5 research outputs found

    "Brecht Atenção" (intradução)

    No full text
    "Attention Brecht" (intradução) by André Vallias"Brecht atenção" (intradução) por André Vallia

    "Luto para que um pouco de mim renasça no espaço curvo de um crisantempo"

    Get PDF
    Neste ensaio, André Vallias relembra momentos de sua relação pessoal/ intelectual com Jerusa Pires Ferreira no campo artístico, revelando facetas menos conhecidas da pesquisadora, inclusive reproduzindo poema da autora.In this essay, André Vallias recalls moments of his personal/intellectual relationship with Jerusa Pires Ferreira in the artistic field, revealing lesser-known facets of the researcher, even reproducing the author’s poem

    The new concrete

    No full text
    An afternoon of film and live performance showcasing some of the most exciting work in the field of visual poetry in the 21st century. The event brings together some of the most celebrated poets and artists working at the intersection of visual art and literature. Building on the celebrated concrete movement of the 1950s and 1960s, the event reveals how this legacy has been refreshed through digital text and image manipulation, modern print techniques and the rise of self-publishing

    The new concrete

    No full text
    The New Concrete is a long-overdue survey of the rise of concrete poetry in the digital age. The accessibility of digital text and image manipulation, modern print techniques and the rise of self-publishing have invigorated a movement that first emerged in an explosion of literary creativity during the 1950s and 1960s. This new volume is a highly illustrated overview of contemporary artists and poets working at the intersection of visual art and literature, producing some of the most engaging and challenging work in either medium. Featuring an introductory essay by renowned American poet Kenneth Goldsmith and edited by celebrated poets Victoria Bean and Chris McCabe, The New Concrete is an indispensable introduction to the breadth of concrete poetry being produced today. Edited by Victoria Bean and Chris McCabe, with an essay by Kenneth Goldsmit
    corecore