΠ΅, ΡΠ΅ΠΎΡΠΈΡΠ΅ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°Π»Π½ΠΈΡ
ΡΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ
ΠΈ ΡΠ΅ΠΎΡΠΈΡΠ΅ ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅, Ρ Π·Π°ΠΊΡΡΡΠ½ΠΎΡ Π³Π»Π°Π²ΠΈ ΡΠ΅ΠΎΡΠΈΡΡΠΊΠΎΠ³ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΠΈΠ·Π½ΠΎΡΠ΅ ΡΠ΅
ΠΈΠΌΠΏΠ»ΠΈΠΊΠ°ΡΠΈΡΠ΅ Π·Π° ΠΌΠΎΠ³ΡΡΠ½ΠΎΡΡ Π°Π½Π°Π»ΠΈΠ·Π΅ Π°ΠΌΠ±ΠΈΡΠ΅Π½Π°ΡΠ° ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅. ΠΡΡΠ³ΠΈ Π΄Π΅ΠΎ
Π΄ΠΈΡΠ΅ΡΡΠ°ΡΠΈΡΠ΅ ΡΠ΅ ΠΊΠΎΠ½ΡΠΈΠΏΠΈΡΠ°Π½ ΠΊΠ°ΠΎ ΠΊΠ²Π°Π»ΠΈΡΠ°ΡΠΈΠ²Π½ΠΎ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ΅ ΠΊΠΎΡΠ΅ ΡΠ΅ ΡΠ°ΡΡΠΎΡΠΈ ΠΈΠ· ΡΠ΅ΡΠΈΡΠΈ
ΡΡΡΠ΄ΠΈΡΠ΅ ΡΠ»ΡΡΠ°ΡΠ° Ρ ΠΊΠΎΡΠΈΠΌΠ° ΡΠ΅ ΠΏΡΠ΅ΡΡ
ΠΎΠ΄Π½ΠΎ ΠΏΠΎΡΡΠ°Π²ΡΠ΅Π½Π΅ ΡΠ΅Π·Π΅ ΠΈΡΠΏΠΈΡΡΡΡ Ρ ΠΊΠΎΠ½ΠΊΡΠ΅ΡΠ½ΠΈΠΌ
ΡΡΠ»ΠΎΠ²ΠΈΠΌΠ°. ΠΠ° ΠΎΡΠ½ΠΎΠ²Ρ ΡΠ΅Π·ΡΠ»ΡΠ°ΡΠ° ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ°, ΡΠΎΡΠΌΠΈΡΠ°ΡΡ ΡΠ΅ Π·Π°ΠΊΡΡΡΠ½ΠΈ ΡΡΠ°Π²ΠΎΠ²ΠΈ...From a theoretical standpoint, this is an interdisciplinary doctoral thesis, combining
contemporary design practices with their phenomenological interpretation using the
notion of atmosphere of a space. The theme of the dissertation is a definition of the
concept of architectural atmosphere, its theoretical interpretation through research of
environmental art practice and its analysis through the study of everyday spaces in the
designs of architect Vasilije MilunoviΔ. The main research objective is to establish a
practical relationship between the practices of environmental art and architectural design,
in order to open architectural design practice towards critical and research potentials of
interdisciplinary and hybrid practices in artistic creation. The usefulness of the established
relations is reflected in the possibility of interdisciplinary exchange of research tactics
and techniques, as well as through the possibility of improvement of design practice
through broadening of the area and of the media of research and work.
The operational goal of the research, in terms of architectural work, is to point out
the usefulness of studying a wide range of human behavior in everyday life, from what is
known as performing the everyday, through rituals and routines, to forms of performance.
The assumption is that architecture is considered a structural system of symbols in
complex communicational and phenomenological constructs, as well as a multimedia
textual phenomenon, which takes place in time intervals of constituting the individual and
collective everyday.
The general methodological theoretical position of this research is predominantly
phenomenological (hermeneutic and interpretative), through which the research is
conducted as qualitative interpretative research. Qualitative research assumes the
involvement of researchers in the problem and the subject of research. In this case, the
relevant position is the dual role of the author: as chronicler and actors of the event, which
is a specific role and thus appropriate for qualitative research.
The first part of the study sets a theoretical framework, followed by an analysis of
the relevant concepts of architectural theory, the theory of environmental art and theory
of everyday life. The final chapter of the theoretical study outlines the implications for
the possibility of analyzing the ambiance of the quotidian. The second part of the thesis
is conceived as qualitative research, consisting of four case studies in which previously
proposed hypotheses are tested in real conditions. The concluding paragraphs are an
overview of the research results obtained..
ΠΡΠΈΠΌΠ΅Π½Π° ΠΏΡΠ°ΠΊΡΠΈ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°Π»Π½ΠΈΡ ΡΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ Ρ Π°ΡΡ ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠΎΠΌ ΠΏΡΠΎΡΠ΅ΠΊΡΠΎΠ²Π°ΡΡ ΠΏΡΠΎΡΡΠΎΡΠ° ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²Π½ΠΈΡΠ΅
From a theoretical standpoint, this is an interdisciplinary doctoral thesis, combining contemporary design practices with their phenomenological interpretation using the notion of atmosphere of a space. The theme of the dissertation is a definition of the concept of architectural atmosphere, its theoretical interpretation through research of environmental art practice and its analysis through the study of everyday spaces in the designs of architect Vasilije MilunoviΔ. The main research objective is to establish a practical relationship between the practices of environmental art and architectural design, in order to open architectural design practice towards critical and research potentials of interdisciplinary and hybrid practices in artistic creation. The usefulness of the established relations is reflected in the possibility of interdisciplinary exchange of research tactics and techniques, as well as through the possibility of improvement of design practice through broadening of the area and of the media of research and work. The operational goal of the research, in terms of architectural work, is to point out the usefulness of studying a wide range of human behavior in everyday life, from what is known as performing the everyday, through rituals and routines, to forms of performance. The assumption is that architecture is considered a structural system of symbols in complex communicational and phenomenological constructs, as well as a multimedia textual phenomenon, which takes place in time intervals of constituting the individual and collective everyday. The general methodological theoretical position of this research is predominantly phenomenological (hermeneutic and interpretative), through which the research is conducted as qualitative interpretative research. Qualitative research assumes the involvement of researchers in the problem and the subject of research. In this case, the relevant position is the dual role of the author: as chronicler and actors of the event, which is a specific role and thus appropriate for qualitative research. The first part of the study sets a theoretical framework, followed by an analysis of the relevant concepts of architectural theory, the theory of environmental art and theory of everyday life. The final chapter of the theoretical study outlines the implications for the possibility of analyzing the ambiance of the quotidian. The second part of the thesis is conceived as qualitative research, consisting of four case studies in which previously proposed hypotheses are tested in real conditions. The concluding paragraphs are an overview of the research results obtained...ΠΠΎΠΊΡΠΎΡΡΠΊΠ° ΡΠ΅Π·Π° ΡΠ΅ΠΎΡΠΈΡΡΠΊΠΈ ΡΠ΅ ΠΏΠΎΠ·ΠΈΡΠΈΠΎΠ½ΠΈΡΠ° Ρ ΠΏΠΎΡΡ ΡΡΠ°Π½ΡΠ΄ΠΈΡΠΈΠΏΠ»ΠΈΠ½Π°ΡΠ½ΠΎΠ³ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΡΠ°Π²ΡΠ΅ΠΌΠ΅Π½ΠΈΡ
ΠΏΡΠΎΡΠ΅ΠΊΡΠ°Π½ΡΡΠΊΠΈΡ
ΠΏΡΠ°ΠΊΡΠΈ ΠΈ ΡΠΈΡ
ΠΎΠ²ΠΈΡ
ΡΠ΅Π½ΠΎΠΌΠ΅Π½ΠΎΠ»ΠΎΡΠΊΠΈΡ
ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΡΠ° ΠΊΡΠΎΠ· ΠΏΠΎΡΠ°ΠΌ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°. Π’Π΅ΠΌΠ° Π΄ΠΈΡΠ΅ΡΡΠ°ΡΠΈΡΠ΅ ΡΠ΅ ΠΎΠ΄ΡΠ΅ΡΠ΅ΡΠ΅ ΠΏΠΎΡΠΌΠ° Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠΎΠ³ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°, ΡΠ΅Π³ΠΎΠ²Π° ΡΠ΅ΠΎΡΠΈΡΡΠΊΠ° ΠΏΠΎΡΡΠ°Π²ΠΊΠ° ΠΊΡΠΎΠ· ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ΅ ΠΏΡΠ°ΠΊΡΠΈ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°Π»Π½ΠΈΡ
ΡΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ ΠΈ ΡΠ΅Π³ΠΎΠ²Π° Π°Π½Π°Π»ΠΈΠ·Π° ΠΊΡΠΎΠ· ΡΡΡΠ΄ΠΈΡΡ ΠΏΡΠΎΡΡΠΎΡΠ° ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅ Ρ ΠΏΡΠΎΡΠ΅ΠΊΡΠΈΠΌΠ° Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠ΅ ΠΠ°ΡΠΈΠ»ΠΈΡΠ° ΠΠΈΠ»ΡΠ½ΠΎΠ²ΠΈΡΠ°. ΠΡΠ½ΠΎΠ²Π½ΠΈ ΡΠΈΡ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΡΠ΅ ΡΡΠΏΠΎΡΡΠ°Π²ΡΠ°ΡΠ΅ ΠΏΡΠ°ΠΊΡΠΈΡΠ½ΠΈΡ
ΡΠ΅Π»Π°ΡΠΈΡΠ° ΠΈΠ·ΠΌΠ΅ΡΡ ΠΏΡΠ°ΠΊΡΠΈ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°Π»Π½ΠΈΡ
ΡΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ ΠΈ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠΎΠ³ ΠΏΡΠΎΡΠ΅ΠΊΡΠΎΠ²Π°ΡΠ°, ΠΊΠ°ΠΊΠΎ Π±ΠΈ ΡΠ΅ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠ΅ ΠΏΡΠΎΡΠ΅ΠΊΡΠ°Π½ΡΡΠΊΠ΅ ΠΏΡΠ°ΠΊΡΠ΅ ΠΎΡΠ²ΠΎΡΠΈΠ»Π΅ ΠΏΡΠ΅ΠΌΠ° ΠΊΡΠΈΡΠΈΡΠΊΠΎβΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠΊΠΈΠΌ ΠΏΠΎΡΠ΅Π½ΡΠΈΡΠ°Π»ΠΈΠΌΠ° ΠΈΠ½ΡΠ΅ΡΠ΄ΠΈΡΡΠΈΠΏΠ»ΠΈΠ½Π°ΡΠ½ΠΈΡ
ΠΈ Ρ
ΠΈΠ±ΡΠΈΠ΄Π½ΠΈΡ
ΠΏΡΠ°ΠΊΡΠΈ Ρ ΡΠΌΠ΅ΡΠ½ΠΈΡΠΊΠΎΠΌ ΡΡΠ²Π°ΡΠ°Π»Π°ΡΡΠ²Ρ. ΠΠΎΡΠΈΡΠ½ΠΎΡΡ ΡΡΠΏΠΎΡΡΠ°Π²ΡΠ΅Π½Π΅ ΡΠ΅Π»Π°ΡΠΈΡΠ΅ ΡΠ°Π³Π»Π΅Π΄Π°Π²Π° ΡΠ΅ ΠΊΡΠΎΠ· ΠΌΠΎΠ³ΡΡΠ½ΠΎΡΡ ΠΈΠ½ΡΠ΅ΡΠ΄ΠΈΡΡΠΈΠΏΠ»ΠΈΠ½Π°ΡΠ½Π΅ ΡΠ°Π·ΠΌΠ΅Π½Π΅ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠΊΠΈΡ
ΡΠ°ΠΊΡΠΈΠΊΠ° ΠΈ ΡΠ΅Ρ
Π½ΠΈΠΊΠ°, ΠΊΠ°ΠΎ ΠΈ ΠΊΡΠΎΠ· ΠΌΠΎΠ³ΡΡΠ½ΠΎΡΡ ΡΠ½Π°ΠΏΡΠ΅ΡΠ΅ΡΠ° ΠΏΡΠΎΡΠ΅ΠΊΡΠ°Π½ΡΡΠΊΠ΅ ΠΏΡΠ°ΠΊΡΠ΅ ΠΊΡΠΎΠ· ΠΏΡΠΎΡΠΈΡΠΈΠ²Π°ΡΠ΅ ΠΏΠΎΠ΄ΡΡΡΡΠ° ΠΈ ΠΌΠ΅Π΄ΠΈΡΠ° ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΠΈ Π΄Π΅Π»ΠΎΠ²Π°ΡΠ°. ΠΠΏΠ΅ΡΠ°ΡΠΈΠ²Π½ΠΈ ΡΠΈΡ Π΄ΠΈΡΠ΅ΡΡΠ°ΡΠΈΡΠ΅ ΡΠ΅ Π΄Π° ΡΠ΅ Ρ ΠΎΠΊΠ²ΠΈΡΠΈΠΌΠ° Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠΎΠ³ Π΄Π΅Π»ΠΎΠ²Π°ΡΠ° ΡΠΊΠ°ΠΆΠ΅ Π½Π° ΠΊΠΎΡΠΈΡΠ½ΠΎΡΡ ΠΏΡΠΎΡΡΠ°Π²Π°ΡΠ° ΡΠΈΡΠΎΠΊΠΎΠ³ ΡΠΏΠ΅ΠΊΡΡΠ° ΡΡΠ΄ΡΠΊΠΎΠ³ ΠΏΠΎΠ½Π°ΡΠ°ΡΠ° Ρ ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²Π½ΠΎΠΌ ΠΆΠΈΠ²ΠΎΡΡ, ΠΎΠ΄ ΠΎΠ½ΠΎΠ³Π° ΡΡΠΎ Π½Π°Π·ΠΈΠ²Π°ΠΌΠΎ ΠΈΠ·Π²ΠΎΡΠ΅ΡΠ΅ΠΌ ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅, ΠΏΡΠ΅ΠΊΠΎ ΡΠΈΡΡΠ°Π»Π° ΠΈ ΡΡΡΠΈΠ½Π°, Π΄ΠΎ ΠΎΠ±Π»ΠΈΠΊΠ° ΠΊΡΠ»ΡΡΡΠ°Π»Π½ΠΎΠ³ ΠΈΠ·Π²ΠΎΡΠ΅ΡΠ° ΠΈ ΠΏΠ΅ΡΡΠΎΡΠΌΠ°Π½ΡΠ°. ΠΡΠ΅ΡΠΏΠΎΡΡΠ°Π²ΠΊΠ° ΡΠ΅ Π΄Π° ΡΠ΅ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΡΡΠ° ΡΠ°Π³Π»Π΅Π΄Π°Π²Π° ΠΊΠ°ΠΎ ΡΡΡΡΠΊΡΡΡΠ° ΡΠΈΡΡΠ΅ΠΌΠ° Π·Π½Π°ΠΊΠΎΠ²Π° Ρ ΡΠ»ΠΎΠΆΠ΅Π½ΠΈΠΌ ΠΊΠΎΠΌΡΠ½ΠΈΠΊΠ°ΡΠΈΡΡΠΊΠΈΠΌ ΠΈ ΡΠ΅Π½ΠΎΠΌΠ΅Π½ΠΎΠ»ΠΎΡΠΊΠΈΠΌ ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠΌΠ°, ΠΊΠ°ΠΎ Π²ΠΈΡΠ΅ΠΌΠ΅Π΄ΠΈΡΡΠΊΠ° ΡΠ΅ΠΊΡΡΡΠ°Π»Π½Π° ΠΏΠΎΡΠ°Π²Π½ΠΎΡΡ ΠΊΠΎΡΠ° ΡΠ΅ ΠΎΠ΄ΠΈΠ³ΡΠ°Π²Π° Ρ Π²ΡΠ΅ΠΌΠ΅Π½ΡΠΊΠΈΠΌ ΠΈΠ½ΡΠ΅ΡΠ²Π°Π»ΠΈΠΌΠ° ΠΊΠΎΠ½ΡΡΠΈΡΡΠΈΡΠ°ΡΠ° ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»Π½Π΅ ΠΈ ΠΊΠΎΠ»Π΅ΠΊΡΠΈΠ²Π½Π΅ ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅. ΠΠΏΡΡΠ° ΠΌΠ΅ΡΠΎΠ΄ΠΎΠ»ΠΎΡΠΊΠ° ΡΠ΅ΠΎΡΠΈΡΡΠΊΠ° ΠΏΠΎΠ·ΠΈΡΠΈΡΠ° ΠΎΠ²ΠΎΠ³ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΡΠ΅ Π΄ΠΎΠΌΠΈΠ½Π°Π½ΡΠ½ΠΎ ΡΠ΅Π½ΠΎΠΌΠ΅Π½ΠΎΠ»ΠΎΡΠΊΠ° (Ρ
Π΅ΡΠΌΠ΅Π½Π΅ΡΡΠΈΡΠΊΠ° ΠΈ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠ²Π½Π°), Ρ ΠΎΠΊΠ²ΠΈΡΡ ΠΊΠΎΡΠ΅ ΡΠ΅ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ΅ ΡΠΏΡΠΎΠ²ΠΎΠ΄ΠΈ ΠΊΠ°ΠΎ ΠΊΠ²Π°Π»ΠΈΡΠ°ΡΠΈΠ²Π½ΠΎ ΠΈΠ½ΡΠ΅ΡΠΏΡΠ΅ΡΠ°ΡΠΈΠ²Π½ΠΎ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ΅. ΠΠ²Π°Π»ΠΈΡΠ°ΡΠΈΠ²Π½Π° ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΠΏΡΠ΅ΡΠΏΠΎΡΡΠ°Π²ΡΠ°ΡΡ ΡΠΊΡΡΡΠ΅Π½ΠΎΡΡ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° Ρ ΠΏΡΠΎΠ±Π»Π΅ΠΌ ΠΈ ΠΏΡΠ΅Π΄ΠΌΠ΅Ρ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ°, Ρ ΠΎΠ²ΠΎΠΌ ΡΠ»ΡΡΠ°ΡΡ ΡΠ΅Π»Π΅Π²Π°Π½ΡΠ½Π° ΡΠ΅ ΠΏΠΎΠ·ΠΈΡΠΈΡΠ° Π΄Π²ΠΎΡΡΡΡΠΊΠ΅ ΡΠ»ΠΎΠ³Π΅ Π°ΡΡΠΎΡΠ° ΠΊΠ°ΠΎ Ρ
ΡΠΎΠ½ΠΈΡΠ°ΡΠ° ΠΈ Π°ΠΊΡΠ΅ΡΠ° Π΄ΠΎΠ³Π°ΡΠ°ΡΠ°, ΡΡΠΎ ΡΠ΅ ΡΠΈΠ½ΠΈ ΡΠΏΠ΅ΡΠΈΡΠΈΡΠ½ΠΎΠΌ ΠΈ Π½Π° ΡΠ°Ρ Π½Π°ΡΠΈΠ½ ΠΏΡΠΈΠΌΠ΅ΡΠ΅Π½ΠΎΠΌ ΠΊΠ²Π°Π»ΠΈΡΠ°ΡΠΈΠ²Π½ΠΈΠΌ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠΈΠΌΠ°. Π£ ΠΏΡΠ²ΠΎΠΌ Π΄Π΅Π»Ρ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΠΏΠΎΡΡΠ°Π²ΡΠ΅Π½ ΡΠ΅ ΡΠ΅ΠΎΡΠΈΡΡΠΊΠΈ ΠΎΠΊΠ²ΠΈΡ ΡΠ°Π΄Π°, Π°Π½Π°Π»ΠΈΠ·ΠΈΡΠ°Π½ΠΈ ΡΡ ΡΠ΅ΡΠ΅ΡΠ΅Π½ΡΠ½ΠΈ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈ Π°ΡΡ
ΠΈΡΠ΅ΠΊΡΠΎΠ½ΡΠΊΠ΅ ΡΠ΅ΠΎΡΠΈΡΠ΅, ΡΠ΅ΠΎΡΠΈΡΠ΅ Π°ΠΌΠ±ΠΈΡΠ΅Π½ΡΠ°Π»Π½ΠΈΡ
ΡΠΌΠ΅ΡΠ½ΠΎΡΡΠΈ ΠΈ ΡΠ΅ΠΎΡΠΈΡΠ΅ ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅, Ρ Π·Π°ΠΊΡΡΡΠ½ΠΎΡ Π³Π»Π°Π²ΠΈ ΡΠ΅ΠΎΡΠΈΡΡΠΊΠΎΠ³ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ° ΠΈΠ·Π½ΠΎΡΠ΅ ΡΠ΅ ΠΈΠΌΠΏΠ»ΠΈΠΊΠ°ΡΠΈΡΠ΅ Π·Π° ΠΌΠΎΠ³ΡΡΠ½ΠΎΡΡ Π°Π½Π°Π»ΠΈΠ·Π΅ Π°ΠΌΠ±ΠΈΡΠ΅Π½Π°ΡΠ° ΡΠ²Π°ΠΊΠΎΠ΄Π½Π΅Π²ΠΈΡΠ΅. ΠΡΡΠ³ΠΈ Π΄Π΅ΠΎ Π΄ΠΈΡΠ΅ΡΡΠ°ΡΠΈΡΠ΅ ΡΠ΅ ΠΊΠΎΠ½ΡΠΈΠΏΠΈΡΠ°Π½ ΠΊΠ°ΠΎ ΠΊΠ²Π°Π»ΠΈΡΠ°ΡΠΈΠ²Π½ΠΎ ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ΅ ΠΊΠΎΡΠ΅ ΡΠ΅ ΡΠ°ΡΡΠΎΡΠΈ ΠΈΠ· ΡΠ΅ΡΠΈΡΠΈ ΡΡΡΠ΄ΠΈΡΠ΅ ΡΠ»ΡΡΠ°ΡΠ° Ρ ΠΊΠΎΡΠΈΠΌΠ° ΡΠ΅ ΠΏΡΠ΅ΡΡ
ΠΎΠ΄Π½ΠΎ ΠΏΠΎΡΡΠ°Π²ΡΠ΅Π½Π΅ ΡΠ΅Π·Π΅ ΠΈΡΠΏΠΈΡΡΡΡ Ρ ΠΊΠΎΠ½ΠΊΡΠ΅ΡΠ½ΠΈΠΌ ΡΡΠ»ΠΎΠ²ΠΈΠΌΠ°. ΠΠ° ΠΎΡΠ½ΠΎΠ²Ρ ΡΠ΅Π·ΡΠ»ΡΠ°ΡΠ° ΠΈΡΡΡΠ°ΠΆΠΈΠ²Π°ΡΠ°, ΡΠΎΡΠΌΠΈΡΠ°ΡΡ ΡΠ΅ Π·Π°ΠΊΡΡΡΠ½ΠΈ ΡΡΠ°Π²ΠΎΠ²ΠΈ..
An Environmental Critique: Impact of Socialist Ideology on the Ecological and Cultural Sensitivity of Belgrade's Large-Scale Residential Settlements
This paper advocates the stance that sustainable approaches in architecture, although usually associated to contemporary practice, have a very complex relationship with the history of architecture and urbanism. By adopting an interpretative framework, the paper highlights the environmental aspects of the architectural practice of Belgrade's large-scale residential settlements created under the cultural influences of socialist ideology. The socialist system enabled systematic implementation of the principles of the Congres International d'Architecture Moderne (CIAM) on a large urban scale, in contrast to capitalist countries where these principles were applied on a smaller scale. The paper starts with the premise that these cultural influences, together with the integration of the principles of modernism, caused the rejection and the loss of traditional and ambience values in architecture. Research has shown that these values play a very important role in meeting the needs of ecological and cultural sensitivity in architecture. In its final consequences, the results of research have revealed that, although widely criticized for its break with tradition and the loss of ambience values, residential architecture in Belgrade during the socialist era included significant aspirations of the architectural practice directed at the improvement of aspects of sustainability, and especially aspects of ecological and cultural sensitivity
Potentials of Nature-Based Solutions for Improvement of Resilience and Landscape Valorization in Urban Environments
The relevance of this research topic is a reflection of a need to redefine the concept of nature in
architecture and urbanism so as to acknowledge the current environmental and climate issues and the changing position of nature in contemporary culture. Today, the built environment puts very strong pressure on the natural environment, causing climate change and degradation of ecosystems to evolve as a consequence of such tendencies. Keeping in mind that architecture and urbanism produce the
environment for humans and at the same time study the relationship between people and their
environment, both built and natural, we will argue that architectural and urban design are at the very core of the problem between humans, the natural and built environment, and the changes that occur in these relations. Furthermore, recent decades have seen a constant emphasis on the importance of nature, especially natural elements and principles, within design in order to achieve environmental and cultural sustainability, i.e., harmony between architecture, nature and users. However, the practice of application of these methods and knowledge in architecture still hasnβt been developed. The focus of this paper is the implementation of nature-based solutions in the built environment, particularly from the aspects of improving resilience, well-being and landscape valorization. This paper deals with the identification of the key potentials and a range of benefits of ecosystem services, but also of the crucial barriers and limitations impeding the implementation of this concept in contemporary cities.https://city-futuresiv2019.exordo.com/programme/presentations
https://city-futuresiv2019.exordo.com/programme/presentation/10
Microcystins: Potential risk factors in carcinogenesis of primary liver cancer in Serbia
The Primary Liver Carcinoma (PLC) is one of the most common malignant diseases in the world. In Central Serbia during the period from 2000 to 2006 the average incidence was 16.9/100 000 that complies to the European epidemiology. The main risk factors for PLC are considered to be cirrhosis of liver and viral chronic Hepatitis B and C. The goal of this research was to analyze epidemiological data of these diseases and to state the correlation between PLC, liver cirrhosis and Hepatitis B and C in Serbia. During the research period of 6 years the correlations between PLC and the corresponding risk factors were negative. For this reason it was necessary to examine other risk factors. The high incidence of PLC in NiΕ‘avski, TopliΔki and Ε umadijski region correlate with emerging blooms of Cyanobacteria in water reservoirs supplying these areas with drinking water. Since we examined only 7 years span and have no completed cyanotoxin analysis, it is necessary to complete more research in this field. The identification of cyanotoxins as risk factors that contribute to the development of liver cancer will help in the prevention of this disease
Endodontska terapija kao metod u sanaciji poremeΔene okluzije politraumatizovane gornje i donje vilice maΔke
Concomitant injuries of bone and soft tissues of the upper and lower jaws are classified as multiple trauma symptoms associated with early complications, such as shock, disordered breathing, bleeding, pain, deformity and facial asymmetry, abnormal jaw movement, crepitation, palsy-paralysis of traumatized soft tissue regions and languages. The goal of this work is to present polytraumatised rehabilitation of upper and lower jaws by the system of endodontic treatment of upper canines in cats. Primary approach to stabilization polytraumatised cats is highlighted, also as procedures to be undertaken in animal in shock, injury of the maxilla and mandible, and the order of diagnostic procedures. Mandibular prognation and incorrect occlusion with consequent damage of mandibular gingiva with maxilla kaninus are complications which were resolved in our case with endodontic treatment of upper canines of the cat. This paper presents a detailed approach to the reduction of dental caninus maxilla and establishing proper bite in the molar region of the maxila and mandible.Istovremene povrede kostnog i mekog tkiva gornje i donje vilice klasifikujΓΊ se kao politraume koje prate simptomi ranih komplikacija, kao Ε‘to su: stanje Ε‘oka, poremeΔeno disanje, krvarenje, bol, deformacja i asimetriΔnost lica, abnormalna pokretljivost donje vilice, krepitacije, pareza - paraliza traumatizovanih mekotkivnih regija i jezika. Cilj ovog rada je bio da se prikaΕΎe sanacija politraumatizovane gornje i donje vilice po sistemu endodontske terapije gornjih oΔnjaka maΔke. Istaknut je primarni pristup stabilizaciji politraumatizovane maΔke, postupci koje je potrebno sprovesti kod ΕΎivotinje u Ε‘oku i sa povredama maksile i mandibule, kao i redosled dijagnostiΔkih procedura. Prognacija, nepravilna okluzija sa poslediΔnim oΕ‘teΔenjem gingive mandibule od strane kaninusa maksile, su komplikacje koje su u ovom sluΔaju reΕ‘ene, endodontskom terapijom gornjih oΔnjaka maΔke. U radu je dat detaljan stomatoloΕ‘ki pristup skraΔenju kaninusa maksile i uspostavljanju pravilnog zagriΕΎaja u predelu molara gornje i donje vilice
Co-creation for Enhancing Quality of Public Spaces: Learning from Europe Readr Experience in Serbia
There is a rising concern in the architectural academic and professional community about the current transformation of cities and public spaces, seeking for (a) new and innovative approaches to planning and shaping future cities and habitats, and (b) a platform for experimentation and designing of innovative solutions to complex societal problems through co-creation. The paper aims to highlight the regenerative role that educational projects with a practical dimension could have on the public space and the community. The Europe Readr pavilion in Serbia has been developed in the cooperation of the Embassy of the Republic of Slovenia in Belgrade and the Laboratory for urban morphology and typology (Morpho- Lab) of the University of Belgrade β Faculty of Architecture within the broader international project EUROPE READR. Guided by European values, sustainability, and the European Green Deal through designing public spaces for the exchange of ideas and values, UBFA considered both the process of learning - and the result itself. Accordingly, the process implied multiple phases of project development that included two-stage student competition, three mentored workshops and presentations to project partners, and finally, implementation phase. The paper brings significant experiences regarding potentials and challenges in innovation, critical thinking, competence, co-creation, developing technical drawings, understanding of building and assembling techniques, public purchase regulations, and on-site activities. The project provided stepping out from academia bringing a positive change both to education and public space
Breeding of climate-smart crops at IFVCNS
In recent years, overcoming the negative impact of climate change on the productivity of cultivated plants and the creation of tolerant genotypes have become one of the strategic goals in agriculture. In that context, IFVCNS breeding teams work intensely on finding innovative solutions to the main problems and challenges facing science and agriculture in the 21st century - climate change, environmental protection and sustainable crop production. In climate-smart crop breeding programmes IFVCNS researchers use innovative and high-throughput solutions for the exploitation of the existing and creation of the new genetic variability of field crops, creation of superior genotypes and transfer and implementation of new knowledge and technologies
Climate Crops Centre of Excellence β bringing innovation in sunflower breeding for climate resilience
Sunflower breeding and selection are continual processes designed to increase its yield and improve the resilience to biotic and abiotic stresses. Breeders have been successful in producing a large number of varieties using conventional breeding. However, classical breeding methods cannot always provide solutions for tackling frequent and often unpredictable variations in climatic and market conditions. As response to shortcomings of classical breeding, Institute of Field and Vegetable Crops (IFVCNS) established Center of Excellence for Innovations in Breeding of Climate-Resilient Crops β Climate Crops aimed at introduction and application of new techniques such as (epi)genomic selection and genome editing, along with e fficient phenotyping platforms, for more effi cient trait introduction. Climate Crops aims to step up and stimulate excellence and innovation capacity of IFVCNS in sunflower improvement and enhance its ability to respond and create innovative solutions for the challenges that sunflower production, and agriculture as a whole face - climate changes and need to feed the increasing population