13 research outputs found

    Biodiversity data as public environmental media: Citizen science projects, national databases and data visualizations

    Get PDF
    Through a combination of scientific and community activity, our environment is increasingly registered and documented as data. Given the expanding breadth of this digital domain, it is crucial that scholars consider the problems it presents as well as its affirmative potential. This article, arising from collaboration between a practitioner and theorist in digital design and a film and screen scholar with expertise in documentary and environmental studies, critically examines biodiversity data through an ecocritical reading of public-facing databases, citizen science platforms and data visualizations. We examine the Atlas of Living Australia; Canberra Nature Map; the City of Melbourne's Insects; and the experimental visualization Local Kin. Integrating perspectives from screen studies, design and the environmental humanities, including multispecies studies approaches in anthropology, we examine how digital representations reflect the way biodiversity data is produced and structured. Critically analysing design choices ‐ what is shown, and how it is shown ‐ we argue that biodiversity data on-screen provides specific affordances: allowing, encouraging or discouraging certain insights and possibilities that condition our knowledge of and engagement with living things. An interdisciplinary approach allows us to ask new questions about how users might experience multispecies worlds in digital form, and how biodiversity data might convey the complexities of an entangled biosphere, amplifying understanding, connection and attention amongst interested publics. We examine the visual rhetorics of digital biodiversity in order to better understand how these forms operate as environmental media: designed representations of the living world

    Tasmanian tigers and polar bears: The documentary moving image and (species) loss

    No full text
    In this essay I explore how two divergent examples of the nonfiction moving image can be understood in relation to the problem of representing species loss. The species that provide the platform for this consideration are the thylacine, better known as the Tasmanian tiger, and the polar bear. They represent the two contingencies of species loss: endangerment and extinction. My analysis is structured around moving images from the 1930s of the last known thylacine and the very different example of Arctic Tale (Adam Ravetch, Sarah Robertson, 2007), a ‘Disneyfied’ film that dramatises climate change and its impact on the polar bear. Species loss is frequently perceived in a humanist sense, reflecting how we ‘imagine ourselves’ or anthropocentric charactersations of non-human others. I offer a close analysis of the two films, examining the problem of representing extinction through a consideration of the play of absence and presence, vitality and extinguishment, that characterises both the ontology of cinema and narratives about species loss

    Amidst a nation's cultures : documentary and Australia's Special Broadcasting Service Television

    No full text
    Abstract not availabl

    Youth, media and culture in the Asia Pacific region

    Full text link
    Youth, Media and Culture in the Asia Pacific Region presents an analysis of youth media activities in a diverse, but geographically connected Asia Pacific region. The region, which is spatially connected by its colonial and imperial past, is becoming a significant player in the globalized world. In this context, youth situated in these economically, politically and socially structured communities are redefining their locales through their patterns of media use. The discourse of ‘youth’ in this disparate region is manifest in the media through their identity articulations and social activism. The book illustrates that these ‘youth subcultures’ in the Asia Pacific are part of the well marketed global consumerism culture, and yet at other times independent of the commodifying impetus of global capital. It draws on case studies to examine some of the media practices youth in the region are engaged in and elucidates the process of social change taking place in some Asia Pacific nations. \u27This book contributes to the important and growing field of youth media studies. The regionalization of media research is necessarily recuperated here, bringing large populations of media users into a frame of reference that allows critical reflection on the new waves of use and sociality in the Asia Pacific region.\u2
    corecore