Recupero di un raro banco ottico del Melloni costruito nella Palermo della “belle époque”

In questo articolo discuteremo del recupero di uno strumento scientifico di particolare interesse storico-didattico appartenente alla Collezione del Liceo Classico Statale “Umberto I” di Palermo: un raro banco ottico del Melloni costruito alla fine del 1800 nella Palermo della “belle époque” dal “macchinista” Filippo Caliri. Nell’articolo discuteremo gli aspetti tecnici degli interventi conservativi effettuati.In the article we will report on the recovery of a Melloni’s optical bench built at the end of 1800 by the “macchinista” Filippo Caliri in the “belle époque” of Palermo. A scientific instrument of particular historical and didactic interest belonging to the collection of Liceo Classico Statale “Umberto I” of Palermo. In the article, we will discuss the technical aspects of the interventions carried out

Due 'paradossi meccanici' della Collezione Storica degli Strumenti di Fisica dell'Universit\`a di Palermo

Many instruments of the Historical Collection of the Physics Instruments of the University of Palermo date back to the early nineteenth century, when experimental Physics begun to be taught in university studies by using instruments and apparatuses in the classroom to illustrate the laws of Physics. Among the various instruments belonging to the Collection, there are also the so-called 'paradoxes', instruments with surprising properties that do not seem to follow the laws of Physics. In this article we analyze two 'mechanical paradoxes' of the Collection and discuss their possible educational use.Comment: 11 Pages, in Italian, 9 Figures. Accepted for publication in Quaderni di Ricerca in Didattica (Science), special Issue in Italian languag

Participatory dynamics and public values in World Heritage sites: the case of the World Heritage serial site Arab-Norman Palermo and the Cathedral Churches of Cefalú and the Monreale (Italy).

L'abstract è presente nell'allegato / the abstract is in the attachmen

Exploration of Cruella

ABSTRACT: This project explores Disney\u27s Cruella, a visually striking film that reimagines the origin story of one of pop culture\u27s most infamous villains. Set in 1970s London, the film fuses the grit and glamour of the punk rock era with high fashion, creating a world where clothing is more than costume; it\u27s a statement of identity and rebellion. The narrative follows Estella, a gifted but troubled fashion designer, as she transforms into the courageous and stubborn Cruella de Vil. Our project highlights her evolution which is portrayed through plot, costume design, music, and setting, each of which reflects the cultural turmoil of the era. Through a conducted detailed analysis of Jenny Beavan\u27s award-winning costume work and the historical context of 1970s Britain, this project demonstrates how Cruella uses visual storytelling to comment on creativity and transformation. We discovered that fashion in Cruella operates as a form of narrative agency. Each outfit speaks to the character\u27s internal struggle, Cruella\u27s need to devalue societal expectations and her quest for personal and professional revenge. Ultimately, Cruella challenges traditional villain narratives by offering a layered, visually captivating portrait of a woman who uses fashion to fight back. The project highlights the film\u27s relevance in today\u27s conversations about self-expression, gender roles, and the politics of appearance in both fashion and film

Unveiling forms of participation in the governance of UNESCO world heritage sites

This paper focuses on the issues of governance and participation of World Heritage sites. It inquiries how decision-making structures to locally managed World Heritage sites may encompass public participation. Through an in-depth qualitative approach, the paper analyses the World Heritage Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale serial site (Italy). By examining the participatory dynamics that occurred during the creation and development of the selected World Heritage serial site, this paper reveals three coexisting forms of participation in WHsite decisions: inter-institutional agreement, social aggregation, and multi-actor collaboration. The main findings suggest that although formal decision-making arenas may be participative weakly, the unpacking of participatory practices in urban spaces uncovers a vibrant scene, as it emerges from the Cassaro Alto and Danisinni districts in the city of Palermo

A Breath of Fresh Air: An impact assessment study of the health and economic costs of pollution in South West Detroit 48127

This project was an impact study of the health and economic costs of pollution in Southwest Detroit. The main objective of the study was to apply existing knowledge and evidence about health impacts in Southwest Detroit to specific social and community contexts

Musei, Patrimonio Digitale e Questioni Organizzative: Stato dell’Arte. Museums, Digital Heritage and Organizational Issues: State of the Art

Il seguente articolo indaga gli effetti che un uso diffuso delle tecnologie digitali ha generato nelle istituzioni museali, adottando una prospettiva organizzativa e gestionale. Attraverso una approfondita revisione della letteratura, basata sulla selezione di fonti eterogenee, lo studio identifica tre macroaree di cambiamento riscontrate nell’ambito museale: innovazione dei modelli di business, professioni emergenti e strategia digitale. L’obiettivo principale è quello di raccogliere informazioni frammentate, provenienti sia da studi accademici che relazioni progettuali al fine di ricostruire un quadro unitario dello stato dell’arte sulla relazione tra musei e tecnologie digitali, offrendo spunti di riflessione utili per ulteriori ricerch

Unveiling forms of participation in the governance of UNESCO world heritage sites

This paper focuses on the issues of governance and participation of World Heritage sites. It inquiries how decision-making structures to locally managed World Heritage sites may encompass public participation. Through an in-depth qualitative approach, the paper analyses the World Heritage Arab-Norman Palermo and the Cathedral Churches of Cefalù and Monreale serial site (Italy). By examining the participatory dynamics that occurred during the creation and development of the selected World Heritage serial site, this paper reveals three coexisting forms of participation in WHsite decisions: inter-institutional agreement, social aggregation, and multi-actor collaboration. The main findings suggest that although formal decision-making arenas may be participative weakly, the unpacking of participatory practices in urban spaces uncovers a vibrant scene, as it emerges from the Cassaro Alto and Danisinni districts in the city of Palermo.</jats:p