15 research outputs found

    Whose Honey, Whose Hive: Rhetorical Agency in the Colony Collapse Disorder

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    U.S. beekeepers used distinct, important narratives to define Colony Collapse Disorder, a crisis that continues to kill a third of U.S. honey bees each year and threatens $15 billion of crops. My analysis of personal interviews with U.S. beekeepers including Dave Hackenberg, former president of the American Honey Producers Association, find beekeepers supply more pragmatic and emplaced narratives than those supplied by scientists and media: rather than define the crisis as pathogenic or a crime-narrative “whodunnit” with singular solutions, beekeepers define it in terms of economics and interactive “field” conditions such as pesticides, watersheds, bee genetics and foraging. Citing the work of Peterson, Lamberti and Schell, I advance the argument that defining “farmer’s narratives” helps better define food-related environmental crises

    Home Ground, by Barry Lopez

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    Whose Honey, Whose Hive?: Genre and Rhetorical Agency in the U.S. Colony Collapse Disorder

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    This dissertation analyzes the rhetoric surrounding the environmental crisis of the honey bee Colony Collapse Disorder, commonly known as CCD. Since 2007, the United States has lost on average a third of its honey bee colonies each year to CCD. The crisis has potentially serious environmental consequences. Without honey bee pollination services, over $14 billion worth of crops in the United States alone are in jeopardy. Drawing on environmental rhetoric, genre theory, and agricultural rhetorics, I offer a rhetorical analysis and genre analysis of the narratives surrounding CCD from select popular press newspaper articles, documentaries, nonfiction works, and personal interviews with beekeepers that cover the span of the early years of the U.S. crisis from 2007 to 2011. I argue that specific narratives of CCD offered by stakeholders such as scientists, reporters, beekeepers, policymakers, and environmentalists both constrained and invited deliberation about the synergistic causes of the crisis. One narrative I examine in detail in Chapter Two is the nesting genre of the “crime mystery” of CCD in news stories that often reduced consideration of the causes of CCD to a warring search for a pathogenic solution. This focus on a “smoking gun” for CCD focused the public’s attention on scientists seeking a single solution instead of considering multi-factoral causes. The genre also reduced consideration of the multiple roles stakeholders played in the crisis. In contrast, beekeepers’ protests, insights and perspectives (Chapters Three and Four) and the trope “listening to bees” popular in nonfiction media (Chapter Five) expanded consideration of systemic economic and cultural causes for the crisis, and allowed bees and beekeepers to emerge as informative agents. This project considers, too, how American beekeepers have approached CCD in largely individualistic terms in contrast to French beekeepers who have collectively organized in large groups to protest their sense that CCD was caused by the sale of a pesticide by the Bayer Corporation. I apply rhetorical and genre analysis to representations of CCD in popular media and beekeepers’ discourse. I cite stakeholders such as scientists, researchers, journalists, beekeepers, and protestors. This dissertation contributes to scholarship in environmental rhetoric and environmental communication that analyzes the narratives and causes of environmental crises. This project evaluates the solutions and challenges that varied stakeholders have posed, specifically through analyzing the shaping and impact of their narratives. Ultimately, the concluding chapter argues for the trope of “listening to bees,” the idea that bees are a critical indicator species whose behavior informs how we should approach and potentially solve this crisis

    Kritische Gänge in die Volkstheorie

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    http://tartu.ester.ee/record=b2284879~S1*es

    Herder in Riga : Rede, gehalten zum Festaktus des Herder-Institutes am 4. September 1922

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    http://www.ester.ee/record=b4263278~S58*es

    Whose Honey, Whose Hive: Rhetorical Agency in the Colony Collapse Disorder

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    U.S. beekeepers used distinct, important narratives to define Colony Collapse Disorder, a crisis that continues to kill a third of U.S. honey bees each year and threatens $15 billion of crops. My analysis of personal interviews with U.S. beekeepers including Dave Hackenberg, former president of the American Honey Producers Association, find beekeepers supply more pragmatic and emplaced narratives than those supplied by scientists and media: rather than define the crisis as pathogenic or a crime-narrative “whodunnit” with singular solutions, beekeepers define it in terms of economics and interactive “field” conditions such as pesticides, watersheds, bee genetics and foraging. Citing the work of Peterson, Lamberti and Schell, I advance the argument that defining “farmer’s narratives” helps better define food-related environmental crises.</p
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