20 research outputs found

    Digit-colour synaesthesia only enhances memory for colours in a specific context:A new method of duration thresholds to measure serial recall

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    For digit-color synaesthetes, digits elicit vivid experiences of color that are highly consistent for each individual. The conscious experience of synaesthesia is typically unidirectional: Digits evoke colors but not vice versa. There is an ongoing debate about whether synaesthetes have a memory advantage over non-synaesthetes. One key question in this debate is whether synaesthetes have a general superiority or whether any benefit is specific to a certain type of material. Here, we focus on immediate serial recall and ask digit-color synaesthetes and controls to memorize digit and color sequences. We developed a sensitive staircase method manipulating presentation duration to measure participants' serial recall of both overlearned and novel sequences. Our results show that synaesthetes can activate digit information to enhance serial memory for color sequences. When color sequences corresponded to ascending or descending digit sequences, synaesthetes encoded these sequences at a faster rate than their non-synaesthetes counterparts and faster than non-structured color sequences. However, encoding color sequences is approximately 200 ms slower than encoding digit sequences directly, independent of group and condition, which shows that the translation process is time consuming. These results suggest memory advantages in synaesthesia require a modified dual-coding account, in which secondary (synaesthetically linked) information is useful only if it is more memorable than the primary information to be recalled. Our study further shows that duration thresholds are a sensitive method to measure subtle differences in serial recall performance

    Temporal dissociation of neural activity underlying synesthetic and perceptual colors

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    Grapheme-color synesthetes experience color when seeing achromatic symbols. We examined whether similar neural mechanisms underlie color perception and synesthetic colors using magnetoencephalography. Classification models trained on neural activity from viewing colored stimuli could distinguish synesthetic color evoked by achromatic symbols after a delay of ∼100 ms. Our results provide an objective neural signature for synesthetic experience and temporal evidence consistent with higher-level processing in synesthesia

    Associations, expectations and meaning: decoding the neural processes underlying conceptual representations

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    Thesis by publication."Department of Cognitive Science, ARC Centre of Excellence of Cognition and its Disorders, Perception in Action Research Centre, Faculty of Human Sciences, Macquarie University, Sydney, Australia" -- title page.Includes bibliographic references.Chapter 1. Introduction -- Chapter 2. Decoding digits and dice with magnetoencephalography : evidence for a shared representation of magnitude -- Chapter 3. Seeing versus knowing : the temporal dynamics of real and implied colour processing in the human brain -- Chapter 4. Yellow strawberries and red bananas : the influence of object-colour knowledge on emerging object representations in the brain -- Chapter 5. Predicting the temporal dynamics of synaesthetic associations with real colour classification models -- Chapter 6. Discussion -- Appendix.Integrating incoming visual information with prior knowledge is vital when interacting with the world around us. But how do internal concepts and expectations about the environment shape perception? The research presented in this thesis focuses on disentangling neural activity associated with conceptual representations from the visual information that activate them. Using time-resolved multivariate pattern analyses (MVPA), I present four Magnetoencephalography (MEG) studies that aim to increase our understanding of how the neural activity associated with conceptual representations unfolds over time.In the first study, I examine whether there is a shared magnitude representation that can be activated independently of numerical format. The results showed that a shared representation of magnitude can be accessed via different numerical symbols (i.e., digits and dice) but that this representation is accessed slightly earlier via digits than dice. These findings highlight that there is an internally generated magnitude representation that can be separated from incoming visual information.In the second study, I explore whether accessing representations of objects with a strong canonical colour results in typical object colour being activated. When participants viewed greyscale objects that are associated with a specific colour (e.g., a greyscalestrawberry), the typical colour of the object (e.g., red) was decodable suggestingactivation of the object representation includes colour information. Further, I showed thatcolour information accessed via object-colour activation resembles later stages of real colour perception. These findings provide novel insights into the time course of object feature representations that are based on prior knowledge.In the third study, I describe the use of a congruency paradigm to investigate what happens when our prior expectations about object features are violated. The results show that the typicality of feature binding (colour and form) influences the neural response over time and can be differentiated. Whether the conjunction of object and colour was typical had an effect on colour representations but not on object representations. By focusing on the temporal aspect of object processing, this study highlights the effect of typicality of feature binding on object and colour processing.In the fourth study, I discuss data of a special population, grapheme-colour synaesthetes, who experience colours when perceiving achromatic letters and digits. For grapheme-colour synaesthetes, colour information could be decoded from brain activation patterns associated with viewing achromatic symbols in a very brief time window. Colour representations accessed via synaesthetic inducers resembled later stages of colour representations activated via real colour perception. Focusing on the timecourse of the neural signal associated with synaesthetic colours suggests that synaesthesia might be similar to object-colour knowledge.Together, the findings of this show that MVPA applied to MEG data is a suitable method to measure conceptual representations independent from the visual information that activates them. These results give novel insights into the complexities of visual perception and its dependency on prior knowledge.Mode of access: World wide web1 online resource (xi, 256 pages) diagrams, table

    THINGS-odd-one-out

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    4.7 million odd-one-out similarity judgments of 1854 natural object

    Red, green, blue equals 1, 2, 3:Investigating the bidirectionality of digit-colour synaesthesia

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    In grapheme-colour synaesthesia, letters and digits elicit vivid and highly consistent experiences of colour. Typically, the conscious experience is unidirectional: digits elicit colours but colours do not elicit digits. If synaesthesia reflects an involuntary connection between representations, however, a link between a digit and colour should have some bidirectional effects. Recent evidence shows subtle bidirectional interference effects reflecting this implicit link. Here, we examined whether the implicit activation of a digit by a colour for grapheme-colour synaesthetes could aid their performance, and whether this reflected slow strategic or rapid effortless processing. We presented grapheme-colour synaesthetes with a stream of coloured squares, and asked them to report the colours in order at the end of each trial. Within a trial, all the colours were individually presented for 200ms (fast condition) or 500ms (slow condition). The colours were matched to each synaesthete's colours for the digits one to nine. In half the trials, the order of the colours corresponded to part or all of a sequence of numbers (e.g., red, green, blue if 1=red, 2=green, 3=blue). For the other trials, there was no sequence in the order of colours. If synaesthetes activate, either involuntarily or strategically, the digit that typically elicits the colour when viewing colours, they should be able to use the sequential information to aid the recall of colours in order. Early results suggest that the synaesthetes were able to recall sequential colour sequences more accurately than pseudo-randomized colours. This effect appears greatest for the slow condition, where there is time for strategic transformation, suggesting that synaesthetes are able to use their unusual experiences to effectively cue recall

    Red, green, blue equals 1, 2, 3 : digit-color synesthetes can use structured digit information to boost recall of color sequences

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    Digit-color synesthetes report experiencing colors when perceiving letters and digits. The conscious experience is typically unidirectional (e.g., digits elicit colors but not vice versa) but recent evidence shows subtle bidirectional effects. We examined whether short-term memory for colors could be affected by the order of presentation reflecting more or less structure in the associated digits. We presented a stream of colored squares and asked participants to report the colors in order. The colors matched each synesthete’s colors for digits 1–9 and the order of the colors corresponded either to a sequence of numbers (e.g., [red, green, blue] if 1 = red, 2 = green, 3 = blue) or no systematic sequence. The results showed that synesthetes recalled sequential color sequences more accurately than pseudo-randomized colors, whereas no such effect was found for the non-synesthetic controls. Synesthetes did not differ from non-synesthetic controls in recall of color sequences overall, providing no evidence of a general advantage in memory for serial recall of colors.11 page(s
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