Getting in, getting on, getting out? Women as career scramblers in the UK film and television industries

This article looks at the predominance of freelancing in the film and television industries as a lens to examine the persistence of gender inequalities within these fields. Previous research has indicated that women fare better in larger organizations with more stable patterns of employment, and in this article we explore why that might be the case, by focusing on the experiences of female freelancers at a moment when project-based, precarious work and informal recruitment practices are increasing in the UK film and television sector. We highlight in particular the ways in which gender inequality is mediated by age and parental status, and the impact of intersectional identities on women's ability to sustain a career in film and television

Towards a Bourdieusian analysis of the social composition of the UK film and television workforce

This is an Open Access article is distributed under the terms of the Creative Commons Attribution-NonCommercial 3.0 License (http://www.creativecommons.org/licenses/by-nc/3.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page(http://www.uk.sagepub.com/aboutus/openaccess.htm).The social composition of the workforce of the UK film and television industries does not reflect the diversity of the population and the industries have been described as white, male and middle class. While the lack of specific demographic representation in employment (for example gender or ethnicity) has been highlighted by both industry and academic commentators, its broader social composition has rarely been addressed by research. This article draws on the work of Bourdieu, particularly the concepts of field, habitus and capitals, to explore perceptions of the barriers to entry into these industries and the way in which individuals negotiate these by drawing on the various capitals to which they have access.Peer reviewe

British Film Policy in an Age of Austerity

British film policy in an age of austerit