Color and Meaning in Ancient Mesopotamia: The Case of Egyptian Blue

Despite its ubiquitous presence and obvious cultural significance in Mesopotamian art and architecture, the Akkadian language never developed a specific term for the color ‘blue.' This article seeks to explain this omission and the Akkadian color system in light of ethno-linguistic data collected in the University of California-based World Color Survey project and the physical evidence for blue pigments and colorants. Special attention is paid to the results of multispectral-imaging analysis conducted on Yale University's Assyrian relief sculpture from Nimrud. This investigation has revealed the use of Egyptian blue pigment in unexpected and hitherto unknown contexts in Assyrian architectural design

Manual / Issue 12 / On Further Review

Manual, a journal about art and its making. On Further Review. This issue uncovers narratives once central to objects’ histories but that now have been systematically obscured, inadvertently overlooked, or otherwise lost. Softcover, 96 pages. Published 2019 by the RISD Museum.(On Further Review) contributors include Anita N. Bateman, Laurie Anne Brewer, Becci Davis, Jamie Gabbarelli, Bethany Johns, Elon Cook Lee, Kevin McBride, Walker Mettling, Jessica Rosner, Suzanne Scanlan, Nell Painter, Allison Pappas, Pamela A. Parmal, Shiyanthi Thavapalan, and Nick White.https://digitalcommons.risd.edu/risdmuseum_journals/1038/thumbnail.jp