213 research outputs found

    Sexual Affronts and Racial Frontiers: National Identity, 'Mixed Bloods' and the Cultural Genealogies of Europeans in Colonial Southeast Asia

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    Also CSST Working Paper #64.http://deepblue.lib.umich.edu/bitstream/2027.42/51220/1/454.pd

    Children on the Imperial Divide: Sentiments and Citizenship in Colonial Southeast Asia

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    Also CSST Working Paper #78.http://deepblue.lib.umich.edu/bitstream/2027.42/51240/1/474.pd

    Archivos coloniales y el arte de gobernar

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    Anthropologists engaged in postcolonial studies are increasingly adopting an historical perspective and using archives. Yet their archival activity tends to remain more extractive than ethnographic. Documents are thus still invoked piecemeal to confirm the colonial invention of certain practices or to underscore cultural claims, silent. Yet such mining of the content of government commissions, reports, and other archival sources rarely pays attention to their peculiar placement and form. Scholars need to move from archive-as-source to archive-as-subject. This article, argues that scholars should view archives not as sites of knowledge retrieval, but of knowledge production, as monuments of states as well as sites of state ethnography. This requires a sustained engagement with archives as cultural agents of “fact” production, of taxonomies in the making, and of state authority. What constitutes the archive, what form it takes, and what systems of classification and epistemology signal at specific times are (and reflect) critical features of colonial politics and state power.Los antropólogos dedicados a los estudios poscoloniales adoptan cada vez más una perspectiva histórica y recurren a los archivos, aunque esta actividad tiende a ser más extractiva que etnográfica. Los documentos son todavía fragmentos que se examinan en silencio para confirmar la invención de ciertas prácticas coloniales o recalcar reivindicaciones culturales. Sin embargo, la extracción del contenido de comisiones, informes y otras fuentes rara vez presta atención a su disposición y forma particular. Es necesario cambiar el enfoque del archivo-como-fuente al archivo-como-objeto. Este artículo, sostiene que los archivos se deben considerar no como lugares de recuperación del conocimiento, sino de producción de conocimiento, como documentos legales y sitios de la etnografía del Estado. Este enfoque exige un compromiso continuo con los archivos como agentes culturales de producción de “hechos”, de taxonomías en desarrollo y de la autoridad estatal. Aquello que constituye un archivo, qué forma adopta y qué sistemas epistemológicos y de clasificación señalan el camino en momentos específicos que conforman (y reflejan) las características esenciales de la política y el poder estatal colonial

    Suivre les archives dans le sens du « grain ». Entretien avec Ann Laura Stoler

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    Ann Laura Stoler revient ici sur les origines et les enjeux de son essai Along the Archival Grain. Epistemic anxieties and colonial common sense (Princeton Press, 2009), dont une traduction paraîtra en 2015 chez Armand Colin sous le titre Au cœur de l’archive coloniale. Travaillant « dans les interstices des archives, sur des citoyens de seconde zone qui sont dans les interstices de l’histoire », l’historienne entend renouer ensemble les fils de leurs histoires à l’histoire du pouvoir, tout en montrant d’abord comment et pourquoi ces fils ont été coupés. Ce geste politique, qui rend compte de la sourde violence des archives, est aussi un geste poétique, dans la savante construction du livre, et sa manière de suivre leur « grain ».Ann Laura Stoler returns here to the origins and issues in her essay, Along the Archival Grain. Epistemic anxieties and colonial common sense (Princeton Press, 2009), for which a translation is forthcoming in 2015, published by Armand Colin, under the title Au cœur de l’archive coloniale. Working ‘in the interstices of the archives, on second-class citizens who are in the interstices of history’, the historian intends to tie together the threads of their histories to the history of power, all the while showing primarily how and why these threads were cut. This political act, which accounts for the underlying violence of the archives, is also a poetic act, in the scholarly construction of the book, and of its way of going along the same grai

    Violence and affective states in contemporary Latin America

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    This special issue brings together scholars interested in the analysis of the social, cultural and affective dimensions of violence. The contributions explore the connections between situated experiences of violence and shifting affective states, relations, sensations and contingencies in contemporary Latin America. The articles consider how violence might constitute a nexus for the production of subjectivities and forms of identification, relationality and community, alterity and belonging, in a range of Latin American contexts including Argentina, Brazil, Guatemala, Mexico and in the Mexican diaspora in Spain

    Shopping, sex, and lies: Mimong/Sweet Dreams (1936) and the disruptive process of colonial girlhood

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    In the early Korean film we follow the melodramatic life of an unfaithful housewife. Sweet Dreams situates itself at the heart of the Korean colonial experience with urban Seoul as the backdrop to a narrative of deceit, adultery and consumerism. This article will explore how Sweet Dreams functions both as a warning about the perils of modern womanhood and, simultaneous to this, a vision of consumerist pleasure and delight. This article examines how the actions of lead character Ae-soon constitute a process by which the adult women is rendered girl via her positioning at the locus of female visual pleasure. I use the term girl as a process rather than a static category since, as will be explored, the attributes of girlhood with relation to Sweet Dreams are both expansive and fluid. In this way girlhood can be appropriated for transgressive purposes, not only in terms of a visualization of a desiring femininity, but also as a marker of colonial dissent. I argue that Sweet Dreams uses the interplay between the categories of woman and girl to disrupt the colonial drive towards a productive body in favour of the delights of consumption

    ‘Wandering and settled tribes’: biopolitics, citizenship, and the racialized migrant

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    This paper argues that purportedly outdated racial categories continue to resonate in contemporary forms of racialization. I examine the use of metaphors of rootedness and shadows by a contemporary UK migrant advocacy organization and its allies to justify migrant regularization and manage illicit circulation. I argue that the distinction between rooted and rootless peoples draws on the colonial and racial distinctions between wandering and settled peoples. Contemporary notions of citizenship continue to draw upon and activate racial forms of differentiation. Citizenship is thus part of a form of racial governance that operates not only along biological but also social and cultural lines, infusing race into the structures, practices, and techniques of governance

    Colonial Archives and the Arts of Governance

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    Anthropologists engaged inpost-colonial studies are increasingly adoptingan historical perspective and using archives. Yet their archival activity tends to remain morean extractive than an ethnographic one.Documents are thus still invokedpiecemeal to confirm the colonial invention ofcertain practices or to underscore culturalclaims, silent. Yet such mining of the content of government commissions,reports, and other archival sources rarely paysattention to their peculiar placement and form .Scholars need to move fromarchive-as-source to archive-as-subject. Thisarticle, using document production in the DutchEast Indies as an illustration, argues thatscholars should view archives not as sites ofknowledge retrieval, but of knowledgeproduction, as monuments of states as well assites of state ethnography. This requires asustained engagement with archives as culturalagents of ``fact'' production, of taxonomies inthe making, and of state authority. What constitutes thearchive, what form it takes, and what systemsof classification and epistemology signal atspecific times are (and reflect) critical featuresof colonial politics and state power. The archive was the supreme technology of thelate nineteenth-century imperial state, arepository of codified beliefs that clustered(and bore witness to) connections betweensecrecy, the law, and power.Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/41825/1/10502_2004_Article_5096461.pd
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