8 research outputs found

    Redundant Leniency and Redundant Punishment in Prosecutorial Reforms

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    Copyright Protection and Cumulative Creation: Evidence from Early Twentieth-Century Music

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    This paper uses data from an online database of music sampling to estimate the effect of copyright protection on the cumulative use of music. Using unique panel data that link upstream and downstream music, I use regression analysis to examine the rates at which early 20th-century musical works were used throughout the 20th and 21st centuries. The results suggest that copyright protection causes an upstream work to be used less than half as often as it would be if it were in the public domain after conditioning on upstream-song and downstream-year fixed effects. Placebo regressions in which the copyright expiration date is artificially shifted forward and backward in time by 2, 5, and 10 years suggest an immediate effect of copyright expiration on downstream use

    Gender Favoritism among Criminal Prosecutors

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    Prosecutors enjoy wide discretion in the decisions they make but are largely unstudied by quantitative empirical scholars. This paper explores gender bias in prosecutorial decision-making. I find that male and female prosecutors exhibit small and statistically insignificant differences in their treatment of defendants overall but demonstrate relative leniency toward defendants of their own gender. Such favoritism at charging translates into a sentencing gap of roughly 5 months of incarceration for defendants who are paired with an own-gender prosecutor versus an opposite-gender prosecutor, which represents a roughly 8 percent reduction in sentence length at the mean. The estimates do not appear to be driven by differences in case assignments for male and female prosecutors

    Copyright Protection and Cumulative Creation: Evidence from Early Twentieth-Century Music

    No full text
    This paper uses data from an online database of music sampling to estimate the effect of copyright protection on the cumulative use of music. Using unique panel data that link upstream and downstream music, I use regression analysis to examine the rates at which early 20th-century musical works were used throughout the 20th and 21st centuries. The results suggest that copyright protection causes an upstream work to be used less than half as often as it would be if it were in the public domain after conditioning on upstream-song and downstream-year fixed effects. Placebo regressions in which the copyright expiration date is artificially shifted forward and backward in time by 2, 5, and 10 years suggest an immediate effect of copyright expiration on downstream use

    Data for "Discretion and Disparity in Federal Detention"

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