Intellectual Brilliance and Presidential Performance: Why Pure Intelligence (or Openness) Doesn't Suffice.

In recent years it has become popular on the internet to debate the IQ of the incumbent president of the United States. Yet, these controversies (and hoaxes) presume that IQ has some relevance to understanding the president's actual performance as the nation's leader. This assumption is examined by reviewing the empirical research on the intelligence-performance association in political leadership, with a special focus on U.S. presidents. The review starts by discussing at-a-distance assessment techniques, a method that has yielded reliable and valid measures of IQ, Intellectual Brilliance, and Openness to Experience; three correlated even if separable concepts. The discussion then turns to the reliable and valid measurement of presidential performance-or "greatness"-via successive surveys of hundreds of experts. These two lines of research then converged on the emergence of a six-predictor equation, in which Intellectual Brilliance plays a major role, to the exclusion of both IQ and Openness. The greatest presidents are those who feature wide interests, and who are artistic, inventive, curious, intelligent, sophisticated, complicated, insightful, wise, and idealistic (but who are far from being either dull or commonplace). These are the personal traits we should look for in the person who occupies the nation's highest office if we seek someone most likely to solve the urgent problems of today and tomorrow

Quantifying creativity: can measures span the spectrum?

Because the cognitive neuroscientists have become increasingly interested in the phenomenon of creativity, the issue arises of how creativity is to be optimally measured. Unlike intelligence, which can be assessed across the full range of intellectual ability creativity measures tend to concentrate on different sections of the overall spectrum. After first defining creativity in terms of the three criteria of novelty, usefulness, and surprise, this article provides an overview of the available measures. Not only do these instruments vary according to whether they focus on the creative process, person, or product, but they differ regarding whether they tap into “little-c” versus “Big-C” creativity; only productivity and eminence measures reach into genius-level manifestations of the phenomenon. The article closes by discussing whether various alternative assessment techniques can be integrated into a single measure that quantifies creativity across the full spectrum

A 45-Year Perspective on Creativity Research: Comments on Glăveanu’s Critique

In response to Glăveanu’s critique of creativity research, this commentator argues that the highly productive research program that he has carried out over the past 45 years exemplifies almost all of the recommendations put forward in the critique. In particular, this extensive program has (a) asked bold, new, and surprising questions, (b) reflected on definitions rather than simply taking them for granted, (c) challenged traditional units of analysis, (d) looked for unique, interesting samples and developed new methods, and (e) built new theory rather than just cite it. The program’s researcher might only be accused of failing to think practically about his conclusions. The comment closes by discussing the difficulties involved in pursuing such a rich research program as well as speculating on whether the field of creativity really should have numerous researchers engaged in such [email protected] of Psychology, University of California, Davis, USA1219019

Advancing Creativity Theory and Research: A Socio-cultural Manifesto

This manifesto, discussed by 20 scholars, representing diverse lines of creativity research, marks a conceptual shift within the field. Socio-cultural approaches have made substantial contributions to the concept of creativity over recent decades and today can provide a set of propositions to guide our understanding of past research and to generate new directions of inquiry and practice. These propositions are urgently needed in response to the transition from the Information Society to the Post-Information Society. Through the propositions outlined here, we aim to build common ground and invite the community of creativity researchers and practitioners to reflect up, study, and cultivate creativity as a socio-cultural phenomenon