Taste, gender and the home : before and after Bourdieu

A discussion about Pierre Bourdieu's views on the home in his 1979 book 'Distinction: A Social Critique of the Judgement of Tast

'A feminine touch’: gender, design and the ocean liner

This article offers an interdisciplinary account of gender in relation to ocean liner interior design. It outlines a case study of what the discipline of design history can bring to gender and maritime history. A historiography of the subject is followed by an analysis of the ways in which the spaces on board British ocean liners were conceived of, designed and used in terms of gender. Some spaces on board were designated as female only and other spaces understood to be male only – particularly the smoking room. The concluding part of the article considers the role of women designers within the patriarchal world of ship design and construction, by investigating the contributions of Elsie Mackay at P & O and the Zinkeisen sisters on the Queen Mary. Using primary sources, including visual evidence, the article considers a range of liners, from the Hindostan (1842) through to the Orontes (1929; refitted 1948). This bridges the gap between design history, gender and maritime history and adds to debates around gender and maritime history with a consideration of the overlooked area of design and its histories

Gendered, Non-Gendered, Re-Gendered Tools for Spatial Production

The perennial question, “Can design be genderless?” is further complicated by our contingent, nuanced and transient gender identities. Our collective focus is more often upon whether spatial outcomes are gendered, rather than the gender of the processes themselves. In contrast, this paper considers to what extent our making processes are gendered and the role of linguistics in assigning gender to the tools of production. It also asks whether tools can be un-gendered, re-gendered or non-gendered, and reflects upon the need for a collective, critical awareness of the influence of gendered tools over our design processes and outcomes. It asserts the need for spatial producers – of all genders – to use un-gendered, re-gendered or non-gendered tools in order to subvert and disrupt making and maker stereotypes, and as a means critically to assess their practical utility and political influence. The paper was first delivered at the conference 'Architectures and Feminisms', Stockholm, 17-19 November 2016: http://architecturefeminisms.org/ Writing from the perspective of interior architecture educators familiar with the parallels between object-versus-absence-of-an object and exteriority-versus-interiority disciplinary tensions, the author explores the extent to which we are complicit agents of gender assignation: by failing to question both the tactic and explicit identity of the objects or tools used to author space. We do this by examining the role of linguistics in assigning gender to objects, calling into question the extent to which supposedly gendered objects inform the wider social relations of space, forcing us to consider the need for a new lexicon of non-binary spatial syntax. Our analysis also reflects upon the outcomes of a making exercise run during the Conference and a student workshop run at the Royal College of Art. Drawing inspiration from the work of Helene Cixous (1999), the Stockholm workshop began with a piece of provocative prose and invited participating delegates to engage in de-gendering objects and/or making their own gendered/non-gendered objects/voids. As anthropologist Daniel Miller identifies, objects "continually assert their presence as simultaneously material force and symbol. They frame the way we act in the world, as well as the way we think about the world’. (Miller, 1987, p.105) Subsequently, the artefacts produced in both workshops are qualitatively examined using the theoretical tools of constructivism within a feminist analytical framework